REAR PANEL (Continued)

TUBE BIAS: (Continued) We recommend the 6L6 for reliability: In our many tests and continued use of the currently available EL34 type power tubes on the market today, we regret to say that they do not appear to be as rugged in construction as the available 6L6. This is another reason why your 2:100 was shipped with 6L6 power tubes. If you plan to use the EL34’s we suggest that you keep a full set of tubes and extra fuses with you during all performances in the event of a tube failure occurring when using the currently available EL34’s.

GROUND LIFT: This mini-toggle switch is extremely useful in reducing the hum and buzz caused by ground loops which occur in rack installations. Ground loops occur when there is more than one path for grounds between electronic units. There are three main type of ground loops; each one contributes its own trademark component of buzz or hum. The three

types of ground loops are:

WARNING: To reduce risk of fire or electric shock, Do not remove cover. No user- serviceable parts inside. Refer

servicing to qualified personnel.

E R I N G

GROUND

SWITCH

FUSE LIFT

6 A SLO

BLO GROUND

I N NORMAL P U T S

1 ) Grounds being connected via the ground lugs of the power cords on the units. The rule-of-thumb here is that one and only one unit in a rack should have a connection to the AC power ground; all the other units in the rack should have their grounds lifted by using 3 to 2 adaptors on their AC plugs. We suggest grounding the Power amp (no adapter).

2 ) Ground loops occuring because of two or more audio cables connecting two components. The most common solution is to diconnect the shield from the sleeve connection at one end of some of the inter-connecting cables, so that only one cable between each device has an intact ground shield. Some experimentation is required to find which cable is best for conducting the ground, and which cables are best suited to have the special Òclipped ground.Ó We recommend trying the intact-ground cables for the signal path which flows, say, from an Effects Send jack to an effects unit; and trying the clipped-ground method on the cable which connects the effects output back into an Effect Return.

3 ) Ground loops created by the physical contact between the metal chassis of the components and the steel rack rails. It is for this third type of ground loop that the GROUND ISOLATION Switch was provided. This switch effectively lifts the electronic circuit ground from the metal chassis ground (which otherwise must be done manually by disconnecting a wire inside of the amp.) Here again, the rule is that one device in your system - and usually only one - needs its circuit ground connected to its metal chassis ground; all others should be lifted (in other words, disconnected) for quietest operation. (Some effects units provide similar switches; some are con- structed such that the input ground and the output ground are permanently separated; in other cases, the method used to isolate the grounds is unclear.) Again, some experimentation is vital to discovering which combination of ÒliftedÓ and ÒgroundedÓ works best in your rack...and our GROUND ISOLATION Switch makes this process much easier.

NOTE: If the 2:100 is operated outside of a rack installation, the switch should generally be set to the Normal position, or squealing, buzzing and oscillation may occur. Always check this switch before thinking that something has gone wrong with your amp!

SPEAKER OUTPUTS: The 2:100 provides one 8 Ohm and two 4 Ohm speaker outputs for each channel. When using a single

8 Ohm speaker or 8 Ohm cabinet on a channel, connect the speaker or cabinet to the 8 Ohm jack. If using two 8 Ohm speakers (assuming they are wired in parallel) or cabinets on a channel, plug them both into the 4 Ohm jacks. ( The logic here is that two 8 Ohm loads connected in parallel add up to a 4 Ohm total load.) Mismatching of speaker

CHAN. B

 

 

 

CHAN. A

impedance will not cause damage or severe loss of power. (Extreme mis-matches

 

8 OHM

 

 

 

8 OHM SPEAKERS

will decrease tube life, however.) MESA/Boogie 4x12 and 4x10 cabinets come

SPEAKERS

 

 

 

 

4 OHM

 

 

 

4 OHM

standard wired to 8 Ohms and are wired in series-parallel.

 

 

 

 

 

 

 

 

Some Non-MESA4x12 cabinets are wired 16 Ohms using four 16 Ohm speakers. By wiring all four speakers in parallel, you can reduce the cabinet to an impedance load of 4 Ohms (assuming the speakers are 16 Ohms each.) Further back in this manual we have included a number of possible

wiring schemes - amps to cabinets, that may be of some use to you when considering how to configure your rig.

PAGE 5

Page 9
Image 9
Mesa/Boogie Rectifier Stereo owner manual Rear Panel, Types of ground loops are

Rectifier Stereo specifications

The Mesa/Boogie Rectifier Stereo is a celebrated product in the realm of high-performance guitar amplification. Designed to cater to the demands of both live performance and studio recording, the Rectifier Stereo stands out due to its versatility, powerful tone, and advanced technology.

This amplifier features a dual-channel design that allows guitarists to seamlessly switch between two distinct tonal profiles. The clean channel delivers pristine, bell-like tones that are ideal for jazz and pop, while the high-gain channel unleashes a ferocious, saturated sound that caters to genres such as rock and metal. This flexibility is further enhanced by the inclusion of three distinctive modes for each channel, offering players a wide array of tonal possibilities.

One of the signature technologies of the Rectifier Stereo is its Multi-Watt power switch feature. This innovative design allows players to choose between different wattage configurations—50 or 100 watts—enabling them to dial in the perfect amount of power for any performance setting. Whether you are playing in a small club or a large arena, the amplifier can be configured to deliver optimal headroom or saturation.

The Rectifier Stereo also incorporates the iconic Rectifier sound, characterized by its smooth, compressed lead tones and tight bottom end. Electronic components like the patented "Dyna-Watt" technology improve power delivery and tonal response, ultimate clarity making it suitable for intricate guitar work, while an intuitive EQ section provides precise control over the tonal spectrum.

The amplifier is built with rugged construction, featuring high-quality transformers and heavy-duty casters, ensuring durability on the road. The sleek aesthetic design makes it not only a functional tool but also a visually appealing addition to any guitarist’s arsenal.

One notable feature is its built-in effects loop, providing an easy way to integrate pedals and outboard gear into your sound without compromising tone. Furthermore, the addition of a MIDI interface opens up a world of control options for performing guitarists, allowing them to program presets and switch channels with ease.

In summary, the Mesa/Boogie Rectifier Stereo is a remarkable amplifier that blends vintage warmth with modern technology. Its diverse tonal capabilities, robust construction, and innovative features make it a go-to choice for professional musicians who demand the best in performance and sound quality. Whether you’re a studio recording artist or a touring musician, the Rectifier Stereo stands ready to deliver outstanding results for any musical endeavor.