Mamiya RZ67 PRO II, RZ67 Pro II Body Only manual Multiple Exposures Infrared Photography

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Multiple Exposures • Infrared Photography

Multiple Exposures

Infrared Photography

RZ lenses need no focusing mount be- cause of the bellows feature. Normally, lenses with focusing mounts have a second- ary index for infrared film. Therefore, if you want to do critical infrared photography, you should focus as usual and before exposures move the focus slightly towards the camera body, as per table below. There is a millimeter scale on top of the focus scale.

RZ67 PRO II Infrared Correction Table

Shows required adjustment at infinity

1.Set the R-M Lever to 'M' (multiple exposure). The lever can be 100

moved to 'M' either before or after releasing the shutter.

2.Press the Cocking Lever as far as it will go in order to cock the shutter and set the mirror. The film will not advance at this time. The shutter can now be released, creating a double exposure. This procedure can be repeated as often as desired to create as many exposures as necessary.

When photographing the same subject two or more times though, exposure compensation is necessary. The same is true with different subjects that are all evenly illuminated. With subjects of different brightness, the darker one is normally photographed first. However, it is not within the scope of this operating manual to teach multiple exposure technique, as many excellent books dealing with this

subject are already available.

CAUTION

Unlike the "R" lever, the "M" lever does not return automatically to its normal position. Therefore you must do it manually. If you forget, the film is not transported and not only are subsequent exposures wasted, but the planned multiple exposure also.

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Contents Page Congratulations on your purchase A Mamiya RZ67 PRO Contents Ideal Format Special Features of the Mamiya RZ67 PRORack and Pinion Bellows Focusing Mamiya Revolving Back with Automatic Finder MaskingFilm Flatness Bright, Interchangeable Finders Focusing ScreensNew Features Electronic InterfaceNomenclature and Functions Body Shutter Speed Dial Battery Chamber CoverContacts for Power Winder Alignment Mark Revolving RingWaist-Level Finder Roll Film HolderFilm Spool Stud Spool Release PinsFilm Speed Dial Start MarkLens Cocking Position Marks Shutter Cocking PinsBayonet Ring Page Mamiya RZ67 PRO II Specifications Film typeInserting the Battery Attaching Lenses Setting the MirrorAttaching / Removing Lenses Attaching the LensRemoving the Lens Raising the Finder Raising the Magnifier Using the Waist-Level FinderLowering the Magnifier Removing the Finder Folding the FinderRemoving/Attaching the Finder Attaching the FinderFocusing Screens Interchanging the Focusing ScreenRemoving the Focusing Screen Removing a Focusing ScreenReleasing the Shutter Using the Release Button Collar R-M LeverOperating the Cocking Lever LED Monitor Lamp and Electronic Warning SoundsLED Monitor Lamps in Finder Electronic Warning SoundsShutter Speed and Aperture Shutter Speed DialAttaching the Holder Page Loading the Film Holder Page Advancing the Film Film can be advanced in either Two waysTaking Photographs Unloading Exposed Film Focusing Locking the Focusing Knob Focusing and Locking the Focusing KnobRefocusing Vertical and Horizontal Formats Revolving BackChange in Viewfinder Format Distance Scale Using the Depth-of-Field ScaleDistance Scale Depth-of-Field Depth-of-FieldLong Exposures Bulb B Exposures Time ExposuresMultiple Exposures Infrared Photography Multiple Exposures Infrared PhotographyMirror Lock-up Operation Attaching Flash Units Using a Tripod Flash Photography Using a TripodDetermining the Aperture Close-up Photography Exposure Compensation for Close-up PhotographyAttaching a Lens with Shutter Released or Mirror Raised Camera Back Lock System Removing the Strap How to Use the Carrying StrapAttaching the Strap Carrying PositionWhen the shutter can not be released TroubleshootingWhen the Film Holder can not be removed When the lens can not be removedFocusing Using RB Series Lenses and AccessoriesShutter Speed Selection Care of the Camera