Creative 1212M, 1820M owner manual Smpte Background, Stripe Mode, Time Code, Types of Smpte

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7 - Appendix

SMPTE Background

Stripe Mode

This mode is used to record SMPTE time code onto an audio track of another recorder. SMPTE is output when the Start button is pressed in the System Settings menu and begins at the time set by the Start Time setting. MTC is also simultaneously output from the Sync Daughter Card MIDI out. SMPTE and MTC will continue to be output until the Stop button is pressed. See Striping SMPTE.

SMPTE Background

SMPTE time code was standardized way back in 1969 by the Society of Motion Picture and Television Engineers as a way to mark frame numbers on video tape.

Using SMPTE, a particular location can be precisely located by simply entering the appropriate time code number which is expressed in Hours, Minutes, Seconds, Frames and Subframes. This is possible because each frame of SMPTE time code contains absolute location information expressed in digital form.

There are two types of SMPTE time code: Vertical Interval Time Code (VITC), which is used on video tape and Longitudinal Time Code (LTC) or audio time code. VITC is strictly used for video and has the advantage of being able to be read while the video deck is paused. LTC can be recorded on the audio or sync tracks of video tape and can thus be used in audio or video work.

Longitudinal time code is the type of SMPTE used on the Sync Daughter Card. It contains 80 bits of information per frame. An audio SMPTE frame is divided into 80 “bit cells”. A voltage change during a bit cell period constitutes a digital “1” and no change during a bit cell period constitutes a digital “0”. In addition to the location bits, there are user bits that may contain information about tape reel numbers, bits dealing with video information, and a 16-bit sync word at the end of the frame.

FramesFrames Seconds Seconds Minutes Minutes Hours Hours

SMPTE

Time

Code

10

20

30

40

50

60

Start

 

 

 

 

 

 

 

 

 

Frame

 

 

 

 

Bit

Bit

 

80 Bit Cells per Frame

 

Cell

Cell

 

 

 

 

 

 

 

 

 

 

 

 

 

 

=0

 

 

SYNC WORD

70 80

End

Frame

=1

There are four types of SMPTE time code in general use: 24, 25, 30 frame-per-second and 30 drop-frame. In general, you should choose one rate (30 non-drop is common in audio) and stick with it for initial recording and later editing.

Types of SMPTE

Type

Use

Hours

Minutes

Seconds

Frames

 

 

 

 

 

 

24 frame

US Film

00-23

00-59

00-59

00-23

 

 

 

 

 

 

25 frame

Euro. Film + Video

00-23

00-59

00-59

00-24

 

 

 

 

 

 

30 drop-frame

US & Japan Color Video

00-23

00-59

00-59

00-29

 

 

 

 

 

 

30 non-drop

US & Japan B/W Video

00-23

00-59

00-59

00-29

 

 

 

 

 

 

The four frame rates are all straightforward except 30 drop-frame. The 30 df rate came about because the US color video frame rate is actually 29.97 frames/sec instead of 30 frames/sec. This adds up to an error of 108 frames each hour relative to “wall clock”

