Arcam AVR250 manual Two-channel source modes, Multi-channel source modes

Page 26

AVR250

E-26

Two-channel source modes

The following decoding and surround modes are available:

n

Mono

n

Pro Logic Emulation

n

Stereo

n

Neo:6 Cinema

n

Pro Logic II/IIx Movie

n

Neo:6 Music

nPro Logic II/IIx Music

These modes are available with two-channel analogue and two-channel PCM digital sources (although a Dolby Digital 2.0 source may only be decoded as Mono, Stereo or Pro Logic IIx Movie).

Mono: The AVR250 will combine the left and right audio channels from a stereo signal to produce a mono signal. This can be of benefit when playing older audio recordings or VCR tapes, especially mono LP records.

Analogue Stereo: In this mode the AVR250 works as a conventional high quality audio amplifier. Note that if the subwoofer is enabled in stereo mode, then some processing of the signal will be carried out. For ultimate sound quality with analogue sources, therefore, select the Stereo Direct function.

Digital Stereo: Decodes two-channel digital signals such as PCM signals from sources such as CDs and some DVDs.

Dolby Pro Logic II/IIx: Dolby Pro Logic II decoding is designed to produce a 5-channel output from two channel source material. This is extended by Dolby Pro Logic IIx decoding, which is designed to produce a 5- or 7-channel output from two-channel source material and a 7-channel output from 5-channel material.

There are two different modes available in Pro Logic II/IIx: “Movie” and “Music” modes, which are intended for use as their names suggest. Due to the different recording methods used for movies and music, it is recommended that the correct decoding mode for your source material is used to obtain the best results.

nMovie Mode: This is intended for use with “cinematic” material, which is mixed and monitored in a calibrated multi-channel environment. Movie mode is a “fixed” mode that is designed to give a similar sound when listening using a home cinema system to that obtained in a cinema.

nMusic Mode: Stereo music is not designed for surround processing, although good surround effects can be obtained through careful production. As the optimum decoding method varies according to the recording, Music mode allows user adjustment of the processing characteristics. Information about adjusting the Music mode by using ‘Dimension’ and ‘Centre Width’ controls can be found in the ‘Main Menu Screen 2’ section.

Dolby Pro Logic: Dolby Pro Logic decoding is a legacy mode that is designed to produce a five- channel output from two-channel source material. It should be used only when the source material is encoded as Dolby Pro Logic; otherwise, we recommend the use of Dolby Pro Logic IIx. This is because Pro Logic processing on straight stereo sources can sound muffled and compressed.

DTS NEO:6: DTS Neo:6 provides up to six full-band channels of decoding from stereo material. The AVR250 will derive separate channels corresponding to the standard home theatre speaker layout.

nCinema: A movie mode designed to reproduce a movie theatre environment. Neo:6 technology allows various sound elements within a channel or channels to be steered separately, and in a way which follows the original presentation naturally.

nMusic: A music mode designed to produce a lively, high-integrity surround-effect from most two- channel music sources from all available speakers. Neo:6 music mode expands stereo recordings into the five- or six-channel layout without diminishing the subtlety and integrity of the original stereo recording.

Multi-channel source modes

The following modes are available for multi-channel digital sources. Special modes like DTS-ES 6.1 Matrix and DTS-ES 6.1 Discrete are available only from the correct source material.

For Dolby Digital sources:

For DTS sources:

n

Dolby Digital 5.1

n

DTS 5.1

 

n

Dolby Digital 5.1 Stereo Downmix

n

DTS 5.1 Stereo Downmix

n

Dolby Digital 5.1 Mono Downmix

n

DTS 5.1 Mono Downmix

n

Dolby Digital Ex

n

DTS-ES 6.1

Matrix

n

Dolby Digital Pro Logic IIx

n

DTS-ES 6.1

Discrete

Dolby Digital 5.1: The most commonly used sound format for DVD video, and is also the standard for US digital television. Dolby Digital 5.1 sources deliver surround sound with five discrete full- range channels; left, centre, right, surround left, and surround right, plus a low frequency effects (LFE) channel.

Dolby Digital Ex: This is an extension to Dolby Digital decoding that provides a 6-channel output from a 5-channel input. The extra channel is the centre-surround channel (for which the two surround back speakers are used), and is derived from the left and right surround channel information. This decode mode should be used only when the source material is “Surround EX” encoded (which is normally indicated on the disc packaging and should be detected automatically by the AVR250), but may be used at other times if desired.

Dolby Digital Pro Logic IIx: This is an extension to Dolby Digital decoding that provides a 7- channel output from a 5-channel input. The extra channels are the surround back channels, that are derived from the left and right surround channel information.

DTS 5.1: Less common than the Dolby Digital format, but generally recognised within the audio industry as being of superior sound quality. DTS 5.1 delivers surround sound with five full range channels plus an LFE channel.

DTS-ES 6.1 Matrix: This is a 6.1 channel format based on DTS 5.1. It has the sixth channel matrix encoded into the surround left and surround right channels. The sixth channel is a surround centre channel and is directed to the surround back left and surround back right speakers.

