12

2. Press MELODY ON/OFF to turn off

the melody.

3. Press START/STOP to start playing

the tune.

4. Adjust the tempo and volume as

desired.

5. Play along with the tune on the

keyboard.

Note: You can turn the melody on

or off by repeating Step 2 even

while the current tune is playing.

USING THE PRESET SOUNDS

Your Concertmate 970 can sound like

100 different musical instruments or

sound effects. The name and two-digit

number of each preset sound is listed

on the Concertmate 970’s top panel.

SOUND
RHYTHM
MELODY
ON/OFF

SOUNDS List

0
5
1
6
2
7
3
8
4
9
MULTI FUNCTION DISPLAY
POWER/MODE
FINGERED
CONCERT CHORD
NORMAL
ON
OFF
VOLUMESYNCHRO/
FILL-INSTART/
STOP
TEMPO
¢
TRANSPOSE/TUNE
¢
SOUNDRHYTHMSONG
SOUND
RHYTHM
MELODY
ON/OFF
PIANO
00
PIANO 1
01
PIANO 2
02
HONKY-TONK
03
STUDIO PIANO
04
ELEC PIANO 1
05
ELEC PIANO 2
06
ELEC PIANO 3
07
ELEC PIANO 4
08
HARPSICHORD
09
CLAVELECTRO
ORGAN
10
ELEC ORGAN 1
11
ELEC ORGAN 2
12
ELEC ORGAN 3
13
ELEC ORGAN 4
14
CHURCH ORGAN
15
PIPE ORGAN
16
REED ORGAN
17
ACCORDION
18
BANDONEON
19
HARMONICA
GUITAR/BASS
20
GUT GUITAR
21
ACOUS GUITAR
22
JAZZ GUITAR
23
ELEC GUITAR
24
MUTE GUITAR
25
DIST GUITAR
26
WOOD BASS
27
ELEC BASS
28
SLAP BASS
29
BANJO
STRINGS/ENSEMBLE
30
VIOLIN
31
CELLO
32
HARP
33
STRINGS 1
34
STRINGS 2
35
STRINGS 3
36
SYNTH-STR 1
37
SYNTH-STR 2
38
CHOIR
39
VOICE
BRASS
40
TRUMPET
41
TUBA
42
BRASS SECTION
43
FRENCH HORN 1
44
FRENCH HORN 2
45
BRASS 1
46
BRASS 2
47
SYNTH-BRASS 1
48
SYNTH-BRASS 2
49
SYNTH-BRASS 3
REED/PIPE
50
SOPRANO SAX
51
ALTO SAX
52
TENOR SAX
53
OBOE
54
CLARINET
55
PICCOLO
56
FLUTE
57
RECORDER
58
FLUTE ENSEMBLE
59
WHISTLE
SYNTH-SOUND 1
60
SYNTH-LEAD 1
61
SYNTH-LEAD 2
62
SYNTH-LEAD 3
63
SYNTH-CALLIOPE
64
SYNTH-PAD 1
65
SYNTH-PAD 2
66
SYNTH-PAD 3
67
GLESS HARMONICA
68
COUNTRY FARM
69
SYNTH-BASS
SYNTH-SOUND 2
70
PEARL DROP
71
COSMIC SOUND
72
SOUNDTRACK
73
SPACE PAD
74
SYNTH-SFX
75
SE 1 (VEHICLE)
76
SE 2 (TELEPHONE)
77
SE 3 (SPACE)
78
SE 4 (INVADER)
79
SE 5 (FUNNY)
LAYER
80
STRINGS PIANO
81
STRINGS EP
82
CHOIR EP
83
CHOIR ORGAN
84
STRINGS GUITAR
85
STRINGS HARP
86
BRASS STRINGS
87
VIB PAD
88
12STR GUITAR
89
CHOIR STRINGS
SPLIT/PERCUSSION
90
BASS/PIANO
91
BASS/E.PIANO
92
BASS/VIB
93
BASS/G.GUITAR
94
BASS/D.GUITAR
95
STRINGS/PIANO
96
STRINGS/TRUMPET
97
VIBRAPHONE
98
MARIMBA
99
PERCUSSION
100 SOUNDS
POPS
00
POP FUSION
01
BALLAD
02
POP BALLAD
03
RAP POP
04
SOUL BALLAD
05
FUNKY POP
06
16BEAT
07
8BEAT 1
08
8BEAT 2
09
POPS
ROCK
10
ROCK WALTZ
11
SLOW ROCK
12
SOFT ROCK 1
13
SOFT ROCK 2
14
FOLKIE POP
15
60's SOUL
16
ROCK
17
HEAVY METAL
18
50's ROCK
19
CHICAGO BLUES
JAZZ/DANCE
20
BIG BAND
21
SLOW SWING
22
FOX TROT
23
JAZZ WALTZ
24
ACID JAZZ
25
LATIN FUSION
26
TRANCE
27
DISCO
28
RAP
29
FUNK
EUROPEAN/LATIN
30
POLKA
31
MARCH
32
SLOW WALTZ
33
WALTZ
34
TANGO
35
BOSSA NOVA
36
SAMBA
37
MAMBO
38
RHUMBA
39
CHA-CHA-CHA
VARIOUS
40
MERENGUE
41
REGGAE
42
SKA
43
TEX-MEX
44
FOLKLORE
45
COUNTRY
46
SLOW GOSPEL
47
ADANI
48
BAROQUE
49
ENKA
01
TWINKLE TWINKLE
02
ACH DU LIEBER AUGUSTIN
03
AMAZING GRACE
04
ODE TO JOY
05
LONDON BRIDGE
06
LONDONDERRY AIR
07
GREENSLEEVES
08
AULD LANG SYNE
00
WHEN YOU WISH
11
12
O CHRISTMAS TREE
13
YANKEE DOODLE
14
SANTA LUCIA
15
WHEN THE SAINTS GO MARCHING IN
16
ALOHA OE
17
10
JINGL BELLS
SPRING FROM
"THE FOUR SEASONS"
LITTLE BROWN JUG
MARCH FROM "THE NUTCRACKER"
THE ENTERTAINER
18
19
20 SONG BANK
50 RHYTHMS
09
JOY TO THE WORLD
970

Notes:

The Concertmate 970 has 12-note

(maximum) polyphonic sound.

This means that you can play up

to 12 different notes at the same

time with most of the keyboard’s

preset sounds. Many of the key-

board’s preset sounds, however,

are capable of only 6-note polyph-

ony.

• Most sounds on this keyboard

have been recorded and pro-

cessed using a technique called

digital sampling. To ensure a high

level of tonal quality, samples are

taken in the low, mid, and high

ranges and then combined to

sound amazingly close to the orig-

inals. You might notice very slight

differences in volume or sound

quality for some sounds when you

play them at different positions on

the keyboard. This is an unavoid-

able result of multiple sampling

and is not a malfunction.

Sounds 75–79 (which are sound

effects) do not follow the musical

scale when played, but change

effect as you play them in different

octaves on the keyboard.

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