RECORDING MODE
WHITE BALANCE
White Balance is the camera’s ability to make different types of lighting appear neutral. The effect is similar to selecting daylight or tungsten film, or using color compensating filters in conventional photography.
When setting the white
balance, “Auto” (data panel) and “AWB” (monitors) will be displayed to indicate the auto
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| No | AUTO | The AUTO setting will detect the type of light | ||||||
display | and adjust the white balance accordingly. | |||||||||||
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| Daylight | For outdoor and sunlit subjects. | |
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| Tungsten | For incandescent lighting: household filament | |
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| Fluorescent | For fluorescent lighting: office ceiling lights. | |
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| Cloudy | For overcast outdoor scenes. | |
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| Custom setting | For using the custom | |
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| Custom calibration | For manual | |
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AUTOMATIC WHITE BALANCE
The automatic white balance compensates for the color temperature of a scene. In most cases, the AUTO setting will balance the ambient light and create beautiful images, even under
PRESET WHITE BALANCE
Preset
The
Shooting tips
The daylight and cloudy settings are primarily for outdoor shooting conditions. Daylight is used for sunny weather when the light is relatively warm. The light during overcast conditions is much cooler and requires a different white balance: cloudy. Office lighting will produce a strong green cast in photographs; the fluorescent setting restores the natural color under these condi- tions. Traditional household light bulbs emit very yellow light, which can be corrected with the tungsten setting.
Auto and manual white balance will not change the color of neon signs. White balance cannot correct
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