Page 25 Page 27
Image 26
Page 25 Page 27
Contents AVR250 Safety compliance Safety guidelinesImportant safety instructions Contents Before you start Using this handbookSafety IntroductionInserting the batteries into the remote control Before making connectionsAVR250 rear panel InstallationPositioning the unit CablesSubwoofer output Audio connectionsAnalogue audio connections Connection of record decksComposite/S-video video connections Scart RGB 4-WIRE ConnectionVideo connections High quality Component video connectionsUsing spade terminals Connecting loudspeakersUsing bare wire ended leads Zone 2 connectionsConnecting the AM and FM antennas Connecting to a power supplySet-up Menu Index Configuring the AVR250Set-up mode Navigating the Set-up menu‘Basic’ Set-up Menus General Settings2/S-VIDEOtrigger is not active in this mode Select Cvbs statusSurr L/R Small Large Subwoofer SettingsSpeaker Sizes Speaker Delay Settings Distance measurements for 5.1 Speaker delay settingsTest Tone Cycle Level settingsEX Settings Use Channels 6+7 for‘Advanced’ Set-up Menus ADV 2 Video SettingsADV 3 Digital Settings ADV 1 Speaker EqADV 5 Analogue Settings Saving Settings and Exit Set-upADV 4 Zone 2 Settings Save Set-upRemote control Operating your AVR250 Switching on/offVolume control Front panel displayStereo Direct HeadphonesInput selection ZoneMode Remote control buttonsEffects/FX Treble/BassStoring a preset Using the tunerTuning to a station Deleting a presetUsing the Main Menu Introduction Using ZoneDecoder splits the centre signal equally to EffectSurround modes Digital multi-channel sourcesTwo-channel source modes Multi-channel source modesSpeaker positioning DSP Effects ModesBefore you start important information Bi-wiring and bi-amping loudspeakersBi-wiring your loudspeakers Bi-amping your systemTroubleshooting Unable to adjust bass and treble controls Source switching changes randomly or freezes on one sourceNo Zone 2 audio when playing DTS film Hum on an analogue inputScart S-video cable with audio back to processor Scart connectionsScart RGB cable with audio back to processor Command Command code IR Remote CodesPower toggle Mute System code Command Command codePreset Preset/Tune down Preset/Tune up Preset/Tune mode toggleRadio interference Technical specificationsContinual improvement policy On line registration GuaranteeWorldwide Guarantee Command and response formats Appendix Serial programming interfacePower / Alimentation / Betriebsbereitschaft / Stroom Mute / Coupure du son / Stumm / Dempen Example / Exemple / Beispiel / VoorbeeldÄnderung des Audio- oder Videoeingangs einer Zone Changes the audio and video input to a zoneChange l’entrée audio et vidéo d’une zone De audio- en video-ingang naar een zone wijzigenÄnderung der Videoquelle der Hauptzone Changes the video input for the main zoneChange l’entrée vidéo de la zone principale De video-ingang voor de hoofdzone wijzigenDirect mode / Mode Direct / Direktmodus / Modus Direct Effect / Effet / Effekt / Effect Navigation / Navigation / Navigation / NavigatiePreset / Présélection / Voreinstellung / Voorinstelling Store / Mémorisation / Speichern / OpslaanTune / Réglage / Senderabstimmung / Afstemmen RDS / Système RDS / RDS / RDS
Related manuals
Manual 44 pages 56.68 Kb Manual 44 pages 59.25 Kb

AVR250 specifications

The Arcam AVR250 is a distinguished model in the realm of home theater receivers, embodying high-performance audio and video processing capabilities that cater to discerning audiophiles and home cinema enthusiasts alike. Designed by Arcam, a company renowned for its commitment to delivering premium sound, the AVR250 stands out through its thoughtful engineering and robust feature set.

At the heart of the AVR250 lies a powerful amplification stage capable of delivering a peak output of 100 watts per channel into 8 ohms, ensuring that even the most demanding speakers can be driven with ease. This level of power translates into dynamic audio experiences, whether you're enjoying your favorite movies, music, or gaming. The receiver also incorporates a sophisticated digital signal processing engine that enhances sound quality and ensures accurate reproduction of all audio formats.

One of the standout features of the AVR250 is its support for multiple surround sound formats, including Dolby Digital, DTS, and Dolby Pro Logic II. This enables users to experience surround sound in its full glory, bringing their favorite films to life with immersive audio tracks that add depth and realism to the viewing experience. The AVR250 also boasts an array of connectivity options, including HDMI inputs that support high-definition video and audio signals, allowing seamless integration with modern multimedia devices such as Blu-ray players, gaming consoles, and streaming devices.

In addition to its robust audio capabilities, the Arcam AVR250 is also equipped with video processing technologies. It can upscale standard definition content to high-definition resolution, ensuring that older media looks sharper and more vibrant on modern displays. The receiver also features video switching capabilities, allowing users to connect multiple video sources and effortlessly switch between them.

User-friendliness is another hallmark of the AVR250, featuring an intuitive on-screen display and remote control that make setup and operation straightforward. The receiver also offers advanced room correction technologies, which utilize microphone measurements to optimize sound performance in various room acoustics. This ensures that audiences receive the best possible sound quality tailored to their specific environment.

In summary, the Arcam AVR250 exemplifies a blend of power, quality, and versatility. With its advanced audio technologies, comprehensive connectivity options, and user-friendly design, this home theater receiver is poised to elevate cinematic experiences and music reproduction in any home. Whether you are an audiophile or a casual viewer, the AVR250 caters to a wide array of listening preferences, making it a worthy addition to any audio setup.
Top Page Image Contents