Atlas Sound XLTE owner manual 6.2.1Choosing an Input Jack, 6.2.2Internal Input Jack Wiring

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6.2.1Choosing an Input Jack

The 1/4 in. connector has been adopted for use as a loudspeaker connector primarily because of its low cost and ready availability. It has relatively low current handling and low mechanical contact force. This can result in a connection failure over time even if it is left undisturbed in a fixed installation. The jack and connector are subject to deterioration over time with repeated plugging and unplugging. As such, they may not always provide optimum signal transfer to the loudspeaker. Soldering is normally required to make a good connection from the wire to the in- line 1/4 in. plug.

The Neutrik Speakon jacks are specifically designed to provide excellent mechanical and electrical connection for loudspeakers. They can carry high amounts of current, have self-cleaning contacts, and securely lock with the mating cable connector. They will provide the maximum reliability and performance over time. Community recommends you use these connectors to connect your loudspeakers.

IMPORTANT: After plugging in a Neutrik connector be sure to rotate the connector about 1/4 turn before engaging the locking ring. Otherwise the electrical contacts will not make a good connection.

6.2.2Internal Input Jack Wiring

Both the Neutrik Speakon and the 1/4 in. input jacks on all loudspeaker models are internally wired in parallel when the loudspeaker is in PASSIVE mode.

Technical Note: When using the full-range loudspeakers In BIAMP mode both 1/4 in. jacks remain wired in parallel with pins 1+ and 1- on the Neutrik jacks. Therefore, either could be used in place of pins 1+ and 1- on the Neutrik jacks as the input from the LF amplifier. This may be convenient when driving the LF input from a subwoofer FULL- RANGE OUTPUT that is also a 1/4 in. jack. When using the Neutrik Speakon for the BIAMP input, either 1/4 in. jack can also function as an LF output for paralleling a second loudspeaker. This information may be useful in certain other situations to solve specific application problems.

6.3PARALLELING OR DAISY-CHAINING TWO LOUDSPEAKERS

Two of the same model of loudspeakers may be connected together to operate from a single amplifier channel. This includes paralleling the LF or HF sections of two of the same model loudspeakers in BIAMP mode.

6.3.1Parallel Connector Wiring

The Neutrik Speakon and 1/4 in. input jacks for all loudspeakers are internally wired in parallel. Therefore, an unused input jack can be used to parallel (also called daisy-chaining) a second loudspeaker of the same model with the first using a jumper cable. Both loudspeakers will then operate from the same amplifier channel. A Neutrik Speakon or 1/4 in. jumper cable should be wired at both ends for the appropriate operating mode according to SECTION 6.4. The capability for paralleling functions for both the PASSIVE and BIAMP modes on full-range models except that when in BIAMP mode the 1/4 in. jacks cannot be used.

6.3.2Load Impedance When Paralleling Loudspeakers

When paralleling or daisy-chaining two loudspeakers, the total load impedance will be one-half that of a single loudspeaker. For example, if the impedance of a single loudspeaker is 8 Ohms, two in parallel will be 4 Ohms. The power output for the amplifier will then be as specified by the manufacturer at a 4 Ohm load.

Paralleling also means you must double the recommended power amplifier rating range listed in SECTION 5.1.3 for the loudspeakers you intend to operate in parallel. For example, the recommended power amplifier range for one model 43 is 420W to 600W at 8 Ohms. For two model 43s in parallel the recommended range would be 840W to 1200W at 4 Ohms. This is also true in BIAMP mode for the HF and LF sections you intend to operate in parallel.

The following table lists the nominal impedance for two of the various models loudspeakers operated in parallel. The amplifier must be rated to drive this impedance. If you examine the minimum impedances listed in the specifications

