Appendix 19

078: COMP260S

This effect emulates the characteristics of mid 70’s compressors/limit-

ers that are the standard for live SR. You can link and control the L and

R channel parameters.

079: EQUALIZER601

This effect emulates the characteristics of 70’s analog equalizers. Re-

creating the distortion of typical analog circuits will add drive to the

sound.

*1.16.0 Hz to 20.0 kHz (LPF-1, LPF-2), 1.0 kHz to 20.0 kHz (HSH-1, HSH-2)
080: OPENDECK

It emulates the tape compression created by two open reel tape record-

ers (a recording deck and a playback deck.) You can change the sound

quality by adjusting various elements, such as the deck type, tape qual-

ity, playback speed, etc.

Parameter Range Description
THRE. –60 to 0.0 dB
Threshold of the compressor
KNEE SOFT, MEDIUM,
HARD Knee of the compressor
ATTACK 0.01–80.0 ms
Attack time of the compressor
RELEASE 6.2–999 ms
Release time of the compressor
RATIO 1.0–500, ∞Ratio of the compressor
OUTPUT –20 to 40 dB Adjusts the output gain
Parameter Range Description
LO TYPE HPF-2/1, LSH-1/2 Type of EQ1
LO F 16.0 Hz to
20.0 kHz Cut-off frequency of EQ1
LO G –18.0 to +18.0 dB Gain of EQ1
MID1 Q 0.50–16.0 Q of EQ2
MID1 F
16.0 Hz to 20.0 kHz
Center frequency of EQ2
MID1 G –18.0 to +18.0 dB Gain of EQ2
MID2 Q 0.50–16.0 Q of EQ3
MID2 F
16.0 Hz to 20.0 kHz
Center frequency of EQ3
MID2 G –18.0 to +18.0 dB Gain of EQ3
INPUT –18.0 to +18.0 dB Input gain
OUTPUT –18.0 to +18.0 dB Output gain
MID3 Q 0.50–16.0 Q of EQ4
MID3 F
16.0 Hz to 20.0 kHz
Center frequency of EQ4
MID3 G –18.0 to +18.0 dB Gain of EQ4
MID4 Q 0.50–16.0 Q of EQ5
MID4 F
16.0 Hz to 20.0 kHz
Center frequency of EQ5
MID4 G –18.0 to +18.0 dB Gain of EQ5
HI TYPE LPF-2/1, HSH-1/2 Type of EQ6
HI F
16.0 Hz to
20.0 kHz
*1
Cut-off frequency of EQ6
HI G –18.0 to +18.0 dB Gain of EQ6
LO SW OFF, ON Switches EQ1 on/off
MID1 SW OFF, ON Switches EQ2 on/off
MID2 SW OFF, ON Switches EQ3 on/off
MID3 SW OFF, ON Switches EQ4 on/off
MID4 SW OFF, ON Switches EQ5 on/off
HI SW OFF, ON Switches EQ6 on/off
TYPE CLEAN, DRIVE
Selects the equalizer type. The
CLEAN equalizer provides non-dis-
torted, clear, typical digital sound,
emulating variations in frequency
response in the analog circuits. The
DRIVE equalizer provides distorted,
driven sound that enhances analog
flavor, emulating changes in fre-
quency response in the analog cir-
cuits.
Parameter Range Description
REC DEC Swss70, Swss78,
Swss85, Amer70 Selects the recording deck type
REC LVL –96.0 to +18.0 dB
Adjusts the input level of the record-
ing deck. As you raise the level, tape
compression is generated, which
narrows the dynamic range and dis-
torts the sound
REC HI –6.0 to +6.0 dB
Adjusts the high range gain of the
recording deck
REC BIAS –1.00 to +1.00 Adjusts the bias of the recording
deck
REPR DEC Swss70, Swss78,
Swss85, Amer70 Selects the playback deck type
REPR LVL –96.0 to +18.0 dB
Adjusts the output level of the play-
back deck
REPR HI –6.0 to +6.0 dB
Adjusts the high range gain of the play-
back deck
REPR LO –6.0 to +6.0 dB
Adjusts the low range gain of the play-
back deck
MAKE UP Off, On
When you adjust the REC LVL, the
REPR LVL reflects the change,
maintaining the relative output level.
You can change the amount of dis-
tortion without changing the output
level.
TP SPEED 15ips, 30ips Selects the tape speed
TP KIND Old, New Selects the tape type