Atlas Sound XLTE owner manual Acoustical Adjustments, 8.1INITIAL TESTING, 8.2FINAL ADJUSTMENTS

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8 ACOUSTICAL ADJUSTMENTS

Once the loudspeaker has been connected according to your configuration, it is ready for acoustical adjustments. This is normally a one-time procedure. Once set, you should not need to change these adjustments. However, when using a system in different environments or for different types of programs you may want to change some adjustments as needed to maximize sound quality.

8.1INITIAL TESTING

The following procedures are designed to prevent damage to the loudspeaker during initial testing of the system.

1.Before powering up any equipment, turn down the input volume controls on the power amplifier and set other volume controls in the system to their normal operating positions. If you don’t know what those positions are, setting sliders about half-way up and rotary controls to their 12 o’clock or half-way position is usually a safe bet.

2.Turn on all the electronics for the system in signal chain order starting with the input equipment and continuing in order through the chain turning on the power amplifiers last. This avoids electronic start-up transients or spikes that some equipment generates. These spikes can cause instantaneous and permanent damage to the loudspeakers. This procedure should be followed EVERY TIME the system is turned on.

NOTE: When turning off a system, do it in the reverse order, beginning with the power amplifiers first.

3.Apply an input signal to the system. This could be a test signal or program material from a tape, CD, or tuner. Using equipment signal level indicators, a voltmeter, and/or a test headset verify that the signal chain is operating properly up to the input of the power amplifier. You may have to re-adjust controls as set in step 2 to get a normal signal level through to the amplifier input(s).

4.If the signal chain tests OK, slowly turn up the input volume control on the amplifier(s) and you should hear the input signal reproduced through the loudspeaker. It should be clean and clear. If using BIAMP mode and/or subwoofers, the sound may not be balanced between the high and low frequencies. You will correct this when making the final adjustments (see SECTION 8.2.3).

5.If all is well, you are ready for the final adjustments to the system.

8.2FINAL ADJUSTMENTS

There are two primary things to consider when making final adjustments on a system: electronic gain structure and loudspeaker volume level balancing. The gain structure of a system will determine the dynamic range of a system or the ratio of the softest to loudest usable sounds. The softest sounds will be limited by the amount of system noise and the loudest sounds by noticeable distortion or clipping. Loudspeaker volume level balancing includes primarily those systems where a subwoofer is used and/or a full-range loudspeaker is used in BIAMP mode. It also includes permanent installations where different models and multiple loudspeakers, such as delayed units, are used.

8.2.1Electronic Gain Structure

Detailed instructions on how to set electronic gain structure are beyond the scope of this manual. However, the following general guidelines may be helpful.

1.The preferable tool is an oscilloscope that can be used to observe the signal directly. You can use a voltmeter if you know the maximum voltage output specifications. If neither of these is available, you can use clipping indicators on each piece of equipment in the signal chain. As a last resort, you could use high impedance earphones (600 Ohms or higher) or a piezo-electric tweeter and listen for noticeable distortion at the output of each piece of equipment. This point will be just above the maximum output. Without some method of determining the maximum output on each piece of equipment, you cannot expect to optimize the gain structure.

