27
28
29
30
31
32
33
34
35
27.GAIN:
Varies the input gain to each channel. Proper adjustment of the input gain will maximize the signal to noise ratio giving you the quietest operation. With your Channel Fader (35) set to the “0” position, set this control so that the Clip LED (34) barely lights at the highest peaks in your input signal.
28.HIGH EQ:
A shelving type of active tone control that varies the treble frequency levels ±15 dB at 12 kHz. It is designed to remove noise or to add brilliance to the signal, depending on the quality of the source. (The high control can also be found on Channels 7 through 9.)
29.MID EQ:
Mid ±15 dB. This control sets the amount of cut or boost at the
30.LOW EQ:
A shelving type of active tone control that varies the bass frequency levels ±15 dB at 70 Hz. It will add depth to thin signals, or clean up muddy ones. (The low control can also be found on Channels 7 through 9.)
31.MON:
Adjusts the level of the channel signal
32.DIGITAL EFFECTS:
This control varies the level into the digital effects processor bus by adjusting the signal level from the particular channel to the digital processor. The channel Gain (27) control also affects this level. The digital effects send is after the channel fader and is therefore affected by the channel fader setting.
33.PAN:
Sets the channel’s position in the L/R stereo field. In the stereo Channels (7, 8 and 9) this control acts as a balance control between the two separate inputs.
34.CLIP LED:
Indicates when the signal input is too strong and signal clipping is present. A clipped signal may damage your speakers.
35.CHANNEL FADER:
Sets the signal level sent to the Left and Right bus. (This feature can also be found on Channels 7 through 9.)
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