Introduction, Special Features | Sound Performance Lab 2595 instruction

Introduction

SPL Passeq—the most powerful passive Equalizer ever made

Unique Features

•The most powerful passive EQ ever made—72 (!) passive filters per channel in one EQ.

•120 V makeup amplifiers based upon SPL SUPRA-OPs with 150 dB dynamic rage and 200 V/ms slew rate.

•Individual coils per filter.

•Single core coils, which means that every one is wound individually on its own dedicated core. This excludes sonic degradation from mutual influences while at the same time improving THD values.

Special Features

•Individual design and component specificity for each filter.

•Custom made coils for critical mid-frequency ranges.

•Boost and cut crossovers mesh perfectly so that with the high number of frequencies one can dependably command the most elaborate set of response curves that to date any passive EQ has offered.

•Transformers from Lundahl with perfectly matched sonic characteristics provide for balanced I/O stages.

Passeq

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Sound Performance Lab 2595 manual Introduction, Special Features

2595 specifications

The Sound Performance Lab 2595 is a cutting-edge audio processor designed to elevate mixing and mastering workflows for both professionals and enthusiasts alike. This device stands out in the competitive landscape of audio equipment, thanks to its blend of innovative technologies, high-quality sound processing, and user-friendly features.

One of the main features of the 2595 is its dual-channel architecture. This allows users to process two audio signals simultaneously, making it an ideal choice for stereo applications. Designed for flexibility, the device can be used for various purposes, including mixing, mastering, and live sound reinforcement. The 2595 boasts an intuitive layout, making it easy to navigate its range of functions and settings, even for those who may be new to audio processing.

The heart of the 2595 lies in its advanced digital signal processing (DSP) capabilities. The device is equipped with high-resolution converters, allowing for pristine audio quality with minimal latency. This ensures that the integrity of the original sound is maintained, which is a crucial aspect for any serious sound engineer or musician. Additionally, the built-in algorithms are designed to enhance the audio signal intelligently, providing users with options for dynamic range control, spectral processing, and various filtering techniques.

Another notable characteristic of the Sound Performance Lab 2595 is its extensive connectivity options. The device includes both analog and digital I/O, making it compatible with a wide range of audio sources and studio environments. This versatility is essential for professionals who often work with various formats and formats, ensuring that the 2595 can seamlessly integrate into any setup.

The user experience is further enhanced by the inclusion of a bright, user-friendly display that provides real-time feedback on processing parameters. This feature allows users to make precise adjustments quickly, facilitating a more efficient workflow. Furthermore, the 2595's robust construction ensures that it is built to withstand the rigors of both studio and live applications, making it a reliable choice for any audio professional.

In conclusion, the Sound Performance Lab 2595 represents a significant advancement in audio processing technology. With its dual-channel processing capability, high-quality DSP, extensive connectivity options, and user-friendly interface, it caters to a wide range of audio applications while maintaining exceptional fidelity and performance. This makes the 2595 a valuable tool for anyone looking to achieve professional-grade sound in their projects.

Contents

Manual Manual Passeq, Model SPL electronics GmbH SohlwegWeee Registration 973 349 88 Contents Important Safety Information Symbols and Notes Hook UpRack Mounting Special Features Introduction Filter Types Advantages of Passive FilteringPassive Filters with 120 Volt Makeup Amplifiers Single Core Coils Input Stages of the Supra Components Volt Makeup AmplifiersSPL Supra Op-Amps Intermediate Stages of the Supra Components Other Features Lundahl TransformersConclusion IPU/% DPME Power switch and voltageRear Panel Selector Please refer to Connections Operation Frequency Table/per Band One Coil per Filter, one Core per CoilAllocation of Frequencies Boost Cut Frequenz Cut LF-LMF Cut MF-MHF Cut MHF-HF Boost LF Boost HF Operational Elements LF-LMF Cut and LF BoostMF-MHF Cut and LMF-MHF Boost MHF-HF Cut HF Boost Q Settings with the Proportional Q PrincipleMHF-HF Cut and HF Boost Output Control Recommendations on using Equalizers Basic Approaches and Working TechniquesEQ Yin & Yang Reducing bleed within an instrument‘s frequency range First control levels, then apply EQFirst cut, then boost Boosting harmonic frequency levels Mix-or not? Cutting fundamental levelsEmphasis of an instrument‘s main frequencies Splitting frequency bands to reduce masking effects Improves the presence of bass lines Classical instruments and their frequencies Tone and Sound Basics of Frequency FilteringFrequency and Energy Sound Correction and Sound Design Peak Filters Frequency FiltersShelf Filters Bandwidth Equalizer Passive EQs Active EQs Parametric EQsGraphic EQs Power Supply Specifications Guarantee & Product Registration Copy Master Recall Settings Engineer Artist Tracks/Groups Album Date Title Manual Passeq