When connecting an unbalanced output to a bal- anced input, be sure that the signal high (hot) connections are wired to each other. The unbal- anced ground (earth) connection should be wired to the low (cold) and the ground (earth) connec- tions of the balanced input. If there are ground-loop problems, try disconnecting the unbalanced ground (earth) connection from the balanced input ground

(earth) connection, leaving the unbalanced ground connected to the balanced input low (cold) con- nection only.

In some cases, you may have to make up special adapters to interconnect your equipment. For example, you may need a balanced XLR female connected to an unbalanced 1/4" TS phone plug. Many common adapters can be found at your local electronics supply store.

DB25 Connectors

Analog

The BALANCED LINE LEVEL INPUTs and BALANCED LINE LEVEL OUTPUTs on the back of the Onyx 800R provide balanced inputs and outputs for channels 1-8 on two female DB25 connectors. These connectors are pin-for-pin compatible with the analog (not TDIF) DB25 connectors found on TASCAM DTRS recorders, which has become an industry standard for many professional audio manufacturers. They are also the same pinout as the analog cards for the Mackie D8B and hard disk recorders.

Each DB25 connector provides eight balanced line- level inputs or outputs.

 

 

CH 1

CH 2

 

CH 3

CH 4

CH 5

 

CH 6

CH 7

 

CH 8

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

GROUND COLD HOT

GROUND COLD HOT GROUND

COLD HOT

GROUND COLD HOT GROUND

COLD HOT

GROUND COLD HOT GROUND

COLD HOT

GROUND COLD HOT

N/C

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

13

 

 

12

 

 

11

 

 

10

 

 

9

 

 

 

8

 

 

 

7

 

 

 

6

 

 

 

5

 

 

 

4

 

 

 

3

 

 

 

2

 

 

 

1

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

25 24 23

22 21 20 19 18 17 16 15 14

Analog DB25 Line-Level Input and Output

Several companies make DB25-to-DB25 cables specifi- cally for audio, with proper shielding to reduce crosstalk and noise.

DB25 cables that break out to XLR, 1/4" TRS, or TT connectors for connecting to other mixers or audio gear are also readily available. See your Mackie dealer for details.

Digital

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Owner’s

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The AES/EBU OR S/PDIF OUT connector provides

Manual

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

USED ON

 

 

 

 

a digital output for all eight channels. If you have this

 

output configured for AES/EBU, which is a balanced

 

output, the connector is wired as follows:

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

INPUTS NOT

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

ONYX 800R

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

(110 TERMINATION)

 

 

 

 

SHIELD CH7/8 OUT–

CH 7/8 OUT+ CH 5/6 OUT– CH 5/6 OUT+

CH 3/4 OUT– CH 3/4 OUT+

CH 1/2 OUT– CH 1/2 OUT+

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

SHIELD SHIELD SHIELD SHIELD NC SHIELD SHIELD SHIELD

CH 7/8 IN– CH 7/8 IN+

CH 5/6 IN–

CH 5/6 IN+ CH 3/4 IN– CH 3/4 IN+

CH 1/2 IN– CH 1/2 IN+

 

13

 

 

12

 

 

11

 

 

10

 

 

9

 

 

 

8

 

 

 

7

 

 

 

6

 

 

5

 

 

 

 

4

 

 

 

3

 

 

 

2

 

 

 

1

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

25 24 23 22 21 20 19 18 17 16 15 14

 

 

Digital DB25 AES/EBU Output

If you have this output configured for S/PDIF, which is an unbalanced output, the connector is wired as follows:

INPUTS NOT

USED ON

ONYX 800R

(110 TERMINATION)

SHIELD SHIELD

SHIELD SHIELD

NC SHIELD

SHIELD SHIELD

SHIELD CH 7/8 GND

CH 7/8 OUT CH 5/6 GND CH 5/6 OUT CH 3/4 GND

CH 3/4 OUT CH 1/2 GND

CH 1/2 OUT NC NC NC

NC NC

NC NC NC

13

 

 

12

 

 

11

 

 

10

 

 

9

 

 

8

 

 

7

 

 

6

 

 

5

 

 

4

 

 

3

 

 

2

 

1

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

25 24 23 22 21 20 19 18 17 16 15 14

Digital DB25 S/PDIF Output

If you are using the DUAL WIRE position with the higher sample rates (88.2 kHz and up), the same cabling that you use for the SINGLE WIRE position will work as long as you have it connected to another device using the same method.

Note: A variety of alternate pin-out configurations have been developed by various manufacturers for the AES/EBU DB25 interface. Make sure the device you are connecting to has the same pin-out configuration as the Onyx 800R. If not, you will need to make a conversion cable so the signals arrive at the correct pins on the receiving end of the cable.

Owner’s Manual

19

Page 19
Image 19
Mackie 800R owner manual DB25 Connectors, Analog, Digital

800R specifications

The Mackie 800R is a high-performance 8-channel microphone preamp that is designed for recording professionals and studios that demand exceptional sound quality and flexibility. This versatile unit stands out due to its robust build quality, advanced features, and user-friendly operation, making it a vital addition to any audio setup.

One of the main features of the Mackie 800R is its high-quality mic preamps, which employ the renowned Onyx technology. The Onyx preamps are characterized by their high headroom, low noise, and excellent linearity, resulting in clear, detailed sound reproduction. Each channel provides a gain range of up to 60 dB, allowing it to accommodate a wide variety of microphones, from dynamic to condenser, ensuring your recordings are always crisp and professional.

The 800R also includes eight balanced TRS outputs, which allow for seamless integration with mixers and audio interfaces. This flexibility simplifies the workflow in any recording environment, making it easy to patch into existing setups. Additionally, the unit features both analog and digital outputs, providing options for connecting to ADAT and S/PDIF devices, further enhancing its versatility.

Another notable characteristic of the Mackie 800R is its user-friendly interface. Each channel is equipped with a direct output, a 48V phantom power switch, and a -20dB pad, which allows users to tailor their settings on the fly. The built-in LED indicators provide visual feedback on signal levels, ensuring that users can easily monitor their inputs.

This preamp is also designed for durability with its solid metal chassis, which is built to withstand the rigors of both studio and live environments. Its compact size makes it ideal for mobile setups, allowing engineers to take high-quality audio with them wherever they go.

In summary, the Mackie 800R is a powerful and reliable microphone preamp that provides outstanding sound quality and flexibility for recording engineers and musicians alike. With advanced Onyx preamp technology, multiple output options, and a user-friendly design, the 800R stands out as an essential tool for anyone serious about capturing high-fidelity audio.