Creative 1212M, 1820M owner manual Digital Cables, Grounding, Phantom Power, Unbalanced Cables

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3 +48V

7 - Appendix

Useful Information

Unbalanced Cables

Unbalanced cables have one conductor and one ground (shield) and usually connect via unbalanced 1/4" phone plugs or RCA phono plugs. The shield stays at a constant ground potential while the signal in the center conductor varies in positive and negative voltage. The shield completely surrounds the center “hot” conductor and is connected to ground in order to intercept most of the electrical interference encountered by the cable. Unbalanced cables are more prone to hum and interference than balanced cables, but the shorter the cable, the less hum introduced into the system.

Digital Cables

Don’t cheap out! Use high quality optical fiber (for ADAT) and low-capacitance electrical cables (for S/PDIF) when transferring digital I/O to avoid data corruption. It’s also a good idea to keep digital cabling as short as possible (1.5 meters for plastic light pipes; 5 meters for high quality glass fiber light pipes).

Grounding

In order to obtain best results and lowest noise levels, make sure that your computer and any external audio devices are grounded to the same reference. This usually means that you should be using grounded AC cables on both systems and make sure that both systems are connected to the same grounded outlet. Failure to observe this common practice can result in a ground loop. 60 cycle hum in the audio signal is almost always caused by a ground loop.

Phantom Power

Phantom power is a dc voltage (+48 volts) which is normally used to power the pream- plifier of a condenser microphone. Some direct boxes also use phantom power.

Pins 2 and 3 of the AudioDock microphone inputs each carry +48 volts dc referenced to pin 1. Pins 2 and 3 also carry the audio signal which “rides” on top of the constant 48 volts DC. Coupling capacitors at the input of the AudioDock block the +48 volt DC component before the signal is converted into digital form. The audio mutes for a second when phantom power is turned on. After turning phantom power off, wait two full minutes before recording to allow the DC bias to drain from the coupling capacitors or this bias could affect the audio headroom.

1

(grd)

Balanced dynamic microphones are not affected by phantom

2power. An unbalanced dynamic microphone may not work properly, but will probably not be damaged if phantom power is left on.

Ribbon microphones should NOT be used with phantom power on. Doing so can seriously damage the ribbon element.

Since ribbon microphones are fairly specialized and generally expensive, you’ll know if you own one. Most microphones are either of dynamic or condenser type and these are not harmed by phantom power.

Appearance Settings in Windows

Adjusting the “Performance Options” in Windows will improve the screen appearance when moving the mixer around on the screen.

To Improve the Appearance Settings:

1.Open the Windows Control Panel. (Start, Settings, Control Panel).

2.Select System. Select the Advanced Settings tab.

3.Under Visual Effects, select Adjust for Best Performance. Click OK.

