32-bus console

HF

The HF section is fully sweepable from 1kHz to 20kHz. Q is variable from 0.5 to 3.0, or the band may be switched to a shelving response by turning the Q control fully anticlockwise.

HMF

The HMF spans the range 500Hz to 8kHz. Q is variable from 0.5 to 3.0.

LMF

The LMF spans the range 70Hz to 1.5kHz. Q is variable from 0.5 to 3.0.

LF

The HF section is fully sweepable from 30Hz to 480Hz. Q is variable from 0.5 to 3.0, or the band may be switched to a shelving response by turning the Q control fully anticlockwise.

9EQ

The EQ section is active when the EQ switch is pressed, and bypassed when the switch is released, allowing easy A/B comparison of the signal with or without EQ.

0L/R Monitor Sends

A dual-concentric control routes the signal to the L/R output (on the lower section of the Master Module). The control may either be configured as two mono sends (Left and Right), or, if the Global Mode STE switch on the output section on the Master module is pressed, the send becomes a stereo pair, with the top knob being send level, and the lower knob being a PAN control. The sends are muted unless the ON switch is pressed, and may be switched pre-fader by pressing the PRE switch. The pre-fade source may be configured as pre-fade/post-mute, pre- mute or pre-EQ/pre-insert using internal jumpers. (see chapter 2).

qMono/Stereo Monitor Sends

The sends to outputs 9-16 (24-bus consoles) or 1-16 (32-bus consoles) are on dual concentric pots, and each row can be configured at the touch of a button as either a stereo send with level on the top knob and pan on the lower, or a pair of mono sends. These pairs of mixes are controlled by the faders in the output modules, and are labelled 1A & B (8A & B on 24-bus consoles)to 16A and B. Stereo mode is selected by pressing the Global Mode STE button on the respective output mod- ule. The sends are muted unless the ON switch is pressed, and may be switched pre-fader by pressing the PRE switch. The pre-fade source for sends 9-16 may be configured as pre-fade/post-mute, pre-mute or pre-EQ/pre-insert using internal jumpers. (see chapter 2).

wMono Monitor Sends (24-bus consoles only)

The lower 8 sends on 24-bus consoles are configured as full-time mono sends, using single pots. The output modules for these mixes are similar to the output modules for stereo pairs of outputs, except the Global Mode STE switch is omit- ted, and the modules comprise two separate output sections. The sends are muted unless the ON switch is pressed, and may be switched pre-fader by press- ing the PRE switch. The pre-fade source for sends 1-8 may be configured as pre- fade/post-mute, pre-mute or pre-EQ/pre-insert using internal jumpers. (see chap- ter 2).

eFader

A high-quality 100mm channel fader controls the level to all busses, and has 10dB of gain when full up as well as an expanded scale around the critical unity gain area, for maximum resolution.

FIVE Monitor Functional Description

4.3

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SoundCraft Five Monitor Series manual Hmf, Lmf
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Five Monitor Series specifications

The SoundCraft Five Monitor Series represents a significant advancement in professional audio mixing technology, tailored specifically for live sound environments. Renowned for their high-quality performance and user-friendly interface, these mixing consoles are designed for sound engineers and musicians who demand reliability and flexibility.

One of the standout features of the SoundCraft Five is its ergonomic design, which prioritizes ease of use. The console layout is intuitive, allowing for quick adjustments during live performances. With strategically placed faders, knobs, and buttons, engineers can make real-time changes without losing focus on the performance, an essential characteristic for any live set.

Equipped with advanced digital signal processing (DSP), the SoundCraft Five provides unparalleled sound clarity and precision. The built-in EQ features, including parametric equalizers, allow sound engineers to tailor the audio output to the specific acoustics of the venue. This adaptability ensures that performers are always heard at their best, regardless of the environment.

Another key technology in the Five Monitor Series is the compatibility with various audio formats and protocols. Utilizing both analog and digital inputs, these consoles can seamlessly integrate into complex audio setups. This flexibility is crucial for modern performances where multiple audio sources need to be managed efficiently.

The SoundCraft Five also incorporates high-quality preamps that deliver exceptional sound quality. These preamps ensure that every detail of the audio is captured without distortion, providing a warm and professional sound that enhances the overall listening experience.

Durability is a hallmark of the SoundCraft design philosophy. The Five Monitor Series is built to withstand the rigors of touring and live events, featuring rugged construction and reliable components. This resilience ensures that the mixer will perform consistently through various demanding situations.

Furthermore, the intuitive layout includes comprehensive metering options, allowing sound engineers to monitor levels effectively. This visual feedback is vital for maintaining optimal sound quality throughout the performance, helping to avoid potential issues before they arise.

In summary, the SoundCraft Five Monitor Series stands out in the competitive landscape of live sound mixing consoles. With its combination of user-friendly design, advanced DSP technology, high-quality preamps, and robust construction, it meets the diverse needs of modern audio professionals, making it an essential tool for any live performance setup.
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