12 PFL | When pressed the signal will appear on the monitor and headphone outputs - use |
| this to monitor the |
13 MIX/SUB SWITCH | When this switch is up, the channel’s |
| and right) buses. When the switch is depressed, the |
| to the |
14 SP LED | The SP LED glows when a signal is present. The feed point for the LED is |
|
|
15 INPUT CHANNEL FADER | This is used to control the level fed to the Mix Bus and |
16 MIX OUTPUTS (XLR) & MONO OUT (¼” Jack) Connect these to your analogue recording device, or to your | |
| amplification system. |
17
|
| processor. |
18 | The | |
19 | MASTER FADERS | These faders control the overall level of the mix and |
20 MAIN METERS | These show the level of the mix outputs. When the AFL/PFL ACTIVE LED is lit, the | |
|
| meters show the level of the selected AFL/PFL signal. |
21 | MONITOR OUTPUTS (¼” Jack) These are used to feed your monitoring system. This can be directly connected to | |
|
| powered monitors, or indirectly via an amplifier to standard monitors. |
22 MONITOR CONTROL | This controls the level of the signal sent to your monitoring system. | |
23 | MONITOR SELECT SWITCHES | These switches select the signal source(s) to be monitored. More than one can be |
|
| selected at a time. |
24 PHONES CONTROL | This controls the level of the signal sent to the headphones jack socket. | |
25 | HEADPHONES (¼” Jack) | Plug your headphones into this socket. Recommended headphones impedance is |
|
| 150 ohms or greater. |
26AUX 1 & 2 OUTPUTS (¼” Jacks) These outputs can be used to send the channel signal to an artist’s monitors
27AUX CONTROLS & AFL SWITCHES The rotary controls set the output levels of the two Aux Outputs. The After Fade Listen (AFL) switches route their respective aux output signal to the monitor/head- phones outputs.
28 AUX SWITCHES | These switches globally changes their own AUX feed on all the input modules to be | |
| STEREO INPUTS (¼” Jack) | either pre or |
29 | These two inputs can be used to connect line level stereo inputs from keyboards, | |
|
| sound modules, samplers, computer based audio cards etc. These inputs pass |
|
| through a stereo channel strip, with EQ, Auxes and a Balance control. |
30 | ||
31 |
| Use these to control the 2 Track signal. The MONITOR switch sends the signal to the |
|
| monitor outputs and phones, whilst the TO MIX switch sends it to the main mix. |
32 | RECORD OUTPUTS (RCA Phono) You can connect these to the inputs of your recording device. | |
33 PHANTOM POWER | Press this to switch the phantom power (48V) on for condenser microphones. | |
|
| WARNING: Do Not apply Phantom Power before connecting a microphone. |
34 | STEREO RETURN INPUTS | This pair of inputs accept |
|
| such as keyboards, drum machines, synths or CDs. The inputs are BALANCED. |
|
| Mono sources may be used by plugging into the left jack only. |
35 | STEREO RETURN CONTROL | This control sets the level of signal routed to the main mix busses. There is an |
|
| associated PK LED to warn of signals which are too high. |
36 | FX BUS OUTPUT | This output carries the signal from the FX bus. It could be used as a second Aux |
|
| Output if desired, if the FX Processor is not needed at the time. The FX sends on the |
|
| inputs channels to the FX bus are always |
37 | FX CONTROL & PFL SWITCH | The rotary control regulates the signal level being fed from the FX bus to the FX |
|
| processor and to the FX BUS OUTPUT socket. The |
|
| routes the |
38 | FOOTSWITCH CONNECTOR | This is used by the FX Processor, see page 25. |
39 LEXICON® FX PROCESSOR | See the information starting on page 24. |
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