OPERATIONS 3

it ‘click’ once. The cable will appear to be ‘half plugged in’. Using the insert in this fashion will not break the signal chain and will allow the lightpipe output to function correctly.

Insert Jack As Analog Outputs Example 2

In the event that you do not need the lightpipe output, you can use the inserts as analog outputs. To do this, all you need is a TRS insert cable. This cable is Y-shaped, has a single TRS 1⁄4” jack on one end and two 1⁄4” TS jacks on the other end. The single end will look like a stereo 1⁄4” connector. This end of the cable plugs into the insert jack above the input on the back of the DigiMAX LT. You would use the SEND end of the cable as the output cable.

By using the insert as an analog output with an insert cable, you will not be able to pass a signal through to the adat™ (lightpipe) output. The reason for this is that a signal is sent to a piece of outboard gear from the insert jack and then returned to the insert after being processed. So, in other words you are breaking the signal chain by using the send and not the return.

Using The DigiMAX LT As A Front End For Digital Recording Systems The DigiMAX LT is the perfect front end for a digital recording system. The pre- amps on the unit allow you to boost the signal going to your recorder without adding extra, unwanted, noise. All digital recorders require that word clock be transmitted with a digital audio signal to ensure sample accuracy and syn- chronization. Word clock scans incoming information and automatically synchs to the necessary sample rate. In other words, word clock ensures that the recorder and the sending device (in this case the DigiMAX LT) send and receive digital audio at the same rate. If there is no word clock synch then you will hear pops, clicks, or weird digital dropout noise. Word clock can either be transmit- ted through the lightpipe cable (fiber-optic) or by BNC cable. If the DigiMAX LT is the master (sending word clock out to the recorder), then there are two possible connection scenarios. Both cases require that the EXT CLOCK button on the front of the unit be depressed (not pushed in) and that the appropriate sample rate be selected by using the SAMPLE RATE button on the front of the unit. The first case in which the DigiMAX LT is the master would require that the word clock output of the DigiMAX LT be connected to the word clock input of the recorder by BNC cable. The second case in which the DigiMAX LT is the master would require that the recorder receive word clock from the adat™ lightpipe fiber-optic cable. This second scenario requires that the digital recorder be set to receive word clock via lightpipe. This is often done by either hitting a button

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Presonus Audio electronic DigiMAX LT user manual Insert Jack As Analog Outputs Example

DigiMAX LT specifications

The PreSonus Audio DigiMAX LT is a professional-grade 8-channel microphone preamp and A/D converter that stands out for its quality, versatility, and feature set. Designed for both studio and live sound applications, the DigiMAX LT offers a digital solution for enhancing audio recording capabilities, making it an excellent addition to any audio engineer’s toolkit.

One of the primary features of the DigiMAX LT is its eight high-quality microphone preamps, which deliver exceptional sound clarity and low noise. These preamps are based on PreSonus' renowned technology, ensuring that they capture the nuances of vocals and instruments accurately. Each channel provides a variable gain control for precise adjustments, allowing users to optimize their sound in various environments.

The DigiMAX LT boasts a high-performance 24-bit/96 kHz A/D conversion that ensures fidelity and detail in audio recordings. With this kind of resolution, audio engineers can achieve professional-grade results suitable for any recording situation. The included ADAT optical outputs allow for seamless integration with digital audio workstations and other gear, facilitating a smooth workflow for tracking and mixing.

In addition to its impressive audio specifications, the DigiMAX LT features a unique “Insert” option for each channel. This allows users to insert effects processors directly in the signal path without needing additional routing or cables, simplifying the setup and enhancing efficiency in both studio and live settings.

Another notable characteristic of the DigiMAX LT is its robust construction, designed to withstand the rigors of studio and stage environments. The sturdy chassis and user-friendly interface make it easy to set up and operate, while the LED metering provides visual feedback on signal levels, ensuring that users can make informed adjustments.

For connectivity, the DigiMAX LT is equipped with both analog and digital connections, offering flexibility when integrating into various audio systems. It also features a word clock input and output, providing a stable timing reference for digital conversion.

Overall, the PreSonus Audio DigiMAX LT combines high-quality preamps, robust A/D conversion, and convenient features in a well-built package, making it an essential tool for anyone looking to elevate their audio recording experience. Whether you’re a seasoned professional or an aspiring musician, the DigiMAX LT is designed to meet your audio needs with reliability and precision.