Creative 1820, 1212M Front Panel Connections, Preamp Section, Midi 1 In/Out, Pdif Optical Out

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3 - PCI Card & Interfaces

The AudioDock

Front Panel Connections

Insert 1/4"

Signal/Clip

Phantom

S/PDIF

 

 

LED

Plug for Line Level

 

 

Indicators

Power On/Off

Optical Out

 

Indicators

-10dB to +25dB Gain

 

 

 

 

 

 

 

 

 

 

A Line

Mic

B Line

Mic

 

48V

MIDI

 

CLOCK

 

SMPTE

 

 

Clip

 

Clip

1

LCK

44.1

96

IN

 

 

 

 

 

 

-12 dB

 

-12 dB

 

2

EXT

48

192

OUT

 

 

 

 

 

 

MIDI 1

 

 

 

 

 

 

 

 

 

 

 

S/PDIF

Line -

-10 dB

+25 dB

-10 dB

+25 dB

In

Out

Out

Mic -

+20 dB

+55 dB

+20 dB

+55 dB

Insert XLR Plug

Input Gain

MIDI #1

Headphone

Headphone

for Mic Level

Controls

I/O Jacks

Output

Volume

+20dB to +55dB Gain

Preamp Section

The front panel mono Mic/Line inputs A & B can be used as balanced microphone inputs, hi-Z guitar pickup inputs, or line level inputs. The Neutrik combination jack accepts microphones using a standard XLR connector or line level/hi-Z inputs using a 1/4 inch TRS/TS connector.

The superb-sounding mic preamps are designed by TF Pro®. Each preamp has a level control which sets the preamp gain from +20dB to +55dB for the XLR input and from -10dB to +25dB for the line input. The line markings around the knobs are calibrated in 10dB increments. The heavy hash marks on the gain controls indicate unity analog gain to the converter inputs (~5dBV input = 0dBFS output).

A phantom power switch enables +48 volt phantom power supplied to both micro- phones. A red LED illuminates to indicate phantom power is enabled. See Phantom Power for additional information.

Each microphone input has its own input level and clipping indicators. The green LED indicates presence of signal and illuminates at -12 dB below clipping. The red LED indicates that the signal is clipping the input. These LEDs monitor the signal directly at the analog-to-digital converters and before any processing by the rest of the system. When setting the levels for signals being sent into the AudioDock, the red level indicators should never flash.

MIDI 1 In/Out

MIDI input and output ports allow you to interface any type of MIDI equipment such as keyboards, effect units, drum or guitar controllers. The MIDI drivers were installed when you installed your PatchMix DSP software and the MIDI ports will appear in your system control panel under “Sounds and Audio Devices”.

Warning: Some microphones cannot tolerate phantom power and may be damaged. Check the microphone’s specifications and requirements before using phantom power.

Warning #2: After turning phantom power off, wait two full minutes before recording to allow the DC bias to drain.

The audio mutes for a second when phantom power is turned on.

S/PDIF Optical Out

The front panel S/PDIF connector is an optical TOSLINK output which, by default, carries a digital copy of the main output pair. This output is a convenient way to master to a portable DAT, MD recorder or other media. This S/PDIF output can also be freely assigned in the mixer application.

Headphone Output & Volume Control

The headphone output drives standard stereo headphones and the adjacent volume control sets the listening level. The headphone amplifier can drive headphones with impedance as low as 24 ohms. The headphone output uses a high-current version of the high-quality output amplifiers used on the other channels. For this reason it has a very clean signal that can be used as another stereo output if you need it. This output is freely assignable in the mixer application.

fTip: Since the headphone output can be placed into any insert location, you can use it to monitor or troubleshoot the signal flow.

