Applications
Application 3 - Using The MPL 1502 As A Keyboard Submixer
Here, various keyboards and MIDI tone generators are connected to the mono and stereo line inputs of the MPL 1502. Signal processors are connected to Aux sends and returns and to channel inserts as required. The Main output can then be routed to a stereo input channel of a live performance or recording mixing console, with the performer having complete control over the blend of signals being provided to the sound engineer.
|
|
|
|
|
|
|
|
|
|
|
|
|
| MIDI TONE GENERATOR | ||||||||||||
0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
|
|
|
|
+4 | +4 | +4 | +4 | +4 | +4 | +4 | +4 | +4 | +4 | +4 | +4 |
|
|
| ||||||||||||
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
|
|
|
+15 | +15 | +15 | +15 | +15 | +15 | +15 | +15 | +15 | +15 | +15 |
| +15 | L | R | ||||||||||||
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
|
+12 | +12 | +12 | +12 | +12 | +12 | +12 | +12 | +12 | +12 | +12 | +12 |
|
|
|
| ||||||||||||
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
|
|
|
|
+12 | +12 | +12 | +12 | +12 | +12 | +12 | +12 | +12 | +12 | +12 | +12 |
|
|
|
| ||||||||||||
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
|
|
|
|
+15 | +15 | +15 | +15 | +15 | +15 | +15 | +15 | +15 | +15 | +15 | +15 |
|
|
|
| ||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| MIDI TONE GENERATOR |
PFL (SOLO) | PFL (SOLO) | PFL (SOLO) | PFL (SOLO) | PFL (SOLO) | PFL (SOLO) | PFL (SOLO) | PFL (SOLO) | PFL (SOLO) | PFL (SOLO) | PFL (SOLO) | PFL (SOLO) |
|
|
|
| ||||||||||||
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 | +15 |
|
|
|
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 | 0 | 0 | L | R |
| db |
| db |
| db |
| db |
| db |
| db |
| db |
| db |
| db |
| db |
| db |
| db | db |
|
|
|
| ∞ |
| ∞ |
| ∞ |
| ∞ |
| ∞ |
| ∞ |
| ∞ |
| ∞ |
| ∞ |
| ∞ |
| ∞ |
| ∞ | ∞ |
|
|
|
SIGNAL PROCESSOR
L R
POWER PHANTOM
ON |
|
|
|
|
|
| AVIS: |
|
| ||
|
|
|
|
| RISQUE DE CHOC ELECTRIQUE | ||||||
OFF |
|
|
|
|
| NE PAS OUVRIR |
|
| |||
|
|
|
| DO NOT EXPOSE THIS EQUIPMENT | |||||||
|
|
| 48V |
| TO RAIN OR MOISTURE |
|
| ||||
|
|
|
|
|
|
|
|
|
| ||
|
|
|
|
|
|
|
|
| |||
| FUSE RATING |
|
|
|
|
|
|
| |||
| 0.3A/250V(115V) |
| VOLTAGE SELECTOR |
|
| ||||||
| 0.15A/250V(230V) |
|
|
|
|
|
|
| |||
|
|
|
|
|
|
|
|
|
| 230V | |
|
|
|
|
|
| 115V | |||||
|
|
|
|
|
|
| SERIAL NUMBER |
|
| ||
| ~115/230V,50/60Hz 23W |
|
|
|
|
|
|
| |||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ASSEMBLED IN R.O.K. |
|
|
SAMSONMPL 1502 15 CHANNEL STEREO MIXER |
|
| TIP RING SLEEVE | |
CAUTION | ! | TIP | + | |
SAMSON TECHNOLOGIES CORP., HICKSVILLE, NEW YORK | RISK OF ELECTRIC SHOCK | RING | - | |
DO NOT OPEN |
| SLEEVE GND |
RIGHT | LEFT | 2 | 1 | TAPE OUT | RIGHT LEFT/MONO RIGHT | LEFT/MONO | 5 | 4 | 3 | 2 | 1 |
(600Ω +4 dΒ) | |||||||||||
|
|
|
| L |
|
|
|
|
|
|
|
|
|
|
|
| 2 | 1 |
|
|
|
|
|
MAIN OUT |
| AUX SEND | R | AUX RETURN |
|
|
|
|
|
| |
|
|
| CHANNEL INSERT - TIP RETURN - RING SEND |
| |||||||
(BALANCED 600 Ω | +4dB) (UNBALANCED 2KΩ | +4dB) | (UNBALANCED 2KΩ +4dB) |
| |||||||
|
|
|
| TAPE IN |
|
|
|
|
|
|
|
|
|
|
| (10KΩ |
|
|
|
|
|
|
|
SIGNAL PROCESSOR
R | L |
MIDI KEYBOARD |
MIDI KEYBOARD |
1 |
| 2 |
| 3 |
| 4 |
| 5 |
| 6 / 7 |
| 8 / 9 |
| 10 / 11 |
| 12 / 13 |
| 14 / 15 |
MIC INPUT (BALANCED
|
|
|
|
|
|
|
|
|
|
| LEFT/MONO | LEFT/MONO | LEFT/MONO | LEFT/MONO | LEFT/MONO |
|
