26 EN MENUS FOR DETAILED ADJUSTMENT
| Recording Menus |
| GAIN UP |
|
|
| |||||||||||||
|
| OFF: Allows you to shoot dark scenes with no picture |
| ||||||||||||||||
|
|
| CAMERA |
| brightness adjustment. |
| |||||||||||||
|
|
|
|
| [AGC]: The overall appearance may be grainy, but the |
| |||||||||||||
The “m” settings are effective when the Power Switch is |
| ||||||||||||||||||
| image is bright. |
| |||||||||||||||||
set to both “A” and “M”. However, the menu settings can |
| AUTO |
|
|
|
| : The shutter speed is automatically |
| |||||||||||
be changed only when the Power Switch is set to “M”. |
| adjusted. Shooting a subject in low or poor lighting at |
| ||||||||||||||||
[ ] = |
| slow shutter speed provides a brighter image than in the | |||||||||||||||||
|
|
|
|
| AGC mode, but the subject’s movements are not smooth | ||||||||||||||
REC MODE |
| ||||||||||||||||||
|
| or natural. The overall appearance may be grainy. While | |||||||||||||||||
[SP]: To record in the SP (Standard Play) mode |
| the shutter speed is being automatically adjusted, “ | ” | ||||||||||||||||
LP: Long |
| is displayed. |
| ||||||||||||||||
the recording time. |
|
|
|
|
|
|
|
|
|
|
|
|
|
| MANUAL |
| |||
NOTES: |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||||
| The “q” settings are effective only when the Power |
| |||||||||||||||||
● Audio Dubbing ( pg. 37) and Insert Editing ( pg. 37) are |
|
| |||||||||||||||||
| possible on tapes recorded in the SP mode. |
| Switch is set to “M”. |
| |||||||||||||||
● If the recording mode is switched, the playback picture will |
| [ ] = |
| ||||||||||||||||
| be blurred at the switching point. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||
● It is recommended that tapes recorded in the LP mode on |
| DIS |
|
|
|
|
|
|
|
| |||||||||
| this camcorder be played back on this camcorder. |
| OFF: Disables the function. |
| |||||||||||||||
● During playback of a tape recorded on another camcorder, |
| [ON |
|
|
|
|
|
|
|
|
| ]: To compensate for unstable images caused |
| ||||||
|
|
|
|
|
|
|
| ||||||||||||
| blocks of noise may appear or there may be momentary |
| by |
| |||||||||||||||
| pauses in the sound. |
|
| ||||||||||||||||
|
| NOTES: |
| ||||||||||||||||
|
|
|
|
|
| ||||||||||||||
SOUND MODE |
|
| ● Accurate stabilization may not be possible if hand shake is | ||||||||||||||||
[12 bit]: Enables video recording of stereo sound on four |
| excessive, or under the following conditions: |
| ||||||||||||||||
separate channels, and is recommended for use when |
| • When shooting subjects with vertical or horizontal stripes. | |||||||||||||||||
| • When shooting dark or dim subjects. |
| |||||||||||||||||
performing Audio Dubbing. (Equivalent to the 32 kHz |
|
| |||||||||||||||||
| • When shooting subjects with excessive backlighting. |
| |||||||||||||||||
mode of previous models) |
|
| |||||||||||||||||
| • When shooting scenes with movement in various |
| |||||||||||||||||
16 bit: Enables video recording of stereo sound on two |
|
| |||||||||||||||||
| directions. |
| |||||||||||||||||
separate channels. (Equivalent to the 48 kHz mode of |
|
| |||||||||||||||||
| • When shooting scenes with |
| |||||||||||||||||
previous models) |
|
| |||||||||||||||||
| ● Switch off this mode when recording with the camcorder on | ||||||||||||||||||
|
|
|
|
| |||||||||||||||
|
|
|
|
| a tripod. |
| |||||||||||||
ZOOM |
|
|
| ||||||||||||||||
|
| ● The “ |
|
|
|
| ” indicator blinks or goes out if the Stabilizer |
| |||||||||||
|
|
|
|
|
|
| |||||||||||||
10X: When set to “10X” while using digital zoom, the |
|
|
|
|
|
| |||||||||||||
| cannot be used. |
| |||||||||||||||||
zoom magnification will reset to “10X” since digital zoom |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |||
| TELE MACRO |
|
|
| |||||||||||||||
will be disengaged. |
|
|
|
| |||||||||||||||
[40X]*: Allows you to use the Digital Zoom. By digitally |
| [OFF]: Disables the function. |
| ||||||||||||||||
processing and magnifying images, zooming is possible |
| ON: Usually the distance to a subject where the lens is in | |||||||||||||||||
from 10X (the optical zoom limit), to a maximum of 40X |
| focus depends on the zoom magnification. Unless there |
| ||||||||||||||||
digital magnification. |
| is a distance more than 1 m (3.3 ft) to the subject, the |
| ||||||||||||||||
700X*: Allows you to use the Digital Zoom. By digitally |
| lens is out of focus at the maximum telephoto setting. |
| ||||||||||||||||
processing and magnifying images, zooming is possible |
| When set to “ON”, you can shoot a subject as large as |
| ||||||||||||||||
from 10X (the optical zoom limit), to a maximum of 700X |
| possible at a distance of approx. 60 cm (2 ft). |
| ||||||||||||||||
digital magnification. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
* Available only when the VIDEO/MEMORY Switch is set to | NOTE: | |
Depending on the zoom position, the lens may go out of | ||
“VIDEO”. | ||
focus. | ||
|
SNAP MODE
[FULL]: Snapshot mode with no frame
FRAME: Snapshot mode with frame
[FULL]
For details on the procedure, refer to “Snapshot (For Video Recording)” ( pg. 31).
WIDE MODE
[OFF]: Records with no change in the screen ratio. For playback on a TV with a normal screen ratio.
CINEMA*: Inserts black bands at the top and bottom
of the screen. The |
| indicator appears. During playback |
on
without distortion. The |
| indicator appears. When using |