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Listening Mode | Description | Input | Speaker |
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Dolby Pro Logic IIx*4 | Dolby Pro Logic IIx expands any |
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Dolby Pro Logic II | playback. It provides a very natural and seamless |
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| that fully envelops the listener. As well as music and movies, video games |
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| M o v i e | can also benefit from the dramatic spatial effects and vivid imaging. |
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| If you’re not using any surround back speakers, Dolby Pro Logic II will be | S | XCN | ||
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| M u s i c | used instead of Dolby Pro Logic IIx. |
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| • Dolby PLIIx Movie |
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| G a m e | Use this mode with any stereo or Dolby Surround (Pro Logic) movie (e.g., |
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| TV, DVD, VHS). |
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| • Dolby PLIIx Music |
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| Use this mode with any stereo or Dolby Surround (Pro Logic) music source |
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| (e.g., CD, radio, cassette, TV, VHS, DVD). |
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| • Dolby PLIIx Game |
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| Use this mode with video games, especially those that bear the Dolby Pro |
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| Logic II logo. |
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| • Dolby PLIIx Movie | D | V | ||
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| • Dolby PLIIx Music |
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| These modes use the Dolby Pro Logic IIx modes to expand |
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| sources for |
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Dolby Pro Logic IIz | Dolby Pro Logic IIz Height is designed to more effectively use existing | S | B |
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Height |
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| program material when height channel speaker outputs are present. Dolby | D |
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| Pro Logic IIz Height can be used to upmix a variety of sources from movies | F |
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| P L | z | H e i g h t |
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| and music, but are particularly |
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Dolby EX |
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| These modes expand | D | V |
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| They’re especially suited to Dolby EX soundtracks that include a matrix- | H |
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| D o l b y | E X |
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| encoded surround back channel. The additional channel adds an extra |
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| dimension and provides an enveloping surround sound experience, perfect |
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| D o l b y | D | E X |
| for rotating and |
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Dolby Digital | In this mode, audio from the input source is output without | D | XCN | ||||||||
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| processing. The speaker configuration (presence of speakers), crossover |
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| D o l b y | D |
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| frequency, speaker distance, A/V Sync and much of the processing set via |
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Dolby Digital Plus*5 | Home menu are enabled. See “Advanced Setup” for more details | D | XCN | ||||||||
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| (➔ page 43). |
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| F | XCN*3 | |||
| D o l b y | D | + |
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Dolby TrueHD |
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| F | XCN*3 | ||
| D o l b y T r u e H D |
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DTS |
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| D T S |
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| D | XCN | |||||||||
Resolution Audio |
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| D T S – H D |
| H R |
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| D | XCN | |||||||||
Audio |
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| F | XCN*3 | |||||
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| D T S – H D |
| M S T R |
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DTS Express |
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| D T S |
| E x p r e s s |
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DSD*6 |
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| D S D |
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DTS 96/24 |
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| This mode is for use with DTS 96/24 sources. This is | D | XCN | ||||||
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| with a 96 kHz sampling rate and |
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| D T S |
| 9 6 / 2 4 |
| fidelity. Use it with DVDs that bear the DTS 96/24 logo. |
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| This mode is for use with | G | V | ||||||||
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| discrete surround back channel for true |
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| E S | D i s c r e t e | totally separate audio channels provide better spatial imaging and 360- |
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| degree sound localization, perfect for sounds that pan across the surround |
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| channels. Use it with DVDs that bear the |
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| E S | M a t | r | i x | bear the |
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