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Creative Professional

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Contents Digital Audio System MU Digital Audio System MU JapanTable of Contents PatchMix DSP Mixer Effects Index 115 Using High Sample RatesAppendix Introduction WelcomeAll Systems Include MU Digital Audio System Components MU 1212M MU 1820MMU 1820M System MU 1212M SystemMU 1820 System Installation Setting Up the Digital Audio SystemName Description Connects Connector TypesSafety First Slo ts Installing the E-MU 1010 PCI CardTo install the 1010 PCI card into your computer Install the Sync Daughter Card or 0202 Daughter Card Sync Daughter CardMU 1010 PCI Card MU 0202 & AudioDockRubber Foot Rack-shelf Mount Rack Mounting the AudioDockRubber Feet Software Installation Installing the E-MU 1010 DriversUninstalling all Audio Drivers and Applications Windows 2000 or Windows XPInstallation Software Installation Connections PCI Card & InterfacesE-MU 1010 PCI Card IEEE1394 Firewire 0202 Daughter CardAnalog Inputs and Outputs Midi In/OutAudioDock Inputs are configured as followsHeadphone Output & Volume Control Front Panel ConnectionsPreamp Section Midi 1 In/OutAudioDock Front Panel Indicators Midi Input IndicatorsClock Source and Sample Rate Indicators Sample Rate IndicatorsRear Panel Connections Line Level Analog InputsTurntable Inputs & Ground Lug Line Level Analog OutputsEDI Connector Card Computer Speaker Analog OutputsMidi 2 In/Out Computer Speaker Output Duplicates Line Level OutputSync Daughter Card PatchMix DSP Mixer PatchMix DSPOverview of the Mixer To Invoke the PatchMix DSP MixerMixer Window MonitorOut MainRight-Click Here MU Icon in the Windows TaskbarToolbar Session New SessionSession Settings System SettingsOpen Session Save SessionUsing External Clock Midi SettingsHeadroom SettingsInput too weak? Use -10 Input setting Output too weak? Inputs +4 or Outputs +4 orPCI Card Optical Input PCI Card Optical OutputInput Mixer Strips Mixer Strip Creation To Add a New StripMultichannel Wave Files Windows Media Player/DVD/Surround Sound PlaybackTo Delete a Mixer Strip Multichannel Wave to Surround Sound Speaker ChannelsTo Add an Effect to an Insert Location Insert SectionWorking with Inserts Insert Menu To Add a Send InsertTo Add a Send/Return Insert InputOutboard Signal Processor Using External Sends & ReturnsTo Insert an External Signal Processing Device RecordingPlayback Asio Direct Monitor Send/ReturnTo Add an Asio Direct Monitor Send/Return To Set the Input Levels of a Strip Meter Inserts60 50 40 30 20 To Insert a MeterMaking the Best Possible Recording Test Tone/Signal Generator Insert Trim Pot InsertManaging Your Inserts To Delete an InsertTo Bypass an Insert To Bypass All InsertsAux Section Pan FaderAux Bus AmountInput OutputPre-Fader Aux Send Post-Fader Aux SendLevel, Pan, Solo & Mute Controls Main Section TV Screen & Selectors EffectInput OutputSync/Sample Rate Indicators Auxiliary Effects & ReturnsInput Input OutputOutput Section PatchMix DSP Mixer Main Section Effects OverviewEffects Palette Core Effects Multi-EffectsFX Insert Chains To Select an EffectTo Edit an Effect To Delete an EffectCreating, Renaming & Deleting Categories or Presets To Create a New Preset CategoryTo Delete an Effect Category or Preset To Rename an Effects CategoryTo Import Core FX Presets To Export your Core FX PresetsTo Import FX Category Folders To Export your FX Category FoldersFX Edit Screen User Preset Section To Select a User PresetTo Create a New User Preset To Bypass ALLCore Effects and