OPERATION
position (fully
7 – Damp
This parameter determines how hard the signal should be attenuated when the signal level falls below the set Threshold. Now you may think that you should always go for maximum dampening. However, bear in mind that you should also strive for a smooth transition from the “gated/attenuated” stage to the “open” stage. The more dBs that are released when the Gate opens, the more obvious the gating effect becomes. This means that you will have to experiment to
8 – Attack
Attack is the time it takes for the Noise Gate to release the gain reduction of the signal after the level of the input signal has exceeded the Threshold. In other words: With Attack, you determine how fast the gate
should open when you are playing your guitar. For guitar setups it is very common to use very fast attack times. Turn ATTACk
9 – Release
Release is the time it takes for the Noise Gate to reach the attenuation specified by the Damp parameter when the signal drops below the Threshold point. In other words: with Release, you determine how fast the gate should close when you stop playing. Slow release times are achieved by turning the knob clockwise and results in a very natural sounding fade out. A faster release time is achieved by turning the knob counter- clockwise and is typically used for
12 – Dry Blend function in the Noise Gate
Dry Blend mode off (no LEDs):
Select this mode for a
Dry Blend modes; Min, Mid & Max:
These modes process low, mid and high frequencies
16