EM460
KAOSS PROGRAM EFFECTS
Effect program control parameter list
NO. | EFFECT | X (horizontal position) | Y | Comment | |
1 | LOW PASS FILTER |
| FREQ | DI/FX BALANCE, RESONANCE | Rub slowly |
2 | LOW PASS FILTER |
| FREQ | RESONANCE | Rub slowly |
3 | WAH FILTER |
| FREQ | DI/FX BALANCE, LFO DEPTH | Rub slowly |
4 | DIST+VOICE FILTER |
| FREQ | DIST GAIN | Rub fast with beat |
5 | DIST+L.P FILTER |
| FREQ | DIST GAIN | Rub fast with beat |
6 | DIST+L.P FILTER |
| FREQ | RESONANCE | Good for voice (Mic) |
7 | PAN+FILTER |
| PAN | FREQ | Rub (1.1 |
8 | DIST+FILTER |
| FREQ | FX BALANCE, DIST GAIN | Rub fast with beat |
9 | ISOLATOR TYPE FILTER |
| FREQ | NO ASSIGN | For “Bass Cut” |
10 | DISTORTION |
| GAIN | LEVEL | For “HOLD” use |
11 | PHASER |
| FREQ (MANUAL) | DI/FX BALANCE, RESONANCE | Rub slowly |
12 | PHASER |
| LFO SPEED | FREQ (MANUAL) | Rub slowly |
13 | LFO WAH |
| LFO SPEED | FX BALANCE | Rub fast with beat |
14 | STEP PHASER |
| LFO SPEED | MOD STEP | Rub slowly |
15 | DIST+PHASER |
| LFO SPEED | DIST GAIN | Rub slowly |
16 | MANUAL FLANGER |
| DELAY TIME | RESONANCE | Rub very slowly (L |
17 | MANUAL FLANGER |
| DELAY TIME | RESONANCE | Rub very slowly (L |
18 | PITCH SHIFT |
| Lch PITCH | Rch PITCH | Rub |
19 | TREMOLO |
| LFO SPEED | LFO DEPTH | Rub |
20 | STEP PHASER |
| LFO SPEED | RESONANCE | Rub slowly |
21 | TAPE ECHO |
| TIME | FX LEVEL, FEEDBACK | Rub (Bottom |
22 | DELAY |
| TIME | FX LEVEL | Tap with snare drum |
23 | DELAY |
| TIME | FX LEVEL, FEEDBACK | Rub |
24 | STEREO TAPE ECHO |
| TIME | FREQ | Rub or tap |
25 | MEDIUM DELAY |
| FEEDBACK | FX LEVEL | Rub fast |
26 | LONG DELAY |
| FEEDBACK | FX LEVEL | Rub fast |
27 | X DELAY |
| FEEDBACK | FX LEVEL | Rub or tap |
28 | TALK FILTER+DELAY |
| FILTER FREQ | DELAY LEVEL | Rub with beat |
29 | DIST+FILTER+DELAY |
| FREQ | DELAY LEVEL | Rub with beat |
30 | DELAY+FILTER FOR DUB |
| TIME | FREQ | Rub or tap |
31 | REVERB (HALL) |
| LOW CUT | FX LEVEL | Tap with snare drum |
32 | GATE REVERB (HALL) |
| LOW CUT | FX LEVEL | Tap with snare drum |
33 | REVERB (PLATE) |
| LOW CUT | FX LEVEL | Tap with snare drum |
34 | GATE REVERB (ROOM) |
| LOW CUT | FX LEVEL | Tap with snare drum |
35 | DELAY+REVERB |
| DELAY LEVEL | REVERB LEVEL | For “HOLD” use |
36 | DELAY+REVERB |
| DELAY TIME | FX LEVEL | For “HOLD” use |
37 | TALK FILTER+REVERB |
| FILTER FREQ | FX LEVEL | Rub fast with beat |
38 | DIST+FILTER+REVERB |
| FILTER FREQ | REV LEVEL+RESONANCE | Tap with snare drum |
39 | REVERB+PAN |
| PAN | FX LEVEL | Rub for panning |
40 | REVERB |
| REVERB TIME | FX LEVEL | For “HOLD” use |
41 | STEP MODULATION |
| MOD DEPTH | FX LEVEL | Rub slowly |
42 | RING MOD+FILTER |
| RING FREQ | FILTER FREQ | Tap at random |
43 | RING+TALK MOD |
| MOD SPEED | RING FREQ | As you like |
44 | SPECIAL ECHO |
| TIME | FX LEVEL | Rub at random |
45 | RING+DELAY |
| TIME | RING+DELAY BALANCE | Rub at random |
46 | DELAY+TREMOLO |
| TIME+LFO SPEED | DLY+TREM | Rub in circle |
47 | 3D PAN |
| PAN (L/R) | NEAR/FAR | Rub for panning |
48 | VIBRATE |
| SPEED+DEPTH | FX BALANCE | Rub (Bottom |
49 | STEP FLANGER |
| FREQ (MANUAL) | FEEDBACK | Rub slowly |
50 | STEP PHASER |
| LFO SPEED | FX LEVEL | Rub slowly |
51 | SAMPLE/PLAY1 |
| LOOP TIME | FX LEVEL | Tap for playback |
52 | SAMPLE/PLAY2 |
| FORWARD/REVERSE | FX LEVEL | Rub like scratch |
53 | SAMPLE/PLAY3 |
| TIME STRETCH | FX LEVEL | Rub for “TIME STRETCH” |
54 | SAMPLE/PLAY1 (*AUTO REC) |
| LOOP TIME | FX LEVEL | Tap for playback |
55 | SAMPLE/PLAY2 (*AUTO REC) |
| FORWARD/REVERSE | FX LEVEL | Rub like scratch |
56 | SAMPLE/PLAY3 (*AUTO REC) |
| TIME STRETCH | FX LEVEL | Rub for “TIME STRETCH” |
57 | SAMPLE/PLAY1 (DIRECT MIX TYPE) | LOOP TIME | FX LEVEL | Tap for playback | |
58 | SAMPLE/PLAY2 (DIRECT MIX TYPE) | FORWARD/REVERSE | FX LEVEL | Rub like scratch | |
59 | SAMPLE/PLAY1+PAN |
| PAN | LOOP TIME | Tap (L |
60 | SAMPLE/PLAY2+PAN |
| PAN | FORWARD/REVERSE | Tap (L |
*(AUTO REC): After you press the REC switch, recording will begin automatically when sound is input. When you press the REC switch once again, recording will end. (This is convenient when recording your voice from a mic.)
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