Appendix B: Connections
XLR Connectors | 1/4" TS Phone Plugs and Jacks |
Channels | “TS” stands for |
MIC inputs. They are wired as follows, according to stan- | available on a mono 1/4" phone jack or plug. They are |
dards specified by the AES (Audio Engineering Society). | used for unbalanced signals. |
Manual s’Owner
SHIELD 2
HOT
COLD 3 1
SHIELD 1
COLD 3 2
HOT
1SHIELD
3COLD
SLEEVE | SLEEVE TIP |
TIP
TIP
SLEEVE
1/4" TS Unbalanced Wiring:
Sleeve = Shield
Tip = Hot (+)
2
XLR Balanced Wiring:
Pin 1 = Shield
Pin 2 = Hot (+)
Pin 3 = Cold
HOT
1/4" TRS Phone Plugs and Jacks
“TRS” stands for
Balanced Mono
RING SLEEVE | SLEEVE RING TIP |
TIP |
|
| RING |
| TIP |
| SLEEVE |
1/4" TRS Balanced Mono Wiring:
Sleeve = Shield
Tip = Hot (+)
Ring = Cold
Stereo Headphones
RING SLEEVE | SLEEVE RING TIP |
TIP |
|
| RING |
| TIP |
| SLEEVE |
1/4" TRS Stereo Unbalanced Wiring:
Sleeve = Shield
Tip = Left
Ring = Right
in many other applications. They are unbalanced and electrically equivalent to a 1/4" TS phone plug.
SLEEVE TIP SLEEVE TIP
RCA Unbalanced Wiring:
Sleeve = Shield
Tip = Hot (+)
Unbalancing a Line
In most studio, stage, and sound reinforcement situ- ations, there is a combination of balanced and unbalanced inputs and outputs on the various pieces of equipment. This usually will not be a problem in making connections.
•When connecting a balanced output to an unbal- anced input, be sure the signal high (hot) connec- tions are wired to each other, and that the balanced signal low (cold) goes to the ground (earth) connection at the unbalanced input. In most cases, the balanced ground (earth) will also be connected to the ground (earth) at the unbalanced input. If there are
Owner’s Manual
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