2 - Parts of the tape deck

[9] ANALOG INPUT selector switch

When the INPUT switch [7] is set to ANALOG, this switch is used to select between UNCAL and CAL.

UNCAL means that the analog signal source works at an uncalibrated nominal level which is neither

+4 dBu nor -10 dV, requiring the use of the input level controls to adjust the recording level.

The CAL position is for use with analog sources which are calibrated to use either the standard

+4 dBu or the -10 dBV level as a nominal level. The input level controls are not used in this case.

NOTE

If this switch is set to the CAL position, make sure that no parts of the program material will cause clipping.

[10] INPUT level controls

When recording from analog sources with the ANALOG INPUT switch [9] set to UNCAL, these controls adjust the level of the input signal to the left and right tape tracks.

They have no effect when the switch is set to the CAL position, or when recording from a digital audio source.

[11] PHONES control and jack

Any standard pair of stereo headphones may be plugged into this π -inch jack, and the level adjusted with the rotary control.

2.3 Tape controls

The following keys provide control of the tape trans- port, recording modes, etc. Please read this section carefully if you are not sure of transport operations using the tape deck.

[12] SKIP keys

These keys are used to move the tape forward or backward by a certain number of programs.

NOTE

A “program” on a DAT cassette starts with a START ID marker. The audio portion of the data recorded on a DAT cassette is not used to determine the division into tracks.

Repeated presses of these keys will move the tape forwards or backwards by the appropriate number of programs (pressing the skip forward key once will move the tape to the beginning of the next program, etc.).

While the tape is locating, the display will show (flashing on the right) the number of programs which must still be passed, and (on the left) the current pro- gram number:

PNO

ABS

0 0H 1 2M 4 6S0 8 + 0 2

In the above example, the tape is currently on pro- gram 8, and must move two programs forward before the correct program (i.e. program 10) is reached.

When the start of the desired program is reached, the tape deck will enter the play mode if the tape was playing before the skip operation, otherwise it will enter pause mode.

[13] REW and F FWD keys

Use these keys to wind backwards or forwards fast through the tape.

If the tape is stopped or paused, and one of these keys is pressed, << or >> will be shown on the right of the display to indicate the direction of the tape movement, if the margin is being displayed (see DISPLAY [24]).

If normal mode has been selected (3.16, "Fast for- ward mode"), pressing either of these keys when the tape is playing will start fast forward or rewind.

If the tape is playing when one of these keys is pressed, and cue mode has been selected (3.16, "Fast forward mode"), the tape enters a “cue” or “review” mode, in which the tape is played forward or back- ward at either three times or five times normal speed (if the tape has been recorded in HR(24BIT) mode) or twice or four times normal speed (if the tape has been recorded in standard mode). The cue/review speed can be changed by pressing the REW or F FWD key again, and is shown on the display as >>3/>>5 (cue, HR(24BIT) mode), <<3/<<5 (review, HR(24BIT) mode), >>2/>>4 (cue, stan- dard mode), <<2/<<4 (review, standard mode).

[14] STOP key

Use this key to stop the transport from whatever mode is currently selected. This includes the “input monitor” mode (see [17] below).

12 TASCAM DA-45HR

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Tascam DA-45HR owner manual Tape controls

DA-45HR specifications

The Tascam DA-45HR is a professional, high-resolution digital multitrack recorder that has built a solid reputation in the audio industry for its superior quality and versatility. Engineered for demanding recording environments, the DA-45HR is designed to meet the high standards of both studio and live sound applications, making it an indispensable tool for sound engineers and music producers alike.

One of the standout features of the DA-45HR is its ability to record in high-resolution formats, including 96 kHz and 192 kHz sample rates. This ensures that audio quality is preserved at the highest level, delivering crystal-clear sound that captures the nuances of the original performance. The device features a 24-bit digital signal processing architecture, ensuring that dynamic range and clarity are not compromised during recording or playback.

The DA-45HR utilizes advanced D/A and A/D converters, which are crucial for delivering accurate sound reproduction. These converters enable the device to handle a wide frequency response and low total harmonic distortion, allowing for high-fidelity audio outputs that are critical in professional settings. The recorder supports multiple digital formats, including DAT, a popular choice for mastering and archiving.

Another significant characteristic of the DA-45HR is its user-friendly interface. It boasts a clear LCD display that provides real-time feedback on recording levels, making it easy for users to monitor their inputs closely. The intuitive layout of the controls allows for quick navigation through its various features, enhancing workflow efficiency during sessions.

Connectivity options are another highlight of the Tascam DA-45HR. It includes AES/EBU and S/PDIF digital inputs and outputs, as well as analog connections, allowing it to integrate seamlessly into any professional audio setup. This flexibility makes the DA-45HR compatible with a variety of other audio gear, ensuring it can meet diverse recording needs.

In summary, the Tascam DA-45HR is a high-quality digital multitrack recorder that excels in both performance and versatility. Its high-resolution recording capabilities, advanced digital processing technologies, and user-friendly design position it as a top choice for audio professionals seeking dependable and flexible recording solutions. Whether in a studio setup or on stage, the DA-45HR stands out as a reliable instrument for capturing intricate soundscapes.