7
*Pitch (Tonhöhe)....................................................................40
*Others...................................................................................41
STORE PERFORMANCE.............................................................44
RECALL PERFORMANCE...........................................................44
EDIT [EFFECT].................................................................................45
Signalweg der Effekte.................................................................45
Rev..............................................................................................45
Type.......................................................................................46
Typspezifische Reverb-Parameter.........................................46
Reverb Pan............................................................................46
Rev Return.............................................................................46
Var...............................................................................................46
Type.......................................................................................46
Typspezifische Variation-Parameter......................................46
Var Pan..................................................................................47
Var Return..............................................................................47
SendVar→Rev........................................................................47
Ins...............................................................................................47
Type.......................................................................................47
Typspezifische Insert-Parameter...........................................47
Ins Pan...................................................................................47
SendIns→Rev........................................................................48
SendIns→Var.........................................................................48
InsDryLevel............................................................................48
EQ...............................................................................................48
Low Freq................................................................................48
Low Gain................................................................................48
Low Q....................................................................................48
Low Shape.............................................................................48
Mid Freq.................................................................................49
Mid Gain................................................................................49
Mid Q.....................................................................................49
High Freq...............................................................................49
High Gain...............................................................................49
High Q...................................................................................49
High Shape............................................................................49
EDIT [VOICE]...................................................................................50
COMMON...................................................................................50
*LFO1 (Niederfrequenzoszillator 1).......................................51
*LFO2 (Niederfrequenzoszillator 2).......................................52
*Filter......................................................................................53
*Pitch EG (Tonhöhenhüllkurve)..............................................57
*Others...................................................................................58
OPERATOR.................................................................................61
*Osc (Oscillator)....................................................................62
*EG (Amplitudenhüllkurve)....................................................66
*FrqEG (Frequenzhüllkurve)..................................................67
*Sns (Anschlagempfindlichkeit)............................................68
STORE VOICE.............................................................................70
RECALL VOICE...........................................................................70

UTILITY-Funktionen...............................................................71

SYSTEM...........................................................................................71
*Master........................................................................................71
*MIDI...........................................................................................72
*Control.......................................................................................74
*Others........................................................................................76
DUMPOUT.......................................................................................77
*DUMPOUT-Arbeitsweise............................................................77
INITIAL.............................................................................................78
DEMO...............................................................................................78

Fehlersuche............................................................................79

Display-Meldungen.................................................................82

Technische Daten...................................................................83

Index........................................................................................84

Inhaltsangabe

FS- (Formant Shaping) und

FM-Synthese (Frequenzmodulation)............................8

FS-Synthese.......................................................................................8
*Formantsteuerung.......................................................................9
*Formant-Sequenzen: “FSeqs”...................................................10
*Andere Formant-Anwendungen................................................11
FM-Synthese....................................................................................11
*Was war nochmal FM?..............................................................12
Summa summarum..........................................................................13

Bedienelemente und Anschlüsse.........................................14

Vorderseite.......................................................................................14
Rückseite.........................................................................................16

Aufstellen und Anschließen..................................................17

Stromversorgung.............................................................................17
MIDI-Verbindungen..........................................................................17
*Tasteninstrument.......................................................................17
*Sequenzer oder Computer........................................................18
*G50 Guitar-MIDI-Converter.......................................................18
*Wind-MIDI-Controller der WX-Serie...........................................18
Audio-Verbindungen........................................................................19
*Kopfhörer...................................................................................19
*Instrumentenverstärker oder Stereo-Anlage.............................19
*Mischpult...................................................................................19
Reihenfolge beim Einschalten.........................................................20
Anhören der Demo..........................................................................20

Der PLAY-Betrieb....................................................................21

Performance- und Voice-Einteilung.................................................21
*Performance-Kombinationen.....................................................21
*Voices........................................................................................21
*Bankanwahl via MIDI.................................................................22
Der Play-Betrieb (Performance)......................................................22
Perf Ch (Performance-Kanal).....................................................23
(Bank).........................................................................................23
(Programmnummer)....................................................................23
Pfm Vol (Performance-Lautstärke)..............................................23
Pfm Pan (Performance-Panorama).............................................23
RevRtn (Reverb-Lautstärke).......................................................23
VarRtn (Variation-Lautstärke)......................................................24
PfmNSft (Performance-Transposition)........................................24
Der PART ASSIGN-Betrieb...............................................................24
Rcv Ch (Empfangskanal)............................................................25
Rcv Max (Letzter Empfangskanal; nur für Part 1 & 2)................25
(Bank).........................................................................................25
(Programmnummer)....................................................................25
Volume (Lautstärke)....................................................................25
Pan (Panorama)..........................................................................25
RevSend (Reverb-Anteil)............................................................26
VarSend (Variation-Anteil)...........................................................26
InsEfSw (Schalter des Insert-Effektes).......................................26
DryLvl (Original-Ausgangspegel)...............................................26
Filter (Filterversatz).....................................................................26
NoteSft (Transposition)................................................................26
Einsatz des [MUTE/SOLO]-Taster der Reihe nach stumm- und
solo schalten und wieder den normalen Wiedergabebetrieb
anwählen.....................................................................................26
Die Search-Funktion.........................................................................27

Editieren..................................................................................28

Allgemeine Bedienvorgänge...........................................................28
Einsatz des [MUTE/SOLO]-Tasters in den Edit-Betriebsarten...29
EDIT [PERFORMANCE]...................................................................30
COMMON...................................................................................30
*CtrlSrc (Voice-Steuerquelle).................................................30
*CtrlDst (angesteuerte Parameter/Parts)...............................31
*Fseq (Formantsequenz).......................................................32
*Others...................................................................................35
PART...........................................................................................37
*Tone......................................................................................37
*EG (Hüllkurvengenerator)....................................................39
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