Marantz SR5000 manual Using the Surround Modes, Dolby PRO-LOGIC Surround

ENGLISH

USING THE SURROUND MODES

8 surround modes are provided for reproducing sound with a live atmosphere. Select the surround mode appropriate to the music/video source and your listening room conditions.

1. DTS (Digital Theater System):

Allows you to enjoy 5.1 (or 6) discrete channels of high quality digital audio

	D I G I T A L
from DTS program sources bearing the		T M " HDS " or “HIGH
	S U R R O U N D

DEFINITION SURROUND” trade mark such as laser discs, DVD and compact discs, etc. DTS Digital Surround delivers up to 6 channels of transparent audio (which means identical to the original masters) and results in exceptional clarity throughout a true 36O° soundfield.

The term DTS is a trademark of DTS Technology, LLC. Manufactured under license from DTS Technology, LLC.

Note: The DTS program sources should be played back in the DTS mode. If not, it will sound like continuous noise.

2. DOLBY DIGITAL (AC-3) SURROUND

Dolby Digital (also known as AC–3) is new tecnology that was originally developed to provide six separate channels of high quality discrete multi- channel sound for motion picture theaters. The Marantz AV receiver brings that same high quality sound into your home when used a compatible laser disc player, as well as from future Dolby Digital sources such as DSS, Digital Video Disc (DVD) and High Definition Television (HDTV).

The wide dynamic range of Dolby Digital enables the Marantz AV recever to reproduce soundtracks with their full fidelity and a realism that is not possible with conventional matrix surround systems.

3. DOLBY PRO LOGIC SURROUND

This is the setting you will probably use for watching most Dolby Surround

( DOLBY SURROUND ) encoded videos. This provides you with left and right stereo for off-screen imaging, a center channel for most on- screen dialogue, and a surround channel for ambiance and special effects.

There are three center channel modes available in Dolby Surround.

“PHANTOM” (CENTER SPEAKER MODE : NONE) should be used if you have elected not to use a center channel. This mode of operation directs the center channel information equally to the left and right channel speakers, creating a “phantom” center image of the dialogue. This is the way the first generation Dolby Surround worked.

“NORMAL” should be used if you are using a small center channel speaker (or speakers) with limited bass response. In NORMAL mode, the lower frequencies (below 100 Hz) are removed from the center channel and redirected equally to the left and right speakers. Since bass frequen- cies are omnidirectional, this will not affect the imaging of the center channel. The dialogue will still appear to come from the video screen.

“WIDE” should be used if you are using a full-range center channel speaker that is just as capable of good bass response as your main left and right speakers. In this mode, all the center channel information remains in the center channel output.

DELAY TIMES

Delay times available in Dolby Surround : 15 to 30 mS (milliseconds)

Delay times available in Dolby Digital (AC-3) : 0 to 15 mS (milliseconds)

For most home theater setups, the 20mS setting works best. This setting should be used if your front speakers are the about the same distance away from the listening position as the surround speakers are located. Choose the 30mS setting only if you are sitting much closer to the surround speakers than to the front speakers. Choose the 15mS setting if you are further away from the surround speakers than you are to the front speakers.

4. DOLBY 3 STEREO

This mode of operation is available to provide a center channel image for stereo program sources that are not encoded with surround sound. This is use for watching older movies or TV shows that are recorded in stereo, particularly if your speakers are located relatively far apart from each other. In this way, dialogue will be correctly located at the video screen, while the stereo information will provide off-screen imaging. Only NORMAL and WIDE center channel modes are available in 3 STEREO Mode. Delay time is 0mS because the SURROUND channel is off.

5. THEATER

This setting creates the same intimate feeling as you get in a theater when watching plays, musicals and solo acts.

6. HALL

This mode provides the ambiance of a concert hall for live, un-amplified classical music sources such as orchestral, chamber music or solo instrumentals.

7. STADIUM

The reverberation and open air atmosphere of a rock concert or sporting event is created by this setting, when playing stereo (but not mono) source material.

8. CHURCH

This mode provides the reverberant ambiance of a church, which can enhance choral works, as well as adding a rich ambient effect to "dry" studio recordings.

DOLBY PRO-LOGIC SURROUND

[Speaker Selection and Placement]

Front Speakers: These should be full-range, high quality speakers; the best speakers in your system. They should be located far enough from each side of your TV monitor to provide a well defined stereo image. The TV monitor should be located midway between the left and right front speakers. You may use smaller speakers if you are using a sub-woofer with your system.

Surround Speakers: The rear speakers in your surround sound system provide ambient sound for an open, “concert hall” effect when listening to music. They also spread the sound and provide special effects on video soundtracks when used in the Dolby Surround mode.

The demands made on your surround speakers are far less than on your main speakers. Therefore, these speakers do not need to be as large (and as expensive) as your main speakers. Deep bass response is not important at all. Good 2-way bookshelf speakers will handle the job easily, and most full-range mini-monitors are also quite suitable for this application. De- pending on how extensive you want to get with your installation, there are also several in-wall and wall-mount speakers that are suitable for use as surround sound speakers. Dipole-type surround speakers can provide even wider dispersion, with a diffused sound field which provides envel- oping surround sound effects.

The surround channel speakers should be mounted so that their sound is dispersed throughout the viewing area.

Ideally, you should install the surround speakers along the side walls of the listening room, directly above and to the left and right to the listeners or slightly behind them. Their height should be about 1 meter higher than the level of the listener’s ears. (Figure 1-A). This will provide the best surround sound effect and should be used with both conventional direct-radiating as well as dipole speaker types. If this is not possible or practical, then try mounting the surround speakers on the back wall of the room, and aim them so that they are not firing directly sounds do not reach directly toward the listener’s ears. (Figure 1-B) Another approach is to mount the speakers facing upward so that their sound is dispersed by the ceiling and rear wall (Figure 1-C).

A

C

B

Figure 1.

Figure 1. Surround Speaker Options

Option A: Placed or mounted along side walls

Option B: Placed or mounted behind listeners

Option C: Placed or mounted facing upward

4