Effects Presets To Delete a User PresetTo Rename a User Preset To Overwrite or Save a User PresetList of Core Effects DSP Resource UsageExample Total EffectsCore Effects Descriptions Band Para EQBand Shelf EQ Low Shelf Or… High ShelfMid Band High Shelf Setting up a Parametric EQBand EQ Low-Shelf Mid 1-Band Mid 2-Band High-Shelf Auto-Wah Auto-Wah FilterCompressor VCA OutChorus Basic Controls Input Meter DistortionDistortion Flanger FlangerFreq Shifter Leveling Amp Post GainLite Reverb Early Reflections ReverberationTimeRolloff Mono Delays 100, 250, 500, 750, 1500Delay Phase Shifter RotarySpeaker Simulator Speaker Type DescriptionRolloff DelayStereo Delays 100, 250, 500, 750 Stereo Reverb Early Reflections Late ReverbVocal Morpher FrequencyList of Available Phonemes Phoneme BMU PowerFX Setup Cubase LE To Setup & Use E-MU PowerFXTo Record PowerFX parameter changes in Cubase LE Automating E-MU PowerFXMU PowerFX Resource Availability MU PowerFX Compatibility Chart Application Name Compatible? Render Extra BuffersRendering Audio with E-MU PowerFX Using E-MU PowerFX with WaveLab and SoundForgeGeneral Tips for Rendering using PowerFX Tips for using Freeze Mode on Cubase LEPatchMix DSP Strip configured for E-Wire MU E-Wire VSTWire VST plug-in Delay Compensator To Setup and use E-WireDelay Compensator Use Delay Units ParameterCubase VST or Cubasis PatchMixGrouping Tracks TrackUsing High Sample Rates MU 1820 System at 88.2k/96k 1010 PCI Card & AudioDockMU 1820 Inputs/Outputs at 88.2kHz or 96kHz Source TotalAdat enabled Line In 2 & 3 enabledMU 1212M System at 88.2k or 96k 1010 PCI Card & I/O Card MU 1212M Inputs/Outputs at 88.2kHz or 96kHz SourceMU 1820 System at 176.4kHz or 192kHz MU 1212 System at 176.4k/192k 1010 PCI Card & I/O CardMU 1820 Inputs/Outputs at 176.4kHz or 192kHz Source Total OutputsMicrophone & Line 3 Input enabled Microphone & Adat Input enabledLine Input 1 & Adat Input enabled Line Inputs 1 & 3 enabledWDM Recording and Playback Behavior Using High Sample Rates Overview Smpte Features AppendixSync Daughter Card Supplement Smpte ConversionHost Mode External ModeFlywheel Mode Smpte Modes of OperationStripe Mode Smpte BackgroundTime Code Types of SmpteWhy use SMPTE? Avoiding Smpte problemsSmpte Subframe Resolution Frames-per-second ResolutionOther Tips for using Smpte Example Smpte ConnectionDuplicating Smpte time code SyncTo Enable MTC Midi Time Code MTCWord Clock In/Out To Synchronize PatchMix DSP to an External Clock SourceHouse Sync Generator Digital Device Digital MixerAdat Optical MU 1010 CardGetting in Sync External Device supplies Master ClockPatchMix DSP supplies Master Clock Via AdatBalanced 1/4 TRS Connectors Unbalanced 1/4 Useful InformationAES/EBU to S/PDIF Cable Adapter Cables balanced or unbalanced?Phantom Power Appearance Settings in WindowsDigital Cables GroundingTechnical Specifications Specifications 1820M SystemType Frequency Response THD + NType Frequency Response Stereo Crosstalk Gain Range Max LevelDynamic Range Microphone Preamp Gain Range Max LevelFirewire Frequency Response THD+NInternal Crystal Sync Frame Rates Modes Input Level Output Level Input ImpedanceSpecifications 1820 System MIC PREAMP/LINE Input RMS Jitter @ 44.1K Specifications 1212 System Dimensions & Weight Weight 30lb / 0.14kg Dimensions 7 / 170.2mmWeight 25lb / 0.10kg Dimensions 04 / 128mm PCI CardForums Internet ReferencesSynth Declaration of Conformity Trade NameModel No Responsible PartyCompliance Information Appendix Internet References 114 Index NumericsIndex Adat 118 MU Digital Audio System 119 Index 120