Scale Types and Voicings Table

B

D F

D F

D F

nc nc

nc nc

nc nc

 

 

 

 

 

 

 

Bb

D F

D F

D F

D F

D F

D F

 

 

 

 

 

 

 

A

C E

C E

C E

nc nc

nc nc

nc nc

 

 

 

 

 

 

 

G#

nc nc

nc nc

nc nc

C Eb

C Eb

C Eb

 

 

 

 

 

 

 

G

B D

C E

Bb D

Bb D

Bb D

B D

 

 

 

 

 

 

 

F#

nc nc

nc nc

nc nc

nc nc

nc nc

nc nc

 

 

 

 

 

 

 

F

A C

A C

A C

Ab C

A C

Ab C

 

 

 

 

 

 

 

E

G B

G C

G Bb

nc nc

nc nc

nc nc

 

 

 

 

 

 

 

Eb

nc nc

nc nc

nc nc

G Bb

G Bb

G Bb

 

 

 

 

 

 

 

D

F A

F A

F A

F Bb

F A

F A

 

 

 

 

 

 

 

 

C#

nc nc

nc nc

nc nc

nc nc

nc nc

nc nc

 

 

 

 

 

 

 

C

E G

E G

E G

Eb G

Eb G

Eb G

Lead Voice

3rd Above 5th Above

3rd above 5th above

3rd above 5th above

3rd above 5th above

3rd above 5th above

3rd above 5th above

 

 

MAJ1

MAJ2

MAJ3

MIN1

MIN2

MIN3

 

 

 

 

 

 

 

 

The table at left illustrates the how the six scale types differ. It shows the third and fifth intervals for input notes in the key of C.

The bold line of notes at the top represent the sung or input note.

The symbol “nc” means no change, in that the harmo- ny voice will simply stay on the previous note until the lead voice changes to a non “nc” note.

The following table shows the range of harmony voicings available in Scale mode.

+2 Octaves

++7

++6

++5

++4

++3

++2

+1

+7

+6

+5

+4

+3

+2

Unison

-2 -3 -4 -5 -6 -7

-1 Octaves

--2

--3

--4

--5

--6

--7

-2 Octaves

21

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TC electronic SDN BHD Harmony4 user manual Scale Types and Voicings Table