Creative 1212M, 1820M owner manual Mono Delays 100, 250, 500, 750, 1500, Rolloff

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5 - Effects

Core Effects Descriptions

Mono Delays - 100, 250, 500, 750, 1500, 3000

A delay line makes a copy of the incoming audio, holds it in memory, then plays it back after a predetermined time. The delay number refers to the maximum delay time that can be produced by the delay line. The six lengths, from 100 ms to 3 seconds, allow you to make the most efficient use of the effect memory resource.

Long delays produce echoes, short delays can be used for doubling or slapback effects. Very short delays can be used to produce resonant flanging and comb filter effects or create monotone robotic-sounding effects (Hint: use feedback). Stereo signals are summed together before entering the Mono Delay.

There is also a feedback path to send the delayed audio back through the delay line. When creating echo effects, the feedback controls how many echoes will be produced. With short delays, the feedback control acts as a resonance control, increasing the amount of comb filtering produced by the delay line. Comb filtering: See page 68.

A High Frequency Rolloff filter in the feedback path cuts some of the high frequency energy each time the audio goes through the delay line. This simulates the natural absorption of high frequencies in a room and can also be used to simulate tape-based echo units.

The Wet/Dry mix controls how loud the echoes are in relation to the original signal.

Feedback

HF

Rolloff

L In

L Out

Delay

R In

 

 

 

 

 

 

 

 

 

 

R Out

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Delay Time

 

 

 

 

 

 

 

 

 

 

 

 

Parameter

Description

 

 

 

 

 

 

 

 

 

 

 

 

Delay Time

Sets the length of the delay in milliseconds.

 

 

 

 

(.01ms. minimum increment between settings)

Mono Delay 100

Range: 1 millisecond to 100 milliseconds

Mono Delay 250

Range: 1 millisecond to 250 milliseconds

Mono Delay 500

Range: 1 millisecond to 500 milliseconds

Mono Delay 750

Range: 1 millisecond to 750 milliseconds

Mono Delay 1500

Range: 1 millisecond to 1.5 seconds

Mono Delay 3000

Range: 1 millisecond to 3 seconds

 

 

 

 

 

 

 

 

 

 

 

 

Feedback

Sets the amount of delayed signal that will be recirculated through

 

 

 

 

the delay line. Range: 0% to 100%

 

 

 

 

 

 

 

 

 

 

 

 

High Freq. Rolloff

Damps high frequencies in the feedback path.

 

 

 

 

Range: 0% to 100%

 

 

 

 

 

 

 

 

 

 

 

 