PAGE 29 Community XLT / XLTE Series Owner’s Manual

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Contents FULL-RANGESYSTEMS AND SUBWOOFERS XLT / XLTEPage COMMUNITY PROFESSIONAL LOUDSPEAKERS Community Light & Sound, Inc. 333 East 5th Street EC STATEMENT OF CONFORMITYDIN EN 55013 08-1991 DIN EN DIN ENPAGE TABLE OF CONTENTSDIAGRAMS and TABLES CHAPTER1 INTRODUCTION 1.3IMPORTANT SAFETY INFORMATION1.2MODEL NUMBER USAGE IN THIS MANUAL 2 UNPACKING AND INSPECTION Page Page Figure 1 Physical Features 3.2FEATURES DESCRIPTIONS 3 PHYSICAL FEATURES See FIGURE3.1FEATURES MATRIX Table 1 Physical Features MatrixPhillips pan-head screws Footnotes for Physical Features4.3.2Mid Frequency Driver 46 models only 4.1ABBREVIATED OPERATING INSTRUCTIONSTable 2 Product Listing 4.3DRIVERS 4.3.1High Frequency Driver4.4PATTERN CONTROL HORNS 4.6.1PASSIVE / BIAMP Switch4.6.2HF-LevelSwitch 4.3.4Ferrofluid Cooling4.6.3Subwoofer Full-RangeOutput 4.6.4PowerSense DDP Circuit4.6.5PowerSense Indicators 4.7POWER HANDLING4.8.4Carrying Handles 4.8.1Permanent Mounting4.8.2Corner Protectors and Stacking XLT only 4.8.3Feet XLTE only4.8.641 Positioning and Horn Rotation 4.9OPTIONAL ACCESSORIES4.9.1Community Accessories 4.9.23rd Party Accessories5.1CHOOSING A POWER AMPLIFIER 5 SETUP AND OPERATION5.1.2Power Amplifier Load Impedance Table 5 Recommended Amplifier Power for Subwoofer FIGURE 2 PASSIVE Mode Configurations FIGURE 3 BIAMP Mode Configurations 6.1LOUDSPEAKER CABLE 6 ELECTRICAL INSTALLATION6.1.1Loudspeaker Wire Gauge Table 6 Loudspeaker Wire Gauge Selection6.2.1Choosing an Input Jack 6.2.2Internal Input Jack Wiring6.3.1Parallel Connector Wiring 6.3.2Load Impedance When Paralleling Loudspeakers6.4.1PASSIVE Mode Wiring See FIGURE 6.4CONNECTING THE LOUDSPEAKERSFIGURE 4: Wiring for PASSIVE Mode Full-Range 6.4.3Subwoofers See FIGURE 6.4.2BIAMP Mode Wiring See FIGUREFIGURE 5 Wiring for BIAMP Mode Full-Range FIGURE 6 Wiring for Subwoofer7.1.2Custom Grille Cloth 7 PHYSICAL INSTALLATION7.1.1Removing and Re-installingthe Grille 7.1FRONT GRILLEIMPORTANT NOTE Mounting/Rigging Point Holes 7.3.1Model 41 Horn Orientation7.3.2Model 42 and 7.4MOUNTING AND RIGGINGDANGER 7.4.2Using the Community CSSUPKIT Suspension KitFIGURE 7 Mounting Point Detail - Pull Direction FIGURE 8 XLT Mounting PointsFIGURE 9 XLTE Mounting / Rigging Points 7.4.3Using the Community WB1 Mounting Accessory7.4.4Stand Bracket Inserts 46 and 48 only DANGER See FIGUREFIGURE 10 XLTE Mounting / Rigging Point Detail 7.5.1Using the Community EYBLTKIT7.6STACKING ENCLOSURES 8.2.1Electronic Gain Structure 8 ACOUSTICAL ADJUSTMENTS8.1INITIAL TESTING 8.2FINAL ADJUSTMENTS8.2.2Residual Noise 8.2.3Volume Level Balancing8.4FINAL RESULTS 8.3.1HF-LevelSwitch8.3EQUALIZATION 8.3.2Equalization Tips9.1.2PowerSense DDP Circuit Operation 9 OPERATING PRECAUTIONS9.1POWERSENSE DDP 9.1.1Operating Modes and PowerSense DDPFIGURE 11 Amplifier Clipping 9.3ACOUSTIC VOLUME LEVEL PRECAUTIONSFIGURE 12 Sound Exposure Limits 9.4TESTING AND TEST SIGNALS10.1.2MF and HF Drivers 10.1ACCESSING THE DRIVERS10 SERVICING THE LOUDSPEAKER 10.1.1LF Drivers11.1FULL-RANGEMODELS 11 TECHNICAL SPECIFICATIONS11.2MONITOR SPEAKERS AND SUBWOOFERS 12 IN CASE OF DIFFICULTY No bass No high frequencies Transferable Limited Warranty 13WARRANTY INFORMATION AND SERVICE9907007F A. XLT41E and XLT48E Additional Models Table 8 Additional Model SpecificationsC. Specifications APPENDIX - XLT41E and XLT48EINDEX Page Page Page Page Page Phone 610 876-3400Fax 333 East 5th Street, Chester, PA1999 Community Light & Sound, Inc. 991015Cm