MASTER SECTION FEATURES

LAMP

In the master section, signals leaving the channel strips are mixed, manipulated and sent to the outputs in the patchbay. Addition-

 

U

 

 

 

1

OO

+15

SOLO

 

 

U

 

 

 

2

OO

+15

SOLO

 

 

U

 

 

 

3

OO

+15

SOLO

 

 

U

 

 

 

4

OO

+15

SOLO

 

 

 

U

 

 

 

5

OO

+15

SOLO

 

 

U

 

 

 

6

OO

+15

SOLO

 

AUX SEND

MASTERS

UU

11

OO

+20

OO

+15

UU

 

2

2

OO

+20

OO +15

 

U

 

 

 

TO AUX

 

3

SEND

 

-

 

 

1 2

OO

+20

(EFX TO MONITOR)

 

 

U

U

 

4

 

OO

+20

OO +20

 

 

TAPE

 

 

RETURN

ASSIGN

 

TO SUB

GLOBAL

 

 

 

 

AUX RETURN

 

1-2

 

 

3-4

 

SUB

SOLO

STEREO

AUX RETURNS

CLIP

28

10

7

4

2 0 2 4 7 10 20 30 40

LEVEL SET

LEFT RIGHT

 

OPERATING LEVEL

 

0dB = 0dBu

RUDE

POWER

SOLO

 

LIGHT

 

ally, there are four more stereo inputs here, used to add effects to the main mix or other destinations.

45. LAMP

This female BNC connector provides 12 volts on its center pin. Connect any quality gooseneck lamp here.

AUX SEND MASTER: (46 and 47)46. AUX SEND MASTERS

Aux send signals originate at each channel’s AUX (26) knobs, are mixed together, sent through these controls, and exit at the patchbay’s AUX SENDS (10). Turned fully up, these controls provide 15 dB of additional gain,

TRACK

TRACK

TRACK

TRACK

 

1

 

2

 

3

 

4

 

 

 

 

 

5

 

6

 

7

 

8

 

5

 

5

 

5

 

5

0

+10

0

+10

0

+10

0

+10

 

AIR

 

AIR

 

AIR

 

AIR

 

16kHz

 

16kHz

 

16kHz

 

16kHz

SOLO

SOLO

SOLO

SOLO

UMODE

OO +15

PRE FADER

LEVEL

IN PLACE AFL

SOLO

AUX SUB

OO MAX

MAIN MIX

 

LEVEL

AUX 1-2

TALKBACK

the center “U” label is unity gain and fully down is off.

When an aux send is used for monitors, these knobs can be used to raise or lower individual monitor mixes to suit the performer’s taste. For recording work, these knobs are typically set near unity and left alone; most adjustments are made per channel.

47. SOLO

Engaging any of these switches will isolate the associated signal and send it to the control room, phones and meters. See RUDE SOLO

L

R

L

R

L

R

L

R

 

PAN

PAN

 

 

PAN

 

PAN

L/R ASSIGN

L/R ASSIGN

L/R ASSIGN

L/R ASSIGN

 

SUB

SUB

 

 

SUB

 

SUB

 

1

2

 

 

3

 

4

dB

 

dB

 

dB

 

dB

 

10

 

10

 

10

 

10

 

5

 

5

 

5

 

5

 

U

 

U

 

U

 

U

 

5

 

5

 

5

 

5

 

10

 

10

 

10

 

10

 

20

 

20

 

20

 

20

 

30

 

30

 

30

 

30

 

40

 

40

 

40

 

40

 

50

 

50

 

50

 

50

 

60

 

60

 

60

 

60

 

OO

 

OO

 

OO

 

OO

 

TAPE RETURN

OO

MAX

TO PHONES / C R

 

 

PHONES / C-R

LEVEL

MAIN MIX

TAPE RETURN

LEFT/RIGHT

TO MAIN MIX

 

dB

10

5

U

5

10

20

30

40

50

60

OO

LIGHT (61) and MODE (63) for more informa- tion.

22