Roland VR-760 owner manual Effects/Parameter List Time Ctrl DLY Time Control Delay, Reverb

Effects/Parameter List

21: TIME CTRL DLY (Time Control Delay)

This effect allows you to use the MFX [CONTROL] knob on the Synth section to control the delay time and pitch in realtime. Lengthening the delay will lower the pitch, and shortening it will raise the pitch.

Parameter	Value	Explanation
Delay #	200–1000 ms	Adjusts the delay time from the di-
		rect sound until the delay sound is
		heard.
Accel	0–15	Adjusts the time over which the
		Delay Time will change from the
		current setting to a newly specified
		setting.
		The rate of change for the Delay
		Time directly affects the rate of
		pitch change.
Feedback #	-98–+98%	Adjusts the proportion of the delay
		sound that is fed back into the ef-
		fect. Negative (-) settings will in-
		vert the phase.
HF Damp	200–8000 Hz,	Adjusts the frequency above
	BYPASS	which sound fed back to the effect
		will be cut. If you do not want to
		cut the high frequencies, set this
		parameter to BYPASS.
Pan	L64–63R	Stereo location of the delay sound
Low Gain	-15–+15 dB	Gain of the low range
High Gain	-15–+15 dB	Gain of the high range
Balance	D100:0W–D0:100W	Volume balance between the direct
		sound (D) and the delay sound (W)
Level	0–127	Output Level

23:FBK PCH SHIFT (Feedback Pitch Shifter)

This allows the pitch shifted sound to be fed back into the effect.

Parameter	Value	Explanation
Coarse #1	-24–+12 semi	Adjusts the pitch of the pitch shift-
		ed sound in semitone steps.
Fine #1	-100–+100 cent	Adjusts the pitch of the pitch shift-
		ed sound in 2-cent steps.
Feedback #	-98–+98%	Adjusts the proportion of the pitch
		shifted sound that is fed back into
		the effect. Negative (-) settings will
		invert the phase.
Pre Delay	0.0–500.0 ms	Adjusts the delay time from the di-
		rect sound until the pitch shifted
		sound is heard.
Mode	1, 2, 3, 4, 5	Setting a higher value for this pa-
		rameter will result in slower re-
		sponse, but steadier pitch.
Pan	L64–63R	Stereo location of the pitch shifted
		sound
Low Gain	-15–+15 dB	Gain of the low range
High Gain	-15–+15 dB	Gain of the high range
Balance	D100:0W–D0:100W	Volume balance between the direct
		sound (D) and the pitch shifted
		sound (W)
Level	0–127	Output Level

24: REVERB

Adds reverberation to the sound, simulating an acoustic space.

22: 2V PCH SHIFT (2-voice Pitch Shifter)

Shifts the pitch of the original sound. This 2-voice pitch shifter has two pitch shifters, and can add two pitch shifted sounds to the original sound.

Parameter	Value	Explanation
Coarse A #1	-24–+12 semi	Adjusts the pitch of Pitch Shift A in
		semitone steps.
Fine A #1	-100–+100 cent	Adjusts the pitch of Pitch Shift A in
		2-cent steps.
Pan A	L64–63R	Stereo location of the Pitch Shift A
		sound
PreDelayA	0.0–500 ms	Adjusts the delay time from the di-
		rect sound until the Pitch Shift A
		sound is heard.
Coarse B #2	-24–+12 semi	Settings of the Pitch Shift B sound
Fine B #2	-100–+100 cent	The parameters are the same as
Pan B	L64–63R	for the Pitch Shift A sound.
PreDelayB	0.0–500.0 ms
Mode	1, 2, 3, 4, 5	Setting a higher value for this pa-
		rameter will result in slower re-
		sponse, but steadier pitch.
Level Bal	A100:0B–A0:100B	Volume balance between the Pitch
		Shift A and Pitch Shift B sounds
Balance	D100:0W–D0:100W	Volume balance between the direct
		sound (D) and the pitch shifted
		sound (W)
Level	0–127	Output Level

Parameter	Value	Explanation
Type	ROOM1, ROOM2,	Type of reverb
	STAGE1, STAGE2,	ROOM1: dense reverb with
	HALL1, HALL2	short decay
		ROOM2: sparse reverb with
		short decay
		STAGE1: reverb with greater
		late reverberation
		STAGE2: reverb with strong
		early reflections
		HALL1: reverb with clear rever-
		berance
		HALL2: reverb with rich rever-
		berance
Pre Delay	0.0–100.0 ms	Adjusts the delay time from the di-	Appendices
		rect sound until the reverb sound
		is heard.
Time #	0–127	Time length of reverberation
HF Damp	200–8000 Hz,	Adjusts the frequency above
	BYPASS	which the reverberant sound will
		be cut.
		As the frequency is set lower,
		more of the high frequencies
		will be cut, resulting in a softer
		and more muted reverberance.
		If you do not want to cut the
		high frequencies, set this pa-
		rameter to BYPASS.
Low Gain	-15–+15 dB	Gain of the low range
High Gain	-15–+15 dB	Gain of the high range
Balance #	D100:0W–D0:100W	Volume balance between the direct
		sound (D) and the reverb sound
		(W)
Level	0–127	Output Level

95