Arcam AVR250 Video connections, Composite/S-video video connections, Scart RGB 4-WIRE Connection

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Video connections

The AVR250 allows for conversion between different video formats. This means that the AVR250 can convert between composite, S-video and component, if required.

For example, if you are watching a composite input from a VCR, you may view it from the S-video or Component/RGB video outputs of the AVR250. This allows you to use a single (typically high-quality Component/RGB) connection between the AVR250 and your display device.

The record loops do not work from the video converter. This means that to record a S-video or composite signal, a S-video or composite signal (respectively) must be supplied.

The following video conversions are possible:

To:

Composite

S-video

Component/

From:

 

 

RGB

Composite

Yes

Yes

Yes

S-video

Yes

Yes

Yes

Component/

No

No

Yes

RGB

 

 

 

Note that conversion between RGB and Component video (or vice-versa) is not supported by the AVR250.

Composite/S-video video connections

dm dn MONITOR OUT.

Two video output connectors are provided, one for S-Video and one for composite video. The outputs carry the same information at all times (and both may be used simultaneously, if required). Connect one of these outputs to the video input of your display device.

dq VCR IN, ds PVR IN, dt AV, ek SAT, el DVD.

Connect the composite video outputs of your source equipment to these inputs. The choice of connection to use (S-video or composite) depends on where the signal is to be routed to: if the signal is to be used in Zone 2, then a composite connection is required; if the signal is to be used for recording (routed to a VCR, for example), then the connection type must match the connection to the recording device (i.e., if the recording device requires a S-video signal, then a S-video connection from the source equipment must be used).

If both connections are made, the signal from the S-video input will be used for the main zone if no Component/RGB signal is supplied.

dp PVR OUT.

Connect one of the S-video or composite video outputs to the video input of your VCR or PVR. The connection used must match the video type of the source you wish to record (as described above). For example: if you wish to record a S-video signal from your satellite receiver on your VCR, the connection to the VCR must also use S-video.

High quality (Component) video connections

These inputs are suitable for connection to component (YUV/YCrCb) or RGB outputs. These signals are usually available from a DVD player, set-top box or games console and offer the best possible picture quality.

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SAT ��

DVD ��

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Note that the high-quality component video connections operate independently of the

AV

 

 

 

OUT

 

 

 

 

 

composite/S-video connections.

DVD

 

 

 

SAT

Generally, the component video standard is used in North America/NTSC regions, while RGB

 

 

 

 

 

HIGH QUALITY VIDEO IN

 

is used in Europe.

 

 

 

 

��

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em AV, eo DVD, ep SAT INPUTS. Connect the video outputs of your high-quality video

 

 

 

 

 

 

sources to these inputs.

 

 

 

 

 

en HIGH QUALITY VIDEO OUT. Connect these sockets to the component video inputs of your

 

 

 

 

 

display device.

 

 

 

 

 

Important notes about HQ-video inputs and outputs

 

 

 

 

 

n In the ‘Video Settings’ set-up menu, each of these three high-quality component video

 

 

 

 

 

inputs can be allocated individually to any of the other inputs, e.g., the input labelled

 

When you connect

“DVD” does not have to be used for DVD, but can be used for something else. See page

your devices to these

14 for further details.

 

 

connectors, take care to

n You cannot mix component and RGB sources. Selection of component or RGB can be

 

 

follow the letter/colour

made in the Set-up menu ‘General Settings’ page (see page 10).

 

coding for each input.

n The high-quality component video inputs have sufficient bandwidth for line-doubled

 

No damage will occur if

NTSC (525/60) or PAL (625/50) video (“progressive scan”) and also US HDTV video

 

connected incorrectly,

signals. However, when used with such signals the OSD is not overlaid on the picture

 

but unusually coloured

but is output at standard interlaced NTSC or PAL (525 or 625 line) rate on a solid

 

or unstable pictures will

background.

 

result.

 

 

nWhen using the HQ-video inputs, the composite and S-video outputs will be muted. This is because the processing for the on-screen display would create invalid video signals on these outputs.

SCART RGB 4-WIRE CONNECTION

(SCART refers to the multipole A/V connector used commonly on European A/V equipment.)

Some video projectors and most European TV sets require the use of a 4-wire RGB connection, where the ‘sync’ signal is separate from RGB. In this case, you need to use the composite video MONITOR OUT dn for the sync information. A cable is available from your dealer to make this 4-wire RGB connection (refer to the table of SCART connections at the back of the manual). Note that use of this feature requires (in addition to the RGB connections) a composite video connection between the source and the AVR250, in order to supply the additional synchronisation signal.

Note that most SCART TV inputs will require the SCART RGB status line to be controlled before the RGB signal will be displayed. The RGB trigger output will control this signal when connected to the SCART socket using a cable of the type given on page 32. These cables are available from your dealer.

The AVR250 does not support either 5-wire RGB HV or 3-wire RGB sync-on-green connections.

