Model 450 Series II User Guide

WIRING CONNECTIONS

Refer to Figure 1 and Table 1 below. For unbalanced opera- tion, the GREEN wire is connected to the audio input, the WHITE wire is connected to the audio ground, and the SHIELD is connected to chassis ground. In some cases, au- dio ground and chassis ground will be the same.

For balanced operation, the GREEN wire is connected to the positive audio input, the WHITE wire is connected to the negative audio input, and the SHIELD is connected to chas- sis ground.

IMPEDANCE SWITCH

PRESS-TO-TALK SWITCH

SHURE MODEL 450 SERIES II

PAGING AND DISPATCHING MICROPHONE

GREEN

LO

ORANGE

YELLOW

 

HI

GREEN

WHITE

1

2

3

BLACK

BLACK

RED

GREEN

WHITE

SHIELD

The Shure Model 450 Series II is a high output dynamic mi- crophone designed for paging and dispatching applications. This extremely rugged microphone features an omnidirec- tional pickup pattern and a frequency response tailored for optimum speech intelligibility. It also includes an impedance selection switch and a locking press-to-talk switch. The press-to-talk switch can be converted to a monitor/transmit switch with the Shure RK199S Split-Bar Conversion Kit.

Features

Dual impedance

Locking press-to-talk switch

Rugged ARMO-DURRbase and case

Adjustable height

Optional monitor/transmit switch conversion kit

PRESS-TO-TALK SWITCH OPERATION

To operate the control bar as a press–to–talk switch, simply hold it down and begin speaking. When you are finished speaking, release the control bar.

To lock the control bar in the “on” position, press it down and pull it forward. To unlock the control bar, push it back and re- lease it.

IMPEDANCE SELECTION

To select high or low impedance, move the impedance selec- tion switch, located under the microphone base, to either the HIGH or LO position. The switch is factory pre–set to LO.

Shure recommends the low impedance setting if long lengths of cable are used, or if severe hum is encountered. Use Shure A95 Line Matching Transformers to match a low impedance (300 Ω) microphone line to a high impedance amplifier input.

RED

WIRING DIAGRAM

FIGURE 1

Table 1. Typical Cable-to-Connector Wiring

INPUT TYPE

WIRE

FUNCTION

XLR

1/4 IN.

 

COLOR

 

CONNECTOR

PHONE JACK

 

 

 

 

 

 

 

 

 

 

 

GREEN

AUDIO

PIN 2

TIP

 

 

 

 

 

UNBALANCED

WHITE

AUDIO GROUND

PIN 3

SLEEVE

 

 

 

 

 

 

SHIELD

CHASSIS GROUND

PIN 1

SLEEVE

 

 

 

 

 

 

 

 

 

 

 

GREEN

AUDIO +

PIN 2

TIP

 

 

 

 

 

BALANCED

WHITE

AUDIO –

PIN 3

RING

 

 

 

 

 

 

SHIELD

CHASSIS GROUND

PIN 1

SLEEVE

 

 

 

 

 

NOTE: The RED and BLACK leads are not part of the audio circuit. These wires provide a contact closure when the press- to-talk switch is depressed. This closure may be used to con- trol an external relay or a transmit/receive circuit.

CHANGING PTT CIRCUIT TO NORMALLY OPEN

Using microphones in parallel requires a normally open mi- crophone circuit. To modify the press–to–talk switch so that it provides a normally open circuit, proceed as follows:

1.Remove the screws, washers, and bottom plate from the microphone.

2.Unsolder the black, red, and white leads from the terminal of the press–to–talk switch (see Figure 1). Make

sure these leads are still soldered together. If necessary, resolder them and insulate the connection.

3.Replace the bottom plate and secure it with the screws and washers removed in Step 1.

2005, Shure Incorporated

 

Printed in U.S.A.

27C2917 (Rev. 3)

 

 

 

 

 

 

 

 

 

 

Page 1
Image 1
Shure manual Wiring Connections, Shure Model 450 Series Paging and Dispatching Microphone, Impedance Selection

450 specifications

The Shure 450 is a versatile and robust microphone designed to cater to the needs of audio professionals and enthusiasts alike. This dynamic microphone is renowned for its exceptional performance in a variety of applications, including live performances, broadcasting, and studio recording.

One of the standout features of the Shure 450 is its frequency response, which ranges from 40 Hz to 15 kHz. This wide range ensures that the microphone can capture a deep and full sound, making it suitable for a variety of instruments and vocal types. The microphone excels in picking up vocals, providing clarity and warmth, while also performing well with instruments like guitars and drums.

The 450 employs a cardioid pickup pattern, which helps to isolate the main sound source while minimizing background noise and feedback. This is especially beneficial in live settings where multiple sound sources may be present. The microphone's directional characteristics ensure that it captures the desired sound without interference from other instruments or ambient noise, creating a cleaner overall mix.

Another significant feature of the Shure 450 is its rugged construction. Built to withstand the rigors of touring and live performances, the microphone is designed with durability in mind. It features a sturdy metal body that is resistant to wear and tear, along with a metal grille that protects the internal components from damage. This robustness ensures longevity, making it a worthwhile investment for both professionals and hobbyists.

The Shure 450 also incorporates advanced internal shock mounting techniques that help reduce handling noise and vibrations. This feature enhances the microphone’s overall audio quality, allowing for cleaner recordings and performances. Additionally, the mic's self-contained wind and pop filter further minimizes unwanted noise, making it ideal for use in various environments.

In terms of compatibility, the Shure 450 works seamlessly with a wide range of audio equipment, including mixers, audio interfaces, and PA systems. Whether you're in a studio, at home, or on stage, the microphone is easy to set up and use.

In conclusion, the Shure 450 is an exceptional dynamic microphone that combines high-quality sound, durability, and user-friendly features. Its impressive frequency response, cardioid pickup pattern, and robust design make it an excellent choice for anyone looking to elevate their audio experience, whether in live settings or recording sessions.