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Creative Professional

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Contents Digital Audio System MU Digital Audio System MU JapanTable of Contents PatchMix DSP Mixer Effects Using High Sample Rates AppendixIndex 115 All Systems Include IntroductionWelcome MU Digital Audio System Components MU 1212M MU 1820MMU 1212M System MU 1820 SystemMU 1820M System Installation Setting Up the Digital Audio SystemConnector Types Safety FirstName Description Connects Installing the E-MU 1010 PCI Card To install the 1010 PCI card into your computerSlo ts Install the Sync Daughter Card or 0202 Daughter Card Sync Daughter CardMU 1010 PCI Card MU 0202 & AudioDockRack Mounting the AudioDock Rubber FeetRubber Foot Rack-shelf Mount Uninstalling all Audio Drivers and Applications Software InstallationInstalling the E-MU 1010 Drivers Windows 2000 or Windows XPInstallation Software Installation PCI Card & Interfaces E-MU 1010 PCI CardConnections Analog Inputs and Outputs IEEE1394 Firewire0202 Daughter Card Midi In/OutAudioDock Inputs are configured as followsPreamp Section Headphone Output & Volume ControlFront Panel Connections Midi 1 In/OutClock Source and Sample Rate Indicators AudioDock Front Panel IndicatorsMidi Input Indicators Sample Rate IndicatorsTurntable Inputs & Ground Lug Rear Panel ConnectionsLine Level Analog Inputs Line Level Analog OutputsMidi 2 In/Out EDI Connector CardComputer Speaker Analog Outputs Computer Speaker Output Duplicates Line Level OutputSync Daughter Card Overview of the Mixer PatchMix DSP MixerPatchMix DSP To Invoke the PatchMix DSP MixerOut Mixer WindowMonitor MainMU Icon in the Windows Taskbar ToolbarRight-Click Here Session New SessionOpen Session Session SettingsSystem Settings Save SessionUsing External Clock Midi SettingsSettings Input too weak? Use -10 Input setting Output too weak?Headroom PCI Card Optical Input Inputs +4 orOutputs +4 or PCI Card Optical OutputInput Mixer Strips Mixer Strip Creation To Add a New StripTo Delete a Mixer Strip Multichannel Wave FilesWindows Media Player/DVD/Surround Sound Playback Multichannel Wave to Surround Sound Speaker ChannelsInsert Section Working with InsertsTo Add an Effect to an Insert Location To Add a Send/Return Insert Insert MenuTo Add a Send Insert InputUsing External Sends & Returns To Insert an External Signal Processing DeviceOutboard Signal Processor Asio Direct Monitor Send/Return To Add an Asio Direct Monitor Send/ReturnRecordingPlayback 60 50 40 30 20 To Set the Input Levels of a StripMeter Inserts To Insert a MeterMaking the Best Possible Recording Test Tone/Signal Generator Insert Trim Pot InsertTo Bypass an Insert Managing Your InsertsTo Delete an Insert To Bypass All InsertsAux Bus Aux SectionPan Fader AmountPre-Fader Aux Send InputOutput Post-Fader Aux SendLevel, Pan, Solo & Mute Controls Main Section TV Screen & Selectors EffectInput OutputInput Input Sync/Sample Rate IndicatorsAuxiliary Effects & Returns OutputOutput Section PatchMix DSP Mixer Main Section Effects Palette EffectsOverview Core Effects Multi-EffectsTo Edit an Effect FX Insert ChainsTo Select an Effect To Delete an EffectTo Delete an Effect Category or Preset Creating, Renaming & Deleting Categories or PresetsTo Create a New Preset Category To Rename an Effects CategoryTo Import FX Category Folders To Import Core FX PresetsTo Export your Core FX Presets To Export your FX Category FoldersFX Edit Screen To Create a New User Preset User Preset SectionTo Select a User Preset To Bypass ALLTo Rename a User Preset Core Effects and Effects PresetsTo Delete a User Preset To Overwrite or Save a User PresetExample List of Core EffectsDSP Resource Usage Total EffectsBand Shelf EQ Core Effects DescriptionsBand Para EQ Low Shelf Or… High ShelfSetting up a Parametric EQ Band EQMid Band High Shelf Low-Shelf Mid 1-Band Mid 2-Band High-Shelf Auto-Wah Auto-Wah FilterVCA Out ChorusCompressor Basic Controls Distortion DistortionInput Meter Flanger FlangerFreq Shifter Leveling Amp Post GainLite Reverb Early Reflections ReverberationTimeMono Delays 100, 250, 500, 750, 1500 DelayRolloff Phase Shifter RotarySpeaker Simulator Speaker Type DescriptionDelay Stereo Delays 100, 250, 500, 750Rolloff Stereo Reverb Early Reflections Late ReverbList of Available Phonemes Vocal MorpherFrequency Phoneme BMU PowerFX Setup Cubase LE To Setup & Use E-MU PowerFXAutomating E-MU PowerFX MU PowerFX Resource AvailabilityTo Record PowerFX parameter changes in Cubase LE MU PowerFX Compatibility Chart Application Name Compatible? Render Extra BuffersGeneral Tips for Rendering using PowerFX Rendering Audio with E-MU PowerFXUsing E-MU PowerFX with WaveLab and SoundForge Tips for using Freeze Mode on Cubase LEMU E-Wire VST Wire VST plug-inPatchMix DSP Strip configured for E-Wire Delay Compensator To Setup and use E-WireCubase VST or Cubasis Delay Compensator UseDelay Units Parameter PatchMixGrouping Tracks TrackMU 1820 Inputs/Outputs at 88.2kHz or 96kHz Source Using High Sample RatesMU 1820 System at 88.2k/96k 1010 PCI Card & AudioDock TotalMU 1212M System at 88.2k or 96k 1010 PCI Card & I/O Card Adat enabledLine In 2 & 3 enabled MU 1212M Inputs/Outputs at 88.2kHz or 96kHz SourceMU 1820 Inputs/Outputs at 176.4kHz or 192kHz Source Total MU 1820 System at 176.4kHz or 192kHzMU 1212 System at 176.4k/192k 1010 PCI Card & I/O Card OutputsLine Input 1 & Adat Input enabled Microphone & Line 3 Input enabledMicrophone & Adat Input enabled Line Inputs 1 & 3 enabledWDM Recording and Playback Behavior Using High Sample Rates Overview Sync Daughter Card Supplement Smpte FeaturesAppendix Smpte ConversionFlywheel Mode Host ModeExternal Mode Smpte Modes of OperationTime Code Stripe ModeSmpte Background Types of SmpteSmpte Subframe Resolution Why use SMPTE?Avoiding Smpte problems Frames-per-second ResolutionDuplicating Smpte time code Other Tips for using SmpteExample Smpte Connection SyncWord Clock In/Out To Enable MTCMidi Time Code MTC To Synchronize PatchMix DSP to an External Clock SourceAdat Optical House Sync Generator Digital DeviceDigital Mixer MU 1010 CardPatchMix DSP supplies Master Clock Getting in SyncExternal Device supplies Master Clock Via AdatAES/EBU to S/PDIF Cable Adapter Balanced 1/4 TRS Connectors Unbalanced 1/4Useful Information Cables balanced or unbalanced?Digital Cables Phantom PowerAppearance Settings in Windows GroundingType Technical SpecificationsSpecifications 1820M System Frequency Response THD + NDynamic Range Type Frequency Response Stereo CrosstalkGain Range Max Level Microphone Preamp Gain Range Max LevelInternal Crystal Sync FirewireFrequency Response THD+N Frame Rates Modes Input Level Output Level Input ImpedanceSpecifications 1820 System MIC PREAMP/LINE Input RMS Jitter @ 44.1K Specifications 1212 System Weight 25lb / 0.10kg Dimensions 04 / 128mm Dimensions & WeightWeight 30lb / 0.14kg Dimensions 7 / 170.2mm PCI CardInternet References SynthForums Model No Declaration of ConformityTrade Name Responsible PartyCompliance Information Appendix Internet References 114 Index NumericsIndex Adat 118 MU Digital Audio System 119 Index 120