FILM-TO-VIDEO TRANSFERS
When you transfer the film directly to video, you can set up the telecine using the negative Telecine Analysis Film (TAF) supplied by Eastman Kodak Company. The TAF consists of a neutral density scale and an
The TAF gray scale provides the telecine operator (colorist) with an effective way to adjust subcarrier balance and to center the telecine controls before timing and transferring a film. The TAF color bars provide the utility of electronic color bars, even though they do not precisely match the electronically generated color bars. Using the TAF will help obtain optimum quality and consistency in the
IMAGE STRUCTURE
The
MTF:
Refer to curve.
The "perceived" sharpness of any film depends on various components of the motion picture production system. The camera and projector lenses and film printers, among other factors, all play a role. But the specific sharpness of a film can be measured and charted in the Modulation Transfer Curve.
rms Granularity:
Refer to curve.
Read with a microdensitometer, (red, green, blue) using a
The "perception" of the graininess of any film is highly dependent on scene content, complexity, color, and density. Other factors, such as film age, processing, exposure conditions, and telecine transfer may also have significant effects.
CURVES
Sensitometric Curves
LOG EXPOSURE
3.0 |
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2.0 |
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DENSITY |
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1.0 |
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| G |
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0 | 2 | 4 | 6 | |||||
H15205TAF |
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| Camera Stops |
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The curves describe this film's response to red, green, and blue light. Sensitometric curves determine the change in density on the film for a given change in log exposure.3
Modulation-Transfer Function Curves
1000 |
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| Exposure: Daylight 5500 K |
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| Densitometry: Status M |
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| 100 |
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(%) |
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RESPONSE |
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H15205TB
SPATIAL FREQUENCY (cycles/mm)
This graph shows a measure of the visual sharpness of this film. The
KODAK VISION2 250D Color Negative Film 5205 / 7205 • | 3 |