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| Band in a Club |
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| APPLICATION | |||
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| Stage Monitor | Stage Monitor |
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SRM450 |
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| Power Amplifier | Power Amplifier |
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Active Monitors |
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| Stereo Reverb #1 |
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| Graphic EQ |
| Graphic EQ |
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| Stereo Reverb #2 |
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| DIAGRAMS | |
1 | 2 | L | R | L | R | 1 | 2 | 3 | 4 | 1 |
| 2 | 1 | 2 | 3 | 4 | 1 | 2 | 21 | 22 |
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| PHONES |
| MAIN OUTS | MAIN OUTS |
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| L | R | L | R |
| SUB |
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| L | R | L | R |
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| TAPE IN |
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| AUX SENDS |
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| AUX RETURNS |
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| SUB INSERTS | STEREO CHANNELS |
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| TALKBACK |
| MONO | MAIN INSERTS |
| CNTRL RM OUT |
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| OUTS |
| TAPE OUT |
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| L | R | L | R |
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| L | R | 5 | 6 | L | R |
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| 3 | 4 | L | R |
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| 5 | 6 | 7 | 8 | 23 | 24 |
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| 3 |
| 4 |
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Power Amplifier |
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| Tape Deck |
| Stereo |
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| EQ |
| Harmonizer |
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| Stereo |
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| Compressor |
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Zone Speaker |
| Sonic Maximizer | Stereo Digital Delay |
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NOTE: For input level control, use Control Room Outs instead of Tape Outs.
9
ch. | device | input | insert | assignment | ch. | device | input | insert | assignment | ch. | device | input insert | assignment |
1 | kick | mic | gate | submix 1 | 9 | bass mic | mic |
| submix 2 | 16 | keyboard submix L | line | L/R bus |
2 | snare | mic | gate | submix 1 | 10 | bass direct | line |
| submix 2 | 17 | keyboard submix R | line | L/R bus |
3 | hi hat | mic |
| submix 1 | 11 | guitar mic | mic | compressor | submix 3 | 18 | vocal mic 1 | mic | Submix 4 |
4 | tom 1 | mic | gate | submix 1 | 12 | guitar direct | line | compressor | submix 3 | 19 | vocal mic 2 | mic | Submix 4 |
5 | tom 2 | mic | gate | submix 1 | 13 | Acoustic guitar | mic |
| submix 3 | 20 | vocal mic 3 | mic | Submix 4 |
6 | tom 3 | mic |
| submix 1 | 14 | piano low | mic |
| L/R bus |
| L/R mix | ||
7 | drum overhead mic L | mic |
| submix 1 | 15 | piano high | mic |
| L/R bus |
| Submix 4 | ||
8 | drum overhead mic R | mic | compressor | submix 1 |
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| * |
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