| ||||||
2 | 1 | 2 | 1 | 2 | 1 | 2 | 1 |
| 2 | 1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
| 3 |
| 3 |
| 3 |
|
|
| 3 |
|
|
|
|
|
|
|
|
|
|
| SAMSON | |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||
|
|
|
|
|
|
|
|
|
|
|
|
|
| LINE INPUT (BALANCED 10K | Ω |
|
| MPL 1502 STEREO MIXER | |||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 15 CHANNEL | |
|
| LINE INPUT (BALANCED 10KΩ |
|
|
|
|
| RIGHT |
| RIGHT |
| RIGHT |
|
| RIGHT | RIGHT |
|
| |||||
10 |
| 10 |
| 10 |
| 10 |
|
|
| 10 |
| 10 |
| 10 |
| 10 |
|
| 10 | 10 |
| MPL 1502 | |
0 |
| 0 |
| 0 |
| 0 |
| 0 |
|
| 0 |
| 0 |
| 0 |
|
| 0 |
| 0 |
| ||
+4 | +4 | +4 | +4 | +4 |
| +4 | +4 | +4 |
| +4 | +4 | 15 CHANNEL STEREO MIXER | |||||||||||
TRIM |
| TRIM |
| TRIM |
| TRIM |
|
|
| TRIM |
| TRIM |
| TRIM |
| TRIM |
|
| TRIM | TRIM |
|
|
|
0 |
| 0 |
| 0 |
| 0 |
|
|
| 0 |
| 0 |
| 0 |
| 0 |
|
| 0 | 0 |
|
|
|
+15 | +15 | +15 | +15 |
| +15 | +15 | +15 | +15 | +15 | +15 | 0 +2 +6 | ||||||||||||
HIGH |
| HIGH |
| HIGH |
| HIGH |
|
|
| HIGH |
| HIGH |
| HIGH |
| HIGH |
|
| HIGH | HIGH |
| LEFT |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| RIGHT | 0 +2 +6 |
0 |
| 0 |
| 0 |
| 0 |
|
|
| 0 |
| 0 |
| 0 |
| 0 |
|
| 0 | 0 |
| ||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| PHANTOM | POWER |
+15 | +15 | +15 | +15 |
| +15 | +15 | +15 | +15 | +15 | +15 |
|
| |||||||||||
MID |
| MID |
| MID |
| MID |
|
|
| MID |
| MID |
| MID |
| MID |
|
| MID | MID |
|
|
|
0 |
| 0 |
| 0 |
| 0 |
|
|
| 0 |
| 0 |
| 0 |
| 0 |
|
| 0 | 0 |
| TAPE IN |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| OFF |
|
+15 | +15 | +15 | +15 |
| +15 | +15 | +15 | +15 | +15 | +15 | ON |
| |||||||||||
LOW |
| LOW |
| LOW |
| LOW |
|
|
| LOW |
| LOW |
| LOW |
| LOW |
|
| LOW | LOW |
| CHANNEL 14 / 15 |
|
0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
−∞ | +10 |
| −∞ | +10 |
| −∞ | +10 |
| −∞ | +10 |
| −∞ | +10 |
| −∞ | +10 |
| −∞ | +10 |
| −∞ | +10 |
| −∞ | +10 |
| −∞ | +10 | −∞ | +20 | L | R |
| AUX 1 |
|
| AUX 1 |
|
| AUX 1 |
|
| AUX 1 |
|
| AUX 1 |
|
| AUX 1 |
|
| AUX 1 |
|
| AUX 1 |
|
| AUX 1 |
|
| AUX 1 | AUX 1 LEVEL |
| BALANCE | |
| 0 |
|
| 0 |
|
| 0 |
|
| 0 |
|
| 0 |
|
| 0 |
|
| 0 |
|
| 0 |
|
| 0 |
|
| 0 |
| 0 |
|
|
−∞ | +10 |
| −∞ | +10 |
| −∞ | +10 |
| −∞ | +10 |
| −∞ | +10 |
| −∞ | +10 |
| −∞ | +10 |
| −∞ | +10 |
| −∞ | +10 |
| −∞ | +10 | −∞ | +20 | L | R |
| AUX 2 |
|
| AUX 2 |
|
| AUX 2 |
|
| AUX 2 |
|
| AUX 2 |
|
| AUX 2 |
|
| AUX 2 |
|
| AUX 2 |
|
| AUX 2 |
|
| AUX 2 | AUX 2 LEVEL |
| BALANCE | |
L | R |
| L | R |
| L | R |
| L | R |
| L | R |
| L | R |
| L | R |
| L | R |
| L | R |
| L | R | 0 | 10 |
|
|
| PAN |
|
| PAN |
|
| PAN |
|
| PAN |
|
| PAN |
|
| BALANCE |
|
| BALANCE |
|
| BALANCE |
|
| BALANCE |
|
| BALANCE |
|
|
|
|
PEAK |
|
| PEAK |
|
| PEAK |
|
| PEAK |
|
| PEAK |
|
| PEAK |
| PEAK |
| PEAK |
| PEAK |
| PEAK | HEADPHONE |
|
| ||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| LEVEL |
|
| |||||||||||||||
| 0 |
|
| 0 |
|
| 0 |
|
| 0 |
|
| 0 |
|
| 0 |
|
| 0 |
|
| 0 |
|
| 0 |
|
| 0 |
|
|
| 0 |
−∞ | +15 | −∞ |
| +15 | −∞ |
| +15 | −∞ |
| +15 | −∞ |
| +15 | −∞ |
| +15 | −∞ |
| +15 | −∞ |
| +15 | −∞ |
| +15 | −∞ |
| +15 |
| −∞ |
| +15 |
| GAIN |
|
| GAIN |
|
| GAIN |
|
| GAIN |
|
| GAIN |
|
| GAIN |
|
| GAIN |
|
| GAIN |
|
| GAIN |
|
| GAIN |
|
|
|
|
| 1 |
|
| 2 |
|
| 3 |
|
| 4 |
|
| 5 |
|
| 6 / 7 |
|
| 8 / 9 |
| 10 /11 |
| 12 /13 |
| 14 /15 |
|
| MAIN |
24