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Contents AVR250 Safety compliance Safety guidelinesImportant safety instructions Contents Using this handbook SafetyBefore you start IntroductionInserting the batteries into the remote control Before making connectionsInstallation Positioning the unitAVR250 rear panel CablesAudio connections Analogue audio connectionsSubwoofer output Connection of record decksScart RGB 4-WIRE Connection Video connectionsComposite/S-video video connections High quality Component video connectionsConnecting loudspeakers Using bare wire ended leadsUsing spade terminals Zone 2 connectionsConnecting the AM and FM antennas Connecting to a power supplyConfiguring the AVR250 Set-up modeSet-up Menu Index Navigating the Set-up menuGeneral Settings 2/S-VIDEOtrigger is not active in this mode‘Basic’ Set-up Menus Select Cvbs statusSurr L/R Small Large Subwoofer SettingsSpeaker Sizes Speaker Delay Settings Distance measurements for 5.1 Speaker delay settingsLevel settings EX SettingsTest Tone Cycle Use Channels 6+7 forADV 2 Video Settings ADV 3 Digital Settings‘Advanced’ Set-up Menus ADV 1 Speaker EqSaving Settings and Exit Set-up ADV 4 Zone 2 SettingsADV 5 Analogue Settings Save Set-upRemote control Switching on/off Volume controlOperating your AVR250 Front panel displayHeadphones Input selectionStereo Direct ZoneRemote control buttons Effects/FXMode Treble/BassUsing the tuner Tuning to a stationStoring a preset Deleting a presetUsing the Main Menu Using Zone Decoder splits the centre signal equally toIntroduction EffectSurround modes Digital multi-channel sourcesTwo-channel source modes Multi-channel source modesSpeaker positioning DSP Effects ModesBi-wiring and bi-amping loudspeakers Bi-wiring your loudspeakersBefore you start important information Bi-amping your systemTroubleshooting Source switching changes randomly or freezes on one source No Zone 2 audio when playing DTS filmUnable to adjust bass and treble controls Hum on an analogue inputScart S-video cable with audio back to processor Scart connectionsScart RGB cable with audio back to processor Command Command code IR Remote CodesSystem code Command Command code PresetPower toggle Mute Preset/Tune down Preset/Tune up Preset/Tune mode toggleRadio interference Technical specificationsContinual improvement policy On line registration GuaranteeWorldwide Guarantee Command and response formats Appendix Serial programming interfacePower / Alimentation / Betriebsbereitschaft / Stroom Mute / Coupure du son / Stumm / Dempen Example / Exemple / Beispiel / VoorbeeldChanges the audio and video input to a zone Change l’entrée audio et vidéo d’une zoneÄnderung des Audio- oder Videoeingangs einer Zone De audio- en video-ingang naar een zone wijzigenChanges the video input for the main zone Change l’entrée vidéo de la zone principaleÄnderung der Videoquelle der Hauptzone De video-ingang voor de hoofdzone wijzigenDirect mode / Mode Direct / Direktmodus / Modus Direct Effect / Effet / Effekt / Effect Navigation / Navigation / Navigation / NavigatiePreset / Présélection / Voreinstellung / Voorinstelling Store / Mémorisation / Speichern / OpslaanTune / Réglage / Senderabstimmung / Afstemmen RDS / Système RDS / RDS / RDS
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AVR250 specifications

The Arcam AVR250 is a distinguished model in the realm of home theater receivers, embodying high-performance audio and video processing capabilities that cater to discerning audiophiles and home cinema enthusiasts alike. Designed by Arcam, a company renowned for its commitment to delivering premium sound, the AVR250 stands out through its thoughtful engineering and robust feature set.

At the heart of the AVR250 lies a powerful amplification stage capable of delivering a peak output of 100 watts per channel into 8 ohms, ensuring that even the most demanding speakers can be driven with ease. This level of power translates into dynamic audio experiences, whether you're enjoying your favorite movies, music, or gaming. The receiver also incorporates a sophisticated digital signal processing engine that enhances sound quality and ensures accurate reproduction of all audio formats.

One of the standout features of the AVR250 is its support for multiple surround sound formats, including Dolby Digital, DTS, and Dolby Pro Logic II. This enables users to experience surround sound in its full glory, bringing their favorite films to life with immersive audio tracks that add depth and realism to the viewing experience. The AVR250 also boasts an array of connectivity options, including HDMI inputs that support high-definition video and audio signals, allowing seamless integration with modern multimedia devices such as Blu-ray players, gaming consoles, and streaming devices.

In addition to its robust audio capabilities, the Arcam AVR250 is also equipped with video processing technologies. It can upscale standard definition content to high-definition resolution, ensuring that older media looks sharper and more vibrant on modern displays. The receiver also features video switching capabilities, allowing users to connect multiple video sources and effortlessly switch between them.

User-friendliness is another hallmark of the AVR250, featuring an intuitive on-screen display and remote control that make setup and operation straightforward. The receiver also offers advanced room correction technologies, which utilize microphone measurements to optimize sound performance in various room acoustics. This ensures that audiences receive the best possible sound quality tailored to their specific environment.

In summary, the Arcam AVR250 exemplifies a blend of power, quality, and versatility. With its advanced audio technologies, comprehensive connectivity options, and user-friendly design, this home theater receiver is poised to elevate cinematic experiences and music reproduction in any home. Whether you are an audiophile or a casual viewer, the AVR250 caters to a wide array of listening preferences, making it a worthy addition to any audio setup.