QUICK START
Note: the numbers in brackets refer to the
numbers inside each switch and control in the | |
drawing on the next page. | |
1. | On the rear panel, turn the POWER switch |
| and the PHANTOM off, and the OUTPUT |
| LEVEL fully down. |
2. | Disengage these switches (for pushbutton |
4.Set these controls fully down (for rotary controls, “down” refers to the fully
Switch | switches, “disengaged” or “off” refers to the |
Up | “up” position): |
| PRE (27) |
| LOW CUT (34) |
| SOLO (39) |
| |
| SOLO (47) |
| ASSIGN TO SUB (50) |
| SUB (51) |
| SOLO (52) |
| SOLO (57) |
TRIM (25)
AUX (26)
TO AUX SEND
CHANNEL FADER (42) SUBGROUP FADER (60) MAIN MIX FADER (72)
30
40
50
60
OO
Fader Down
|
|
| L/R ASSIGN (59) |
|
|
| MAIN MIX (67) |
|
|
| AUX |
|
|
| TAPE RETURN TO |
|
|
| TAPE RETURN TO MAIN MIX (71) |
|
|
| 3. Engage these switches (for pushbutton |
|
|
| |
Switch | switches, “engaged” or “on” refers to the | ||
Down | “down” position): | ||
|
|
| MUTE (38) |
|
|
| |
|
|
| MODE (63) |
|
|
| When we say engaged, this does not imply |
|
|
| that you should become betrothed in any |
|
|
| legally binding sense, although there is |
|
|
| probably some |
|
|
| ‘Vegas, where this can be arranged. |
5.Set these controls at unity (for rotary controls, “unity” refers to the center detent position.
HI (28)
MID (29)
FREQ (30)
HI MID (31)
LOW MID (32)
LOW (33)
PAN (37)
AUX SEND MASTERS (46)
STEREO AUX RETURNS (48)
PAN (58)
SOLO LEVEL (62)
TALKBACK LEVEL (66)
MAIN OUTS | AUX SENDS |
|
| STEREO AUX RETURNS |
| SUB OUTS | SUB INSERTS | 23 | 21 | 20 |
| 19 |
| |
(BAL OR UNBAL) | (BAL OR UNBAL) |
|
| (BAL OR UNBAL) |
| (BAL OR UNBAL) | (BALOR UNBAL) |
|
| |||||
1 |
| 4 | R | 1 | L | 1 | 5 | 1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
L |
|
|
|
|
|
|
|
| L | L |
|
|
|
|
|
|
|
|
|
|
|
|
| MONO | MONO | INSERT |
| INSERT |
|
2 |
| 5 | R |
| L | 2 | 6 | 2 |
|
|
|
| ||
| 2 |
|
|
|
|
|
| |||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
R |
|
|
|
|
|
|
|
| R | R |
|
|
|
|
3 |
| 6 | R |
| L | 3 | 7 | 3 | 24 | 22 | LINE IN |
| LINE IN |
|
| 3 | (BAL OR UNBAL) | (BAL OR UNBAL) | |||||||||||
L |
|
|
|
|
|
|
|
|
|
| MIC 20 | MIC 19 | ||
|
|
|
|
|
|
|
|
|
|
| DR MIC P | RE | DR MIC P | RE |
|
|
|
|
|
|
|
|
| L | L | X | X | ||
|
|
|
|
|
|
|
|
|
|
|
|
| ||
R | (BAL OR UNBAL) | L | R |
| L | 4 | 8 | 4 |
|
|
|
|
|
|
| 4 |
|
|
|
|
|
| |||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
R |
|
|
|
|
|
|
|
| R | R |
|
|
|
|
MAIN INSERTS | CONTROL ROOM OUT |
|
|
| (MONO) |
|
|
| TAPE IN | TAPE OUT |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |||
120VAC |
|
|
| POWER | PHANTOM |
|
|
|
|
| TALK BACK |
|
| |
50/60 HZ 60W |
|
|
| ON | ON |
|
|
| PHONES | PHONES | MIC |
|
|
|
1.6A/250V SLO BLO |
|
|
|
|
|
|
|
| 1 | 2 |
|
|
|
|
FUSE INSIDE |
|
|
|
|
|
|
|
|
|
|
|
| ||
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
CAUTION:TO REDUCE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE RISK OF FIRE, REPLACE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
WITH THE SAME TYPE FUSE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
AND RATING |
|
|
| OFF | OFF |
|
|
|
|
|
|
|
|
|
18 |
| 17 |
| 16 | 15 |
| |
INSERT |
| INSERT |
| INSERT | INSERT |
| |
LINE IN |
| LINE IN |
| LINE IN | LINE IN |
| |
(BAL OR UNBAL) | (BAL OR UNBAL) | (BAL OR UNBAL) | (BAL OR UNBAL) | ||||
MIC 18 | MIC 17 | MIC 16 | MIC 15 | ||||
DR MIC P | RE | DR MIC P | RE | DR MIC P | DR MIC P | RE | |
X | X | X | RE | X | |||
RIGHT |
| LEFT |
|
|
| MONO |
|
MAIN OUT | MAIN OUT | OUTPUT | MAIN OUT | ||||
|
|
|
| LEVEL |
|
| |
|
|
|
| OO | +6 |
|
|
14
INSERT
LINE IN
(BAL OR UNBAL)
MIC 14
DR MIC P | RE |
X |
MAIN
BALANCED
OUTPUTS
PIN 2 = HOT PIN 3 = COLD
Power | Phantom | Output Level |
Off | Off | Fully Down |
6