Creative 1212M, 1820M owner manual Sync Daughter Card, Connections

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3 - PCI Card & Interfaces

The Sync Daughter Card

The Sync Daughter Card

The Sync Daughter card (included in the E-MU 1820M system and available as an option for other systems) provides word clock in and out, SMPTE (LTC) in and out and an additional MIDI output for transmitting MIDI Time Code (MTC). MIDI Time Code is a special rendering of SMPTE that can be transmitted over MIDI cables. For additional information about SMPTE, please refer to SMPTE Background.

Synchronization is a basic technique needed for connecting multiple pieces of equipment. Word Clock, S/PDIF or ADAT optical are all industry standard methods of synchronizing digital equipment together at the system sample rate (44.1kHz, 48kHz, 96kHz, or 192kHz). The master clock source is set in the Mixer Session Settings menu. See System Settings for more information.

Recording equipment can also be synchronized so that two audio recorders or an audio and video recorder can lock together as a single machine. SMPTE and MTC sync are used because they convey absolute time information. Word clock, S/PDIF or ADAT optical sync only synchronize the sample rate and unlike SMPTE and MTC, do not convey song position information. In a synchronized system, there is usually one MASTER machine, and one or more SLAVES. When the master starts, the others will follow (chase).

The Sync Daughter card is also a format converter. It converts incoming SMPTE time code to MIDI Time Code (MTC) and passes this information to the host computer to be used by a sequencer or audio recorder application. When your computer application is the “Master”, the Sync Daughter card converts MTC into SMPTE and sends it out to another SMPTE device.

In

Word Clock

Out

In

SMPTE

Out

MTC Out

Connections

The Sync Daughter Card contains Word Clock inputs and outputs for clock signals used in a studio where a common sample rate reference is required to keep multiple pieces of digital equipment running together. This is referred to as “house clock” or “house sync,” and is set to the actual sample rate of the system. Use a cable with BNC connectors to connect incoming clock signals to the Word Clock In jack on the Sync Daughter card. Connect the Word Clock Out to your other digital equipment to use the Sync Daughter Card as the Master Word Clock source. See Word Clock In/Out.

The Sync Daughter Card provides SMPTE (LTC) sync in and out, on two 1/4” phone jacks. LTC can be recorded onto an unused audio track on an analog or digital recorder and then fed back into the SMPTE input to synchronize your computer sequencer/recorder. See SMPTE Background for more information.

MIDI Time Code is also output whenever MTC is being generated by the host application (sequencer or audio recorder). A special cable converts the mini DIN to a standard MIDI jack.

See the Sync Daughter Card Supplement for more information about using the Sync Daughter Card.

