DIAGNOSING PRE-AMP TUBE PROBLEMS: Because your amplifier is an all tube design, it is quite possible that you will at some point experience minor pre-amp tube noise. Rest assured - this is no cause for alarm and you can take care of the problem yourself in a matter of minutes by simply swapping tubes.

Let us begin by saying; It is a Òvery goodÓ idea to keep at least a couple of spare pre-amp tubes on hand at all times to insure uninterrupted performance. These minor pre-amp tube problems can take many forms but can generally be described in two catego- ries: Noise and Microphonics. Noise can be in the form of crackling, sputtering, white noise/hiss and/or hum. Microphonic problems usually appear in the form of a ringing or high pitched squealing that gets worse as the gain or volume is increased thus are more noticeable in the higher gain ÒHIÓ modes. Microphonic problems are easily identified because the problem is still present even with the instrumentsÕ volume off or unplugged altogether - unlike pick-up feedback which ceases as the instrument is turned down. Micro- phonic noise is caused by mechanical vibration and shock: think of banging a microphone around and youÕll understand where the word came from.

The best way to approach a pre-amp tube problem is to see if it occurs only in one specific mode or channel. This should lead you to the tube needing replacement. Then all that remains is to swap the suspect tube for a known good performer.

If you cannot narrow down the trouble to a specific mode or channel, the problem may be the small tube that drives the power tubes which is operational in all modes and channels. Though rare, a problem with the driver tube would show up in all aspects of perfor- mance - so if you canÕt narrow the problem down to being mode or channel specific, you may want to try replacing the driver tube. Driver problems generally show themselves in the form of crackling or hum in all modes of performance and/or weak overall output from the amplifier. Occasionally an anemic driver tube will cause the amplifier to sound flat and lifeless, but this is somewhat uncom- mon, as worn power tubes are a more likely suspect for this type of problem.

Sometimes making the diagnosis is more trouble than itÕs worth and itÕs faster and easier to merely replace the small pre-amp tubes ONE AT A TIME with a replacement known to be good. But MAKE SURE you keep returning the tubes to their original socket until you hit the one that cures the problem. YouÕll notice that tubes located nearer to the INPUT jack always sound noisier...but this is because they are at the start of the chain and their noise gets amplified over and over by the tubes that follow. The tube that goes into this Òinput socketÓ (usually labeled V1) needs to be the least noisy of the bunch. The tube that goes at the end of the preamp chain - just ahead of the power tubes - can be quite noisy without causing any problem at all. The tubes in your amp have already been located in the most appropriate sockets and this is why you should NEVER pull them all out at once and ALWAYS swap them one at a time. ALWAYS return a perfectly good tube to its original socket. Also itÕs a good idea to put the amp on STANDBY when swapping tubes to reduce the heat build up in the tubes themselves and to prevent explosive noises (which can still occur even if you are pulling the tubes away from their sockets gently) from coming through the speaker.

Remember, take your time, be patient and chances are real good that you can fix your amp yourself by finding and replacing the bad tube. It kills us to see someone who has shipped their amp back to us...and all it needed was a simple tube replacement! If you must send back your amp, unplug the power cord, speaker and reverb cables then remove the chassis from the cabinet by unscrewing the four mounting bolts on top. The chassis then slides back like a drawer and comes out. Remove the big power tubes and mark them according to their location from left to right 1, 2 etc. They need to be wrapped separately with plenty of wadded up newspaper around them and put in a smaller box within the larger carton.

To wrap the chassis, use plenty of tightly wadded up newspaper so there is at least six inches of Òcrush spaceÓ between the chassis and the cardboard box. Bubble wrap also works well, but please DONÕT use styrene peanuts - they will shift during transit and get lodged inside your electronics as well as allowing your amp to end up at the bottom of the box unprotected and possibly damaged. Pre-amp tubes donÕt normally wear out as a rule.

Therefore, it is not a good idea to change them just for the sake of changing them. If there isnÕt a problem - donÕt fix it. If there is no result from your substitutions, it may be possible that you have more than one problematic tube. Though rare, this does happen and though it makes the troubleshooting process a little more intimidating, it is still possible to cure the problem yourself.

NOTE: It is normal to hear a slight metallic ringing sound when tapping on the preamp tubes. As long as the tube does not break into oscillation or start crackling or any other form of bizzare noise, it is considered normal and functional.

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Mesa/Boogie Rectifier Stereo owner manual

Rectifier Stereo specifications

The Mesa/Boogie Rectifier Stereo is a celebrated product in the realm of high-performance guitar amplification. Designed to cater to the demands of both live performance and studio recording, the Rectifier Stereo stands out due to its versatility, powerful tone, and advanced technology.

This amplifier features a dual-channel design that allows guitarists to seamlessly switch between two distinct tonal profiles. The clean channel delivers pristine, bell-like tones that are ideal for jazz and pop, while the high-gain channel unleashes a ferocious, saturated sound that caters to genres such as rock and metal. This flexibility is further enhanced by the inclusion of three distinctive modes for each channel, offering players a wide array of tonal possibilities.

One of the signature technologies of the Rectifier Stereo is its Multi-Watt power switch feature. This innovative design allows players to choose between different wattage configurations—50 or 100 watts—enabling them to dial in the perfect amount of power for any performance setting. Whether you are playing in a small club or a large arena, the amplifier can be configured to deliver optimal headroom or saturation.

The Rectifier Stereo also incorporates the iconic Rectifier sound, characterized by its smooth, compressed lead tones and tight bottom end. Electronic components like the patented "Dyna-Watt" technology improve power delivery and tonal response, ultimate clarity making it suitable for intricate guitar work, while an intuitive EQ section provides precise control over the tonal spectrum.

The amplifier is built with rugged construction, featuring high-quality transformers and heavy-duty casters, ensuring durability on the road. The sleek aesthetic design makes it not only a functional tool but also a visually appealing addition to any guitarist’s arsenal.

One notable feature is its built-in effects loop, providing an easy way to integrate pedals and outboard gear into your sound without compromising tone. Furthermore, the addition of a MIDI interface opens up a world of control options for performing guitarists, allowing them to program presets and switch channels with ease.

In summary, the Mesa/Boogie Rectifier Stereo is a remarkable amplifier that blends vintage warmth with modern technology. Its diverse tonal capabilities, robust construction, and innovative features make it a go-to choice for professional musicians who demand the best in performance and sound quality. Whether you’re a studio recording artist or a touring musician, the Rectifier Stereo stands ready to deliver outstanding results for any musical endeavor.