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TIP500
60
D
Deliberate 
  | Exposure Control  | |
  | The amount of light reaching the film plane is deter- | |
  | mined by a combination of the lens aperture and the  | |
  | shutter speed. Since the two are interrelated, different  | |
  | combinations will give the same exposure. A   | |
  | change in the shutter speed, or a   | |
  | aperture setting, will either halve or double the exposure.  | |
  | For example, a shutter speed of 1/125 second passes  | |
  | twice as much light as a setting of 1/250 second, and | |
  | only half as much light as a speed of 1/60 second; for an  | |
  | aperture setting of f/11, twice as much light as f/16, and  | |
c  | half as much as f/8, is passed. This feature characterizes  | |
the operation throughout the available range of shutter  | ||
  | ||
5D0iP  | speeds and aperture settings. With this in mind, it's easy  | |
to see that if a correct exposure for a scene is 1 /125 at  | ||
250  | ||
f/11, then 1/60 at f/16 or 1/250 at f/8 will be equally  | ||
  | ||
30  | acceptable. | |
  | 
15The best combination for your needs will depend on the
I  | results desired. Use fast shutter speeds to freeze motion,  | 
<  | 
2or use slow speeds to produce deliberate and creative
I
2 blur. Small apertures give greater depth of field, while
< large apertures restrict sharp focus to the main subject.
I
The creative selection of both speeds and apertures will greatly enhance your photography.
. . . and 
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