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Creative Professional

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Contents Digital Audio System MU Digital Audio System MU JapanTable of Contents PatchMix DSP Mixer Effects Using High Sample Rates AppendixIndex 115 Introduction WelcomeAll Systems Include MU Digital Audio System Components MU 1212M MU 1820MMU 1212M System MU 1820 SystemMU 1820M System Installation Setting Up the Digital Audio SystemConnector Types Safety FirstName Description Connects Installing the E-MU 1010 PCI Card To install the 1010 PCI card into your computerSlo ts Install the Sync Daughter Card or 0202 Daughter Card Sync Daughter CardMU 1010 PCI Card MU 0202 & AudioDockRack Mounting the AudioDock Rubber FeetRubber Foot Rack-shelf Mount Software Installation Installing the E-MU 1010 DriversUninstalling all Audio Drivers and Applications Windows 2000 or Windows XPInstallation Software Installation PCI Card & Interfaces E-MU 1010 PCI CardConnections IEEE1394 Firewire 0202 Daughter CardAnalog Inputs and Outputs Midi In/OutAudioDock Inputs are configured as followsHeadphone Output & Volume Control Front Panel ConnectionsPreamp Section Midi 1 In/OutAudioDock Front Panel Indicators Midi Input IndicatorsClock Source and Sample Rate Indicators Sample Rate IndicatorsRear Panel Connections Line Level Analog InputsTurntable Inputs & Ground Lug Line Level Analog OutputsEDI Connector Card Computer Speaker Analog OutputsMidi 2 In/Out Computer Speaker Output Duplicates Line Level OutputSync Daughter Card PatchMix DSP Mixer PatchMix DSPOverview of the Mixer To Invoke the PatchMix DSP MixerMixer Window MonitorOut MainMU Icon in the Windows Taskbar ToolbarRight-Click Here Session New SessionSession Settings System SettingsOpen Session Save SessionUsing External Clock Midi SettingsSettings Input too weak? Use -10 Input setting Output too weak?Headroom Inputs +4 or Outputs +4 orPCI Card Optical Input PCI Card Optical OutputInput Mixer Strips Mixer Strip Creation To Add a New StripMultichannel Wave Files Windows Media Player/DVD/Surround Sound PlaybackTo Delete a Mixer Strip Multichannel Wave to Surround Sound Speaker ChannelsInsert Section Working with InsertsTo Add an Effect to an Insert Location Insert Menu To Add a Send InsertTo Add a Send/Return Insert InputUsing External Sends & Returns To Insert an External Signal Processing DeviceOutboard Signal Processor Asio Direct Monitor Send/Return To Add an Asio Direct Monitor Send/ReturnRecordingPlayback To Set the Input Levels of a Strip Meter Inserts60 50 40 30 20 To Insert a MeterMaking the Best Possible Recording Test Tone/Signal Generator Insert Trim Pot InsertManaging Your Inserts To Delete an InsertTo Bypass an Insert To Bypass All InsertsAux Section Pan FaderAux Bus AmountInput OutputPre-Fader Aux Send Post-Fader Aux SendLevel, Pan, Solo & Mute Controls Main Section TV Screen & Selectors EffectInput OutputSync/Sample Rate Indicators Auxiliary Effects & ReturnsInput Input OutputOutput Section PatchMix DSP Mixer Main Section Effects OverviewEffects Palette Core Effects Multi-EffectsFX Insert Chains To Select an EffectTo Edit an Effect To Delete an EffectCreating, Renaming & Deleting Categories or Presets To Create a New Preset CategoryTo Delete an Effect Category or Preset To Rename an Effects CategoryTo Import Core FX Presets To Export your Core FX PresetsTo Import FX Category Folders To Export your FX Category FoldersFX Edit Screen User Preset Section To Select a User PresetTo Create a New User Preset To Bypass ALLCore Effects and Effects Presets To Delete a User PresetTo Rename a User Preset To Overwrite or Save a User PresetList of Core Effects DSP Resource UsageExample Total EffectsCore Effects Descriptions Band Para EQBand Shelf EQ Low Shelf Or… High ShelfSetting up a Parametric EQ Band EQMid Band High Shelf Low-Shelf Mid 1-Band Mid 2-Band High-Shelf Auto-Wah Auto-Wah FilterVCA Out ChorusCompressor Basic Controls Distortion DistortionInput Meter Flanger FlangerFreq Shifter Leveling Amp Post GainLite Reverb Early Reflections ReverberationTimeMono Delays 100, 250, 500, 750, 1500 DelayRolloff Phase Shifter RotarySpeaker Simulator Speaker Type DescriptionDelay Stereo Delays 100, 250, 500, 750Rolloff Stereo Reverb Early Reflections Late ReverbVocal Morpher FrequencyList of Available Phonemes Phoneme BMU PowerFX Setup Cubase LE To Setup & Use E-MU PowerFXAutomating E-MU PowerFX MU PowerFX Resource AvailabilityTo Record PowerFX parameter changes in Cubase LE MU PowerFX Compatibility Chart Application Name Compatible? Render Extra BuffersRendering Audio with E-MU PowerFX Using E-MU PowerFX with WaveLab and SoundForgeGeneral Tips for Rendering using PowerFX Tips for using Freeze Mode on Cubase LEMU E-Wire VST Wire VST plug-inPatchMix DSP Strip configured for E-Wire Delay Compensator To Setup and use E-WireDelay Compensator Use Delay Units ParameterCubase VST or Cubasis PatchMixGrouping Tracks TrackUsing High Sample Rates MU 1820 System at 88.2k/96k 1010 PCI Card & AudioDockMU 1820 Inputs/Outputs at 88.2kHz or 96kHz Source TotalAdat enabled Line In 2 & 3 enabledMU 1212M System at 88.2k or 96k 1010 PCI Card & I/O Card MU 1212M Inputs/Outputs at 88.2kHz or 96kHz SourceMU 1820 System at 176.4kHz or 192kHz MU 1212 System at 176.4k/192k 1010 PCI Card & I/O CardMU 1820 Inputs/Outputs at 176.4kHz or 192kHz Source Total OutputsMicrophone & Line 3 Input enabled Microphone & Adat Input enabledLine Input 1 & Adat Input enabled Line Inputs 1 & 3 enabledWDM Recording and Playback Behavior Using High Sample Rates Overview Smpte Features AppendixSync Daughter Card Supplement Smpte ConversionHost Mode External ModeFlywheel Mode Smpte Modes of OperationStripe Mode Smpte BackgroundTime Code Types of SmpteWhy use SMPTE? Avoiding Smpte problemsSmpte Subframe Resolution Frames-per-second ResolutionOther Tips for using Smpte Example Smpte ConnectionDuplicating Smpte time code SyncTo Enable MTC Midi Time Code MTCWord Clock In/Out To Synchronize PatchMix DSP to an External Clock SourceHouse Sync Generator Digital Device Digital MixerAdat Optical MU 1010 CardGetting in Sync External Device supplies Master ClockPatchMix DSP supplies Master Clock Via AdatBalanced 1/4 TRS Connectors Unbalanced 1/4 Useful InformationAES/EBU to S/PDIF Cable Adapter Cables balanced or unbalanced?Phantom Power Appearance Settings in WindowsDigital Cables GroundingTechnical Specifications Specifications 1820M SystemType Frequency Response THD + NType Frequency Response Stereo Crosstalk Gain Range Max LevelDynamic Range Microphone Preamp Gain Range Max LevelFirewire Frequency Response THD+NInternal Crystal Sync Frame Rates Modes Input Level Output Level Input ImpedanceSpecifications 1820 System MIC PREAMP/LINE Input RMS Jitter @ 44.1K Specifications 1212 System Dimensions & Weight Weight 30lb / 0.14kg Dimensions 7 / 170.2mmWeight 25lb / 0.10kg Dimensions 04 / 128mm PCI CardInternet References SynthForums Declaration of Conformity Trade NameModel No Responsible PartyCompliance Information Appendix Internet References 114 Index NumericsIndex Adat 118 MU Digital Audio System 119 Index 120