Power and Signal Connections
Be very careful to check that the rear chassis power selection switch is set to the correct local line voltage position (either 230 or 115 volts) before using the unit!
Before connecting any equipment make sure that any machine to be connected is turned off (on the Passeq rear panel the power switch must be pushed down).
An AC power cord is included for connection to the standard
Connections
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Operation
Power
The Passeq is turned on and off with the rear Power switch. The blue LED in the center of the front indicates operating status.
Channel Switches
Two illuminated switches in the center of the front activate or bypass the left or right channel.
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Layout of Operational Elements
nitially one might be struck by the circular arrangement of the Passeq’s control elements. As unusual as this first appears, the more understandable and clearer this layout becomes when one looks closer.
Along with the fact that we simply like this design from an aesthetical view, this layout makes even more sense with respect to the idea of the passive EQ concept itself: In a passive design, filters for boosting and cutting a frequency range are physically separated from each other. Reflecting this fact, the elements left of the central output control perform level cuts, while controls to the right of this central regulator serve as signal boost controls. Cut and boost switches are positioned next to the appropriate frequency band selector and frequency bands are arranged from low to high from the standpoint of both physical and frequency range
The most powerful passive EQ system ever made
The Passeq is the first passive EQ which provides three separate frequency ranges for both boost and cut stages. One famous, if not the most famous, passive design was the Pulteq EQ from the decades of the 1950’s and 60’s. This EQ sported two frequency bands (low and high frequencies, or LF and HF), and had only a few switchable frequencies to offer. In contrast, the Passeq has 12 switchable frequencies per band, totaling 36 boost and 36 cut frequencies. Boost and cut frequencies are NOT identical, thus the resultant 72 frequencies per channel offer an enormous choice for the most elaborate EQ curves (please refer to the next chapter, “Frequency Layout”).
The Passeq offers for the first time passive filter control possibilities extending throughout the relevant audio frequency
Passeq | 11 |