PAGE 21 Community XLT / XLTE Series Owner’s Manual

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Contents FULL-RANGESYSTEMS AND SUBWOOFERS XLT / XLTEPage COMMUNITY PROFESSIONAL LOUDSPEAKERS Community Light & Sound, Inc. 333 East 5th Street EC STATEMENT OF CONFORMITYDIN EN 55013 08-1991 DIN EN DIN ENPAGE TABLE OF CONTENTSDIAGRAMS and TABLES CHAPTER1.2MODEL NUMBER USAGE IN THIS MANUAL 1.3IMPORTANT SAFETY INFORMATION1 INTRODUCTION 2 UNPACKING AND INSPECTION Page Page Figure 1 Physical Features 3.2FEATURES DESCRIPTIONS 3 PHYSICAL FEATURES See FIGURE3.1FEATURES MATRIX Table 1 Physical Features MatrixPhillips pan-head screws Footnotes for Physical Features4.3.2Mid Frequency Driver 46 models only 4.1ABBREVIATED OPERATING INSTRUCTIONSTable 2 Product Listing 4.3DRIVERS 4.3.1High Frequency Driver4.4PATTERN CONTROL HORNS 4.6.1PASSIVE / BIAMP Switch4.6.2HF-LevelSwitch 4.3.4Ferrofluid Cooling4.6.3Subwoofer Full-RangeOutput 4.6.4PowerSense DDP Circuit4.6.5PowerSense Indicators 4.7POWER HANDLING4.8.4Carrying Handles 4.8.1Permanent Mounting4.8.2Corner Protectors and Stacking XLT only 4.8.3Feet XLTE only4.8.641 Positioning and Horn Rotation 4.9OPTIONAL ACCESSORIES4.9.1Community Accessories 4.9.23rd Party Accessories5.1.2Power Amplifier Load Impedance 5 SETUP AND OPERATION5.1CHOOSING A POWER AMPLIFIER Table 5 Recommended Amplifier Power for Subwoofer FIGURE 2 PASSIVE Mode Configurations FIGURE 3 BIAMP Mode Configurations 6.1LOUDSPEAKER CABLE 6 ELECTRICAL INSTALLATION6.1.1Loudspeaker Wire Gauge Table 6 Loudspeaker Wire Gauge Selection6.2.1Choosing an Input Jack 6.2.2Internal Input Jack Wiring6.3.1Parallel Connector Wiring 6.3.2Load Impedance When Paralleling LoudspeakersFIGURE 4: Wiring for PASSIVE Mode Full-Range 6.4CONNECTING THE LOUDSPEAKERS6.4.1PASSIVE Mode Wiring See FIGURE 6.4.3Subwoofers See FIGURE 6.4.2BIAMP Mode Wiring See FIGUREFIGURE 5 Wiring for BIAMP Mode Full-Range FIGURE 6 Wiring for Subwoofer7.1.2Custom Grille Cloth 7 PHYSICAL INSTALLATION7.1.1Removing and Re-installingthe Grille 7.1FRONT GRILLEIMPORTANT NOTE Mounting/Rigging Point Holes 7.3.1Model 41 Horn Orientation7.3.2Model 42 and 7.4MOUNTING AND RIGGINGDANGER 7.4.2Using the Community CSSUPKIT Suspension KitFIGURE 7 Mounting Point Detail - Pull Direction FIGURE 8 XLT Mounting PointsFIGURE 9 XLTE Mounting / Rigging Points 7.4.3Using the Community WB1 Mounting Accessory7.4.4Stand Bracket Inserts 46 and 48 only DANGER See FIGURE7.6STACKING ENCLOSURES 7.5.1Using the Community EYBLTKITFIGURE 10 XLTE Mounting / Rigging Point Detail 8.2.1Electronic Gain Structure 8 ACOUSTICAL ADJUSTMENTS8.1INITIAL TESTING 8.2FINAL ADJUSTMENTS8.2.2Residual Noise 8.2.3Volume Level Balancing8.4FINAL RESULTS 8.3.1HF-LevelSwitch8.3EQUALIZATION 8.3.2Equalization Tips9.1.2PowerSense DDP Circuit Operation 9 OPERATING PRECAUTIONS9.1POWERSENSE DDP 9.1.1Operating Modes and PowerSense DDPFIGURE 11 Amplifier Clipping 9.3ACOUSTIC VOLUME LEVEL PRECAUTIONSFIGURE 12 Sound Exposure Limits 9.4TESTING AND TEST SIGNALS10.1.2MF and HF Drivers 10.1ACCESSING THE DRIVERS10 SERVICING THE LOUDSPEAKER 10.1.1LF Drivers11.1FULL-RANGEMODELS 11 TECHNICAL SPECIFICATIONS11.2MONITOR SPEAKERS AND SUBWOOFERS 12 IN CASE OF DIFFICULTY No bass No high frequencies Transferable Limited Warranty 13WARRANTY INFORMATION AND SERVICE9907007F A. XLT41E and XLT48E Additional Models Table 8 Additional Model SpecificationsC. Specifications APPENDIX - XLT41E and XLT48EINDEX Page Page Page Page Page 1999 Community Light & Sound, Inc. 991015Cm 333 East 5th Street, Chester, PAPhone 610 876-3400Fax