AUTO BIAS & EQ SYSTEM

System Operation Description

This system sets the recording bias, recording gain, medium- frequency gain, high-frequency gain and high-frequency peak automatically so that the characteristics of the tape in use can be exhibited fully.

D/A output from the microcomputer

As shown in Figure 1, the microcomputer adjusts each of the bias, gain, medium-frequency gain, high-frequency gain and high-frequency peak levels to one of 64 steps every 100 msec. by using a 6-bit digital-to-analog converter.

Figure 1

Level

64 Step

 

 

100msec

 

Time

Bias setting

The recording bias is set as shown below according to the char- acteristics of the record head.

Set frequency: 6.3 kHz

Set bias point: As shown in Figure 2, the bias point is set so that the output level is lower by -5 dB (Normal or High tape) or -2.5 dB (Metal tape) than the peak point. This setting is the optimum point for utilizing the tape performance (MOL, third-order dis- tortion) available from the record head in use.

Figure 2

levelOutput

 

 

 

Peak point

 

-5dB (NORMAL)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

BIAS point

BIAS level

Recording gain setting

An internal oscillator outputs a 400 Hz signal in the range of ± 5 dB. This signal is recorded and played to adjust the recording gain so that the output level becomes the standard level. This adjustment is not performed at a specific frequency but varies only the gain, regardless of the frequency, as shown by A in Figure 3.

Medium-frequency gain

The internal oscillator outputs a 3 kHz signal in the range of ± 4 dB. This signal is recorded and played to adjust the recording gain at around 3 kHz so that the playback output becomes the standard level as shown by B in Figure 3.

Figure 3

 

 

 

 

 

 

 

 

 

 

 

C

 

(dB)

30

 

 

 

 

 

 

 

 

 

 

 

Gain

 

 

 

 

 

 

 

 

 

 

 

20

 

 

 

 

 

A

 

B

 

 

 

 

 

 

 

 

 

 

 

 

English

 

 

 

 

 

 

 

 

 

 

 

 

10

 

 

 

 

 

 

 

 

 

 

 

0

 

 

 

 

 

 

 

 

 

 

 

-10

 

 

 

400Hz

 

3kHz

 

12.5kHz

 

 

 

 

 

 

 

 

20

30

50

100

200 300

500

1k

2k 3k

5k

10k

20k

Frequency (Hz)

High-frequency gain

The internal oscillator outputs a 12.5 kHz signal in the range of

±3 dB. This signal is recorded and played to adjust the record- ing gain at around 12.5 kHz so that the playback output be- comes the standard level as shown by C in Figure 3.

The following conditions should be met so that the adjustment can be started.

¡A cassette tape with unbroken erasure protect tabs should be loaded.

¡The mechanism should be in stop mode.

¡The tape speed should be set to normal. (The adjustment is not available with the high speed.)

To start the adjustment, press the REC MUTE while pressing the REC button.

Ab will appear on the display followed by a number that will count down until the adjustment is complete.

Pressing the STOP button during adjustment cancels it. If an Error occurs please refer to page 13.

After the adjustment, the tape is rewind automatically to the point where the adjustment was started.

The AUTO BIAS indicator lights up after the adjustment.

The AUTO BIAS and EQ system uses 3 memory areas for the normal, High and Metal tapes.

The BIAS RESET buttons will return to the standard charac- teristics for the normal, High and Metal tapes.

The data obtained by the adjustment is held in the EEPROM even after the unit is turned off.

In case the adjustment fails, "Err" (error) is displayed on the counter for 15 seconds, then the factory-set data is recalled.

In case the adjustment is canceled in the middle or the unit is turned off during the adjustment, all data adjusted until then are invalidated.

The tape is not rewound in case an adjustment error occurs or the adjustment is canceled in the middle.

When the data obtained by the adjustment is held in memory and the BIAS RESET indicator is lit, the adjusted setting is recalled at the moment a tape is loaded.

To use the factory-set data, press the BIAS RESET button so that the indicator is off.

Performing this adjustment overwrites the previously stored adjustment data.

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Marantz PMD520 manual Auto Bias & EQ System, System Operation Description

PMD520 specifications

The Marantz PMD520 is a professional-grade portable cassette deck designed primarily for musicians, audio engineers, and enthusiasts who require reliable recording and playback quality. This versatile device emerged in the late 20th century, catering to the specific needs of those who value high-fidelity audio performance in a compact format.

One of the standout features of the PMD520 is its dual-capstan transport mechanism. This technology ensures precise tape handling, minimizing wow and flutter for an accurate playback experience. The dual-capstan design allows for more consistent tape tension, which translates into better sound quality and reliable performance, crucial for critical listening environments.

The PMD520 also includes a built-in microphone preamp with phono or line-level switchable inputs, facilitating seamless connection to various audio sources. This flexibility makes it an ideal choice for on-location recordings, interviews, and rehearsals, where different types of microphones and instruments might be utilized. Additionally, the device is capable of supporting high-speed dubbing, enabling quick duplication of tapes without compromising audio quality.

Another notable aspect of the PMD520 is its ability to handle different tape types, including standard cassette as well as metal and chrome formulations. This versatility ensures that users can choose the tape that best suits their recording requirements, further optimizing sound fidelity. The cassette deck is engineered for low noise operation, featuring advanced circuitry that minimizes unwanted interference.

The user interface of the PMD520 is straightforward and user-friendly, with clearly labeled buttons and a solid construction that stands up to the rigors of professional use. It features a sturdy, rack-mountable design, which makes it suitable for studio setups, as well as portable applications. The front panel provides easy access to record, play, stop, and fast-forward functionalities.

In addition to its high-quality audio features, the Marantz PMD520 is known for its durability and reliability. Constructed with robust materials, it is designed to withstand the challenges of frequent transportation and use in various environments. Overall, the Marantz PMD520 remains a respected choice for anyone seeking a reliable cassette deck that excels in audio performance and operational efficiency. As the nostalgia for analog recording continues to captivate new generations, the PMD520 stands as a prime example of Marantz's commitment to quality and innovation in sound technology.