Yamaha CGP-1000 MIDI Receive Settings, Setting the Bass Note for Style Playback via MIDI Receive

Using Your Instrument with Other Devices

CGP-1000 Owner’s Manual 203

MIDI Settings

When different parts are assigned to the same transmit channel

If the same transmit channel is assigned to several different parts,

the transmitted MIDI messages are merged to a single channel—

resulting in unexpected sounds and possible glitches in the con-

nected MIDI device.

About the protected Songs

Write-protected Songs cannot be transmitted even if the proper

Song channels 1–16 are set to be transmitted.

■MIDI messages which can be transmitted or

received (recognized)

The following MIDI messages can be set on the TRANS-

MIT/RECEIVE display.

•Note (Note events).......................................page 164

•CC (CONTROL CHANGE) ..........................page 164

•PC (PROGRAM CHANGE)...........................page 164

•PB (Pitch Bend)............................................page 164

•AT (Aftertouch).............................................page 164

MIDI Receive Settings

The explanations here apply to the RECEIVE display to be

called up in step 4 of the “Basic Operation” on page 200.

This determines which parts will receive MIDI data and

over which MIDI channels the data will be received.

Operation

Select the channel to be received and the part via which

the selected channel will be received. You can also

determine the types of data to be received.

●The instrument can receive MIDI messages over

32 channels (16 channels x 2 ports) by USB con-

nection.

●With the exception of the two parts below, the

conﬁguration of the parts is the same as those

already explained elsewhere in this manual.

• KEYBOARD

The received note messages control the instrument’s

keyboard performance.

• EXTRA PART 1–5

There are ﬁve parts specially reserved for receiving

and playing MIDI data. Normally, these parts are not

used by the instrument itself. The instrument can be

used as a 32-channel multi-timbral tone generator by

using these ﬁve parts in addition to the general parts

(except for the microphone sound).

●Rx MONITOR

The dots corresponding to each channel (1–16) ﬂash

brieﬂy whenever any data is received on the channel(s).

nParameter Lock

You can “lock” speciﬁc parameters (e.g., effect, split

point, etc.) to make them selectable only via the panel

controls (page 132).

■MIDI transmission/reception via the USB ter-

minal and MIDI terminals

The relationship between the [MIDI] terminals and the

[USB] terminal which can be used for transmitting/

receiving 32 channels (16 channels x 2 ports) of the

MIDI messages is as follows:

Setting the Bass Note for Style Playback via MIDI Receive

The explanations here apply to the BASS display to be

called up in step 4 of the “Basic Operation” on

page 200.

These settings let you determine the bass note for Style

playback, based on the note messages received via

MIDI. The note on/off messages received at the chan-

nel(s) set to “ON” are recognized as the bass note of the

chord of Style playback. The bass note will be detected

regardless of the [ACMP ON/OFF] or split point set-

tings. When several channels are simultaneously set to

“ON,” the bass note is detected from merged MIDI data

received over the channels.

Operation

Select the channel and set the “ON/OFF” for that chan-

nel. Use the All OFF item to set all channels to OFF.

RECEIVE display

MIDI/USB1

01–16

USB2

01–16

USB2USB1

MIDI/USB 01–16

[MIDI IN] jack

MIDI reception MIDI transmission

[USB TO

HOST] jack

[MIDI OUT] jack

[USB TO

HOST] jack

Port

handling

Merge

BASS display