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Creative Professional

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Contents Digital Audio System MU Digital Audio System MU JapanTable of Contents PatchMix DSP Mixer Effects Using High Sample Rates AppendixIndex 115 Introduction WelcomeAll Systems Include MU Digital Audio System Components MU 1212M MU 1820MMU 1212M System MU 1820 SystemMU 1820M System Installation Setting Up the Digital Audio SystemConnector Types Safety FirstName Description Connects Installing the E-MU 1010 PCI Card To install the 1010 PCI card into your computerSlo ts Install the Sync Daughter Card or 0202 Daughter Card Sync Daughter CardMU 1010 PCI Card MU 0202 & AudioDockRack Mounting the AudioDock Rubber FeetRubber Foot Rack-shelf Mount Software Installation Installing the E-MU 1010 DriversUninstalling all Audio Drivers and Applications Windows 2000 or Windows XPInstallation Software Installation PCI Card & Interfaces E-MU 1010 PCI CardConnections IEEE1394 Firewire 0202 Daughter CardAnalog Inputs and Outputs Midi In/OutAudioDock Inputs are configured as followsHeadphone Output & Volume Control Front Panel ConnectionsPreamp Section Midi 1 In/OutAudioDock Front Panel Indicators Midi Input IndicatorsClock Source and Sample Rate Indicators Sample Rate IndicatorsRear Panel Connections Line Level Analog InputsTurntable Inputs & Ground Lug Line Level Analog OutputsEDI Connector Card Computer Speaker Analog OutputsMidi 2 In/Out Computer Speaker Output Duplicates Line Level OutputSync Daughter Card PatchMix DSP Mixer PatchMix DSPOverview of the Mixer To Invoke the PatchMix DSP MixerMixer Window MonitorOut MainMU Icon in the Windows Taskbar ToolbarRight-Click Here Session New SessionSession Settings System SettingsOpen Session Save SessionUsing External Clock Midi SettingsSettings Input too weak? Use -10 Input setting Output too weak?Headroom Inputs +4 or Outputs +4 orPCI Card Optical Input PCI Card Optical OutputInput Mixer Strips Mixer Strip Creation To Add a New StripMultichannel Wave Files Windows Media Player/DVD/Surround Sound PlaybackTo Delete a Mixer Strip Multichannel Wave to Surround Sound Speaker ChannelsInsert Section Working with InsertsTo Add an Effect to an Insert Location Insert Menu To Add a Send InsertTo Add a Send/Return Insert InputUsing External Sends & Returns To Insert an External Signal Processing DeviceOutboard Signal Processor Asio Direct Monitor Send/Return To Add an Asio Direct Monitor Send/ReturnRecordingPlayback To Set the Input Levels of a Strip Meter Inserts60 50 40 30 20 To Insert a MeterMaking the Best Possible Recording Test Tone/Signal Generator Insert Trim Pot InsertManaging Your Inserts To Delete an InsertTo Bypass an Insert To Bypass All InsertsAux Section Pan FaderAux Bus AmountInput OutputPre-Fader Aux Send Post-Fader Aux SendLevel, Pan, Solo & Mute Controls Main Section TV Screen & Selectors EffectInput OutputSync/Sample Rate Indicators Auxiliary Effects & ReturnsInput Input OutputOutput Section PatchMix DSP Mixer Main Section Effects OverviewEffects Palette Core Effects Multi-EffectsFX Insert Chains To Select an EffectTo Edit an Effect To Delete an EffectCreating, Renaming & Deleting Categories or Presets To Create a New Preset CategoryTo Delete an Effect Category or Preset To Rename an Effects CategoryTo Import Core FX Presets To Export your Core FX PresetsTo Import FX Category Folders To Export your FX Category FoldersFX Edit Screen User Preset Section To Select a User PresetTo Create a New User Preset To Bypass ALLCore Effects and Effects Presets To Delete a User PresetTo Rename a User Preset To Overwrite or Save a User PresetList of Core Effects DSP Resource UsageExample Total EffectsCore Effects Descriptions Band Para EQBand Shelf EQ Low Shelf Or… High ShelfSetting up a Parametric EQ Band EQMid Band High Shelf Low-Shelf Mid 1-Band Mid 2-Band High-Shelf Auto-Wah Auto-Wah FilterVCA Out ChorusCompressor Basic Controls Distortion DistortionInput Meter Flanger FlangerFreq Shifter Leveling Amp Post GainLite Reverb Early Reflections ReverberationTimeMono Delays 100, 250, 500, 750, 1500 DelayRolloff Phase Shifter RotarySpeaker Simulator Speaker Type DescriptionDelay Stereo Delays 100, 250, 500, 750Rolloff Stereo Reverb Early Reflections Late ReverbVocal Morpher FrequencyList of Available Phonemes Phoneme BMU PowerFX Setup Cubase LE To Setup & Use E-MU PowerFXAutomating E-MU PowerFX MU PowerFX Resource AvailabilityTo Record PowerFX parameter changes in Cubase LE MU PowerFX Compatibility Chart Application Name Compatible? Render Extra BuffersRendering Audio with E-MU PowerFX Using E-MU PowerFX with WaveLab and SoundForgeGeneral Tips for Rendering using PowerFX Tips for using Freeze Mode on Cubase LEMU E-Wire VST Wire VST plug-inPatchMix DSP Strip configured for E-Wire Delay Compensator To Setup and use E-WireDelay Compensator Use Delay Units ParameterCubase VST or Cubasis PatchMixGrouping Tracks TrackUsing High Sample Rates MU 1820 System at 88.2k/96k 1010 PCI Card & AudioDockMU 1820 Inputs/Outputs at 88.2kHz or 96kHz Source TotalAdat enabled Line In 2 & 3 enabledMU 1212M System at 88.2k or 96k 1010 PCI Card & I/O Card MU 1212M Inputs/Outputs at 88.2kHz or 96kHz SourceMU 1820 System at 176.4kHz or 192kHz MU 1212 System at 176.4k/192k 1010 PCI Card & I/O CardMU 1820 Inputs/Outputs at 176.4kHz or 192kHz Source Total OutputsMicrophone & Line 3 Input enabled Microphone & Adat Input enabledLine Input 1 & Adat Input enabled Line Inputs 1 & 3 enabledWDM Recording and Playback Behavior Using High Sample Rates Overview Smpte Features AppendixSync Daughter Card Supplement Smpte ConversionHost Mode External ModeFlywheel Mode Smpte Modes of OperationStripe Mode Smpte BackgroundTime Code Types of SmpteWhy use SMPTE? Avoiding Smpte problemsSmpte Subframe Resolution Frames-per-second ResolutionOther Tips for using Smpte Example Smpte ConnectionDuplicating Smpte time code SyncTo Enable MTC Midi Time Code MTCWord Clock In/Out To Synchronize PatchMix DSP to an External Clock SourceHouse Sync Generator Digital Device Digital MixerAdat Optical MU 1010 CardGetting in Sync External Device supplies Master ClockPatchMix DSP supplies Master Clock Via AdatBalanced 1/4 TRS Connectors Unbalanced 1/4 Useful InformationAES/EBU to S/PDIF Cable Adapter Cables balanced or unbalanced?Phantom Power Appearance Settings in WindowsDigital Cables GroundingTechnical Specifications Specifications 1820M SystemType Frequency Response THD + NType Frequency Response Stereo Crosstalk Gain Range Max LevelDynamic Range Microphone Preamp Gain Range Max LevelFirewire Frequency Response THD+NInternal Crystal Sync Frame Rates Modes Input Level Output Level Input ImpedanceSpecifications 1820 System MIC PREAMP/LINE Input RMS Jitter @ 44.1K Specifications 1212 System Dimensions & Weight Weight 30lb / 0.14kg Dimensions 7 / 170.2mmWeight 25lb / 0.10kg Dimensions 04 / 128mm PCI CardInternet References SynthForums Declaration of Conformity Trade NameModel No Responsible PartyCompliance Information Appendix Internet References 114 Index NumericsIndex Adat 118 MU Digital Audio System 119 Index 120