E-MU Digital Audio System

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Contents Digital Audio System MU Japan MU Digital Audio SystemTable of Contents PatchMix DSP Mixer Effects Index 115 Using High Sample RatesAppendix MU Digital Audio System Components MU 1212M MU 1820M IntroductionWelcome All Systems IncludeMU 1820M System MU 1212M SystemMU 1820 System Setting Up the Digital Audio System InstallationName Description Connects Connector TypesSafety First Slo ts Installing the E-MU 1010 PCI CardTo install the 1010 PCI card into your computer Sync Daughter Card Install the Sync Daughter Card or 0202 Daughter CardMU 0202 & AudioDock MU 1010 PCI CardRubber Foot Rack-shelf Mount Rack Mounting the AudioDockRubber Feet Windows 2000 or Windows XP Software InstallationInstalling the E-MU 1010 Drivers Uninstalling all Audio Drivers and ApplicationsInstallation Software Installation Connections PCI Card & InterfacesE-MU 1010 PCI Card Midi In/Out IEEE1394 Firewire0202 Daughter Card Analog Inputs and OutputsInputs are configured as follows AudioDockMidi 1 In/Out Headphone Output & Volume ControlFront Panel Connections Preamp SectionSample Rate Indicators AudioDock Front Panel IndicatorsMidi Input Indicators Clock Source and Sample Rate IndicatorsLine Level Analog Outputs Rear Panel ConnectionsLine Level Analog Inputs Turntable Inputs & Ground LugComputer Speaker Output Duplicates Line Level Output EDI Connector CardComputer Speaker Analog Outputs Midi 2 In/OutSync Daughter Card To Invoke the PatchMix DSP Mixer PatchMix DSP MixerPatchMix DSP Overview of the MixerMain Mixer WindowMonitor OutRight-Click Here MU Icon in the Windows TaskbarToolbar New Session SessionSave Session Session SettingsSystem Settings Open SessionMidi Settings Using External ClockHeadroom SettingsInput too weak? Use -10 Input setting Output too weak? PCI Card Optical Output Inputs +4 orOutputs +4 or PCI Card Optical InputInput Mixer Strips To Add a New Strip Mixer Strip CreationMultichannel Wave to Surround Sound Speaker Channels Multichannel Wave FilesWindows Media Player/DVD/Surround Sound Playback To Delete a Mixer StripTo Add an Effect to an Insert Location Insert SectionWorking with Inserts Input Insert MenuTo Add a Send Insert To Add a Send/Return InsertOutboard Signal Processor Using External Sends & ReturnsTo Insert an External Signal Processing Device RecordingPlayback Asio Direct Monitor Send/ReturnTo Add an Asio Direct Monitor Send/Return To Insert a Meter To Set the Input Levels of a StripMeter Inserts 60 50 40 30 20Making the Best Possible Recording Trim Pot Insert Test Tone/Signal Generator InsertTo Bypass All Inserts Managing Your InsertsTo Delete an Insert To Bypass an InsertAmount Aux SectionPan Fader Aux BusPost-Fader Aux Send InputOutput Pre-Fader Aux SendLevel, Pan, Solo & Mute Controls Main Section Effect TV Screen & SelectorsOutput InputOutput Sync/Sample Rate IndicatorsAuxiliary Effects & Returns Input InputOutput Section PatchMix DSP Mixer Main Section Core Effects Multi-Effects EffectsOverview Effects PaletteTo Delete an Effect FX Insert ChainsTo Select an Effect To Edit an EffectTo Rename an Effects Category Creating, Renaming & Deleting Categories or PresetsTo Create a New Preset Category To Delete an Effect Category or PresetTo Export your FX Category Folders To Import Core FX PresetsTo Export your Core FX Presets To Import FX Category FoldersFX Edit Screen To Bypass ALL User Preset SectionTo Select a User Preset To Create a New User PresetTo Overwrite or Save a User Preset Core Effects and Effects PresetsTo Delete a User Preset To Rename a User PresetTotal Effects List of Core EffectsDSP Resource Usage ExampleLow Shelf Or… High Shelf Core Effects DescriptionsBand Para EQ Band Shelf EQMid Band High Shelf Setting up a Parametric EQBand EQ Low-Shelf Mid 1-Band Mid 2-Band High-Shelf Auto-Wah Filter Auto-WahCompressor VCA OutChorus Basic Controls Input Meter DistortionDistortion Flanger FlangerFreq Shifter Post Gain Leveling AmpEarly Reflections ReverberationTime Lite ReverbRolloff Mono Delays 100, 250, 500, 750, 1500Delay Rotary Phase ShifterSpeaker Type Description Speaker SimulatorRolloff DelayStereo Delays 100, 250, 500, 750 Early Reflections Late Reverb Stereo ReverbPhoneme B Vocal MorpherFrequency List of Available PhonemesMU PowerFX To Setup & Use E-MU PowerFX Setup Cubase LETo Record PowerFX parameter changes in Cubase LE Automating E-MU PowerFXMU PowerFX Resource Availability Application Name Compatible? Render Extra Buffers MU PowerFX Compatibility ChartTips for using Freeze Mode on Cubase LE Rendering Audio with E-MU PowerFXUsing E-MU PowerFX with WaveLab and SoundForge General Tips for Rendering using PowerFXPatchMix DSP Strip configured for E-Wire MU E-Wire VSTWire VST plug-in To Setup and use E-Wire Delay CompensatorPatchMix Delay Compensator UseDelay Units Parameter Cubase VST or CubasisTrack Grouping TracksTotal Using High Sample RatesMU 1820 System at 88.2k/96k 1010 PCI Card & AudioDock MU 1820 Inputs/Outputs at 88.2kHz or 96kHz SourceMU 1212M Inputs/Outputs at 88.2kHz or 96kHz Source Adat enabledLine In 2 & 3 enabled MU 1212M System at 88.2k or 96k 1010 PCI Card & I/O CardOutputs MU 1820 System at 176.4kHz or 192kHzMU 1212 System at 176.4k/192k 1010 PCI Card & I/O Card MU 1820 Inputs/Outputs at 176.4kHz or 192kHz Source TotalLine Inputs 1 & 3 enabled Microphone & Line 3 Input enabledMicrophone & Adat Input enabled Line Input 1 & Adat Input enabledWDM Recording and Playback Behavior Using High Sample Rates Overview Smpte Conversion Smpte FeaturesAppendix Sync Daughter Card SupplementSmpte Modes of Operation Host ModeExternal Mode Flywheel ModeTypes of Smpte Stripe ModeSmpte Background Time CodeFrames-per-second Resolution Why use SMPTE?Avoiding Smpte problems Smpte Subframe ResolutionSync Other Tips for using SmpteExample Smpte Connection Duplicating Smpte time codeTo Synchronize PatchMix DSP to an External Clock Source To Enable MTCMidi Time Code MTC Word Clock In/OutMU 1010 Card House Sync Generator Digital DeviceDigital Mixer Adat OpticalVia Adat Getting in SyncExternal Device supplies Master Clock PatchMix DSP supplies Master ClockCables balanced or unbalanced? Balanced 1/4 TRS Connectors Unbalanced 1/4Useful Information AES/EBU to S/PDIF Cable AdapterGrounding Phantom PowerAppearance Settings in Windows Digital CablesFrequency Response THD + N Technical SpecificationsSpecifications 1820M System TypeMicrophone Preamp Gain Range Max Level Type Frequency Response Stereo CrosstalkGain Range Max Level Dynamic RangeFrame Rates Modes Input Level Output Level Input Impedance FirewireFrequency Response THD+N Internal Crystal SyncSpecifications 1820 System MIC PREAMP/LINE Input RMS Jitter @ 44.1K Specifications 1212 System PCI Card Dimensions & WeightWeight 30lb / 0.14kg Dimensions 7 / 170.2mm Weight 25lb / 0.10kg Dimensions 04 / 128mmForums Internet ReferencesSynth Responsible Party Declaration of ConformityTrade Name Model NoCompliance Information Appendix Internet References 114 Numerics IndexIndex Adat 118 MU Digital Audio System 119 Index 120