![Frequency Filters](/images/new-backgrounds/17096/1709643x1.webp)
The Basics of Frequency Filtering
Frequency Filters
As a rule almost everyone of us has first made an aquaintance with frequency filtering through our listening to home stereos. Such elementary kinds of filters are simple ampli-
But with the explanation above on the composition of a complex, natural tone, it is clear that such a low frequency control does not only influence the energy of the fundamental frequency, but also always the sound of a
Typically
Filter Types
There are two types of filters used in the Passeq:
Shelf Filters
A shelf filter increases or decreases the energy of all frequencies above or below a chosen frequency. Depending upon the direction of processing one refers to high frequency (HF) or low frequency (LF) shelf filters. Beginning with the threshold frequency, the frequency band is boosted or cut much like a shelf. The maximum boost or cut achieved at the point furthest from the threshold frequency. The threshold frequency is usually about 3 dB less (with the overall increase set to maximum). This gives the typical rising form of the shelf filter’s response curve.
Peak Filters
A peak filter boosts or cuts a chosen frequency‘s energy with a maximum amplitude and a definable frequency range around this frequency with a fall off of up to 3 dB to both sides. The chosen frequency with the maximum amplitude is called center
Bandwidth
The width of a frequency range or band is musically defined in octaves. The technical coun- terpart to this is the “Quality” of a filter, and the abbreviated “Q” is the most common value for the bandwidth of a filter.
A high Q value means a narrow bandwidth while a smaller Q factor corresponds to a wider one:
Bandwidth 2 Octaven: 0.7 Q
Bandwidth 1 1/3 Octaven: 1 Q
Bandwidth 1 Octave: 1.4 Q
Bandwidth 1/2 Octave: 2.8 Q
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