BIAS ADJUSTMENT: part of a continuing series

An Article written by Randall Smith

HereÕs a question we often hear:

ÒWhy doesnÕt MESA put bias adjustments in their amplifiers?Ó

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Well, thereÕs a short answer and a long answer to this question.

The short answer is that during my 12 years of repairing Fenders, one of the most frequent problems I saw was bias controls that were either set wrong or that had wandered out of adjustment due to vibration. As any honest tech will tell you, thereÕs lotÕs of easy money to be made by sprinkling Òholy waterÓ on amplifiers ... uh, what I meant to say is ÒYour amp needed biasing.Ó See what I mean? What customer is going to argue with that?

It only takes a moment and a volt meter: The Fender diagram shows how: ÒAdjust this trim pot for - 52 volts.Ó ThatÕs it. Nothing more.

Now donÕt be fooled into thinking that tubes ÒdrawÓ more or less bias, they donÕt. The way a bias supply is connected to a tube is akin to a dead end road, it just trails off to nowhere without really completing a circuit. ItÕs a static voltage and regardless of what tube is in the socket Ñ or even if the tubes arenÕt plugged in at all, it doesnÕt change the bias voltage a bit.

So the end of the short answer is this: Since a bias supply needs to put out the right voltage and never vary, I wanted to build amplifiers that were individually hard wired to the correct values and NEVER needed adjustment. And for 25 years, thatÕs how MESABoogies have been built.

Time to change tubes? Just plug our tubes into any one of our amps and youÕre DONE. No tech needed. NO bills and no BS about biasing. And most important: The bias is RIGHT because it canÕt change!

Now, you want the long answer? HereÕs more information on how our hard-wired bias avoids trouble. Please read on.

But first, letÕs make an important distinction. Our business is designing and building high performance amplifiers. And for this we need tubes whose variance is within a narrow range. Our warehouse is full of rejects ...oh, they work Ñ they just donÕt perform within our tolerance range. We have a very sophisticated computer - based tube testing system (nicknamed ÒRobotubeÓ) that matches and measures tubes over seven important parameters. It can even predict which tubes are likely to have a shortened lifetime Ñ even though they work perfectly during the test.

Because our business is building quality amps, we can afford to reject a lot of wayward tubes. The guys you hear complaining because Boogies donÕt have bias adjusters are primarily in the business of selling tubes - not amps. They donÕt want to throw away 30 percent of their inventory, so they promote the idea that tubes outside our parameters can be used to ÒcustomizeÓ amplifiers and they criticize us because our amps canÕt be adjusted to accommodate their out-of-MESAtolerance tubes.

Now you might be thinking, ÒBut I thought you just said that tubes donÕt ÒdrawÓ bias, therefore they donÕt effect the bias supply and thus it doesnÕt need to be adjustable.Ó

When you set the bias (whether itÕs by selecting the right resistors, as we do, or adjusting a trimmer Ñ which is quicker) what you are doing is establishing the correct amount of idle CURRENT that flows through the power tubes. But you canÕt adjust the current directly, you can only change it by adjusting the amount of bias VOLTAGE that goes onto the tubesÕ control grids.

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Mesa/Boogie Rectifier Stereo owner manual Bias Adjustment part of a continuing series

Rectifier Stereo specifications

The Mesa/Boogie Rectifier Stereo is a celebrated product in the realm of high-performance guitar amplification. Designed to cater to the demands of both live performance and studio recording, the Rectifier Stereo stands out due to its versatility, powerful tone, and advanced technology.

This amplifier features a dual-channel design that allows guitarists to seamlessly switch between two distinct tonal profiles. The clean channel delivers pristine, bell-like tones that are ideal for jazz and pop, while the high-gain channel unleashes a ferocious, saturated sound that caters to genres such as rock and metal. This flexibility is further enhanced by the inclusion of three distinctive modes for each channel, offering players a wide array of tonal possibilities.

One of the signature technologies of the Rectifier Stereo is its Multi-Watt power switch feature. This innovative design allows players to choose between different wattage configurations—50 or 100 watts—enabling them to dial in the perfect amount of power for any performance setting. Whether you are playing in a small club or a large arena, the amplifier can be configured to deliver optimal headroom or saturation.

The Rectifier Stereo also incorporates the iconic Rectifier sound, characterized by its smooth, compressed lead tones and tight bottom end. Electronic components like the patented "Dyna-Watt" technology improve power delivery and tonal response, ultimate clarity making it suitable for intricate guitar work, while an intuitive EQ section provides precise control over the tonal spectrum.

The amplifier is built with rugged construction, featuring high-quality transformers and heavy-duty casters, ensuring durability on the road. The sleek aesthetic design makes it not only a functional tool but also a visually appealing addition to any guitarist’s arsenal.

One notable feature is its built-in effects loop, providing an easy way to integrate pedals and outboard gear into your sound without compromising tone. Furthermore, the addition of a MIDI interface opens up a world of control options for performing guitarists, allowing them to program presets and switch channels with ease.

In summary, the Mesa/Boogie Rectifier Stereo is a remarkable amplifier that blends vintage warmth with modern technology. Its diverse tonal capabilities, robust construction, and innovative features make it a go-to choice for professional musicians who demand the best in performance and sound quality. Whether you’re a studio recording artist or a touring musician, the Rectifier Stereo stands ready to deliver outstanding results for any musical endeavor.