COMPOSING
Composing with a fisheye lens requires much more thought and planning than with a conventional lens. The lens not only produces wideangle distor- tion but it also exaggerates the relative size of objects to conform to its circular format. The 8mm f/2.8 offers the photographer the maximum pos- sible control over picture composition with reflex viewing and focusing control.
Be careful not to include in the picture unwanted objects such as the legs of a tripod or the photographer's hands or feet. Also, try not to let too much direct sunlight strike the lens as this may cause ghost images. One way to prevent this is to create an artificial "eclipse" using a
USING BUILT - IN FILTERS | D |
A set of five filters is built into the rear end of the lens mount: skylight (L1BC), medium yellow (Y48), deep yellow (Y52), orange (056) and red (R60). These filters are mounted on a revolving turret so they can be moved into place quickly one after another. Turn the knurled filter selector dial on the side of the lens mount until the desired filter designation on the rim of the dial clicks into place.
The skylight filter (L1BC) is used in either
The table below shows the filter factors for film rated at ASA/ISO 100. No exposure compensation is necessary with Nikon cameras, since the
Type of film
Type of filter
Color and shade Designation
Skylight | L1BC | |
v .. | f Medium | Y48 |
Y e " o w { D e e p | Y52 | |
Orange | 0 5 6 | |
Red |
| R60 |
Filter factor
Daylight Tungsten light
11
1.71.2
21.4
3.52
65
12