| small screwdriver, taking care not to damage the trimmer. | ||
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9. | FADER |
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| A linear fader controls the overall level of each output. Unity | ||
| gain is at the top of the travel. | ||
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| MASTER SECTION |
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1. | D.C. POWER SOCKET |
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| The cable from the power supply connects to the console via | ||
| this 5- pin SRC connector. To the right of the power connec- | ||
| tor is the master switch for +48V Phantom Power to all inputs. | ||
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2. | WEDGE OUTPUT |
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| The WEDGE output normally drives the engineer’s monitor | ||
| speaker via a power amplifier, and when no PFL switches are | ||
| pressed this is fed by the submix signal. The WEDGE output | ||
| automatically switches to the PFL signal when any PFL switch | ||
| is active. | ||
| The WEDGE output always listens to the same source signal | ||
| as the headphones, but is also affected by DIM status and any | ||
| external connections to the Insert socket. | ||
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3. | WEDGE INSERT |
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| This is similar to the Input Channel Inserts and allow external | ||
| processing equipment to be ‘inserted’ into the output signal | ||
| path. The 1⁄4" 3 pole ‘A’ gauge jacks are | ||
| when a plug is inserted. | ||
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4. | PHONES |
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| A standard 1⁄4" 3 pole‘A’ gauge jack for monitoring head- | ||
| phones. See the diagram on Page 8 for connection details. | ||
| This output is suitable for headphones with an impedance of | ||
| 400Ω or greater. | ||
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5. | TALKBACK MICROPHONE SOCKET |
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| A standard female | ||
| pedance dynamic talkback microphone on a gooseneck mount | ||
Page 18
