DISPERSION INTERACTIONS
Controlled Horizontal Dispersion
Your Source’s launch a 30 degree horizontal dispersion pat- tern. This horizontal dispersion field gives a choice of good seats for the performance while minimizing interactions with side walls (see figure 7). Make sure both speakers stand exactly at the same vertical angle, otherwise the image can be skewed or poorly defined. The wave launch of both speakers is extremely accurate in both the time and spectral domain. Consequently, small refined adjustments can result in noticeable sonic improvements.
Controlled Vertical Dispersion
As you can see from the illustrations, your Source speak- ers project a controlled dispersion pattern (see figure 8). Each Source is a 28 inch line source beginning 22 inches above the base. This vertical dispersion profile minimizes interactions with the floor and the ceiling.
Figure 7– 8. As can be seen here, point source concepts invite a great deal of room interaction. While delivering good frequency response to a large listening audience, imag- ing is consequently confused and blurred.
Figure
Figure
Three Major Types of Dispersion
It is a known fact that as the sound wave becomes pro- gressively smaller than the transducer producing it, the dispersion of that wave becomes more and more narrow, or directional. This fact occurs as long as the transducer is a flat surface. Large flat panel speakers exhibit venetian blind effects due to this phenomenon. This is one reason why many manufacturers opt for small drivers (i.e. tweeters and midrange) to approximate what is known as a point source wave launch.
Historically, most attempts to achieve smooth dispersion from large flat panel transducers resulted in
12 Dispersion Interactions