CONTROLS & FUNCTIONS

1.MODE (CTN/SGL) – Toggles between Continuous and Single play modes. Continuous mode operates like a normal CD player, playing the

entire disc without stopping. Single mode only plays one track at a time, returning to the Cue point when the track is completed. The LCD will display “SINGLE” when in that mode.

2. DISPLAY – The TIME button switches the time value displayed in the LCD between elapsed track time, remaining track time, and the total remaining time for the entire disc. Markers next to the time readout indicate which of these modes is enabled. The BPM button switches the LCD display between BPM and PITCH values. Press and hold the BPM button to activate Auto BPM function (this is also indicated on the LCD screen)

3. PLAY MODE – The VINYL button (when flashing) enables the touch sensitive jog wheel (#17) to respond like a turntable. During normal play mode, touching the platter will pause playback, and moving the platter forward or backward will create scratch sounds. The TOUCH REWIND button (when flashing) enables the jog wheel to facilitate beat juggling by simply tapping the surface area of the jog wheel.

Touching and releasing the jog wheel once will return playback to the last marked cue Point. During cue or pause mode, touching the jog wheel will start playback, while releasing it will return it to the cue point.

4. TIME KNOB – Fine tunes the time division parameter for use with the DSP FX (#10). [The HOLD button (#11) must be engaged in order for changes to lock, otherwise they will return to the default value].

5. MINUS BUTTON – Moves the time division indicator (#7) to the left [for use with the DSP FX (#10)].

6. LCD DISPLAY – Shows various information on the status, modes, and functions of the unit.

7. TIME DIVISION INDICATORS – Indicates the time division (in measures) used by the DSP FX (#10). When 1/4 is selected, the activated FX will modulate with every beat, or every 1/4 measure. 1/2 signifies 2 beats (1/2 measure), 3/4 signifies 3 beats (3/4 measure), 1/1 signifies 4 beats (1 measure), 2/1 signifies 8 beats (2 measures), and 4/1 signifies 16 beats (4 measures).

8. RATIO KNOB – Fine tunes the frequency range for use with the DSP FX (#10). [The HOLD button (#11) must be engaged in order for

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Stanton C.304 manual Controls & Functions
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C.304 specifications

The Stanton C.304 is a pioneering model in the realm of advanced signal processors, designed primarily for high-fidelity audio applications. With its cutting-edge technology and robust features, the C.304 stands out as an essential component for audiophiles and professional sound engineers alike.

At the heart of the Stanton C.304 lies its powerful DSP (Digital Signal Processing) capabilities. This processor allows for real-time audio manipulation and enhancement, enabling users to achieve superior sound quality. The C.304 supports a wide range of audio formats, ensuring versatility in various audio environments, whether for live sound, studio recording, or broadcasting.

One of the most notable features of the C.304 is its comprehensive EQ (Equalization) settings. Users can access detailed control over frequency bands, allowing for the precise tuning of audio outputs. This feature is particularly advantageous in live sound applications, where room acoustics often dictate the need for tailored audio adjustments. The built-in presets and customizable EQ settings cater to diverse musical genres and preferences.

Additionally, the C.304 employs advanced dynamics processing technology, which includes compression, expansion, and gating functionalities. These tools are crucial for balancing audio levels and enhancing the overall sound dynamics. This ensures clarity and punchiness, which are essential for both vocal and instrumental tracks.

The unit also boasts a user-friendly interface, complete with an intuitive touchscreen display that simplifies navigation through various settings and features. This design consideration minimizes the learning curve for new users while providing experienced sound engineers with quick access to essential controls.

Moreover, connectivity is a strong suit of the Stanton C.304. It includes multiple input and output options, including XLR, TRS, and digital connectivity through AES/EBU. This ensures compatibility with a wide range of audio equipment, making it highly adaptable in both live and studio settings.

In conclusion, the Stanton C.304 is an impressive piece of technology that merges powerful processing capabilities with user-friendly features. Its EQ flexibility, advanced dynamics processing, and extensive connectivity options make it a top choice for anyone serious about achieving pristine audio fidelity, whether in recording studios or live musical performances. The C.304 truly represents the future of audio processing, marrying innovation with practicality to deliver outstanding sound quality.
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