Setting menus
SCENE FILE screen
Item/ |
| Description of settings |
(display mode) |
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DETAIL LEVEL | For adjusting the detail amount. | |
(Camera) | ||
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CHROMA LEVEL | For adjusting the chroma level. | |
(Camera) | ||
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CHROMA | For finely adjusting the chroma phase. | |
PHASE | ||
(Camera) |
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COLOR TEMP | For finely adjusting the color temperature | |
(Camera) | (for performing fine adjustments after the | |
| white balance has been adjusted). | |
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MASTER PED | For adjusting the black master pedestal | |
(Camera) | which serves as the video reference. | |
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A. IRIS LEVEL | For setting the auto iris target value. | |
(Camera) | ||
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GAMMA | For selecting the gamma curve. | |
(Camera) |
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| The gamma curve which gives the | |
| images a | |
| In order to make full use of the CINE- | |
| LIKE gamma characteristics, it is | |
| recommended that the lens iris be set | |
| lower (by approx. 1/2) than the regular | |
| video level. | |
| LOW: |
|
| Using a gamma curve with a moderate | |
| gradient for the | |
| images are given a calm, composed look. | |
| A sharp touch is conveyed by the | |
| contrast. | |
| NORM: |
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| Standard images are produced. | |
| HIGH: |
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| Using a gamma curve with a sharp | |
| gradient for the | |
| gradations of the dark areas are | |
| extended to make them appear brighter. | |
| A soft touch is conveyed by the contrast. | |
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SKIN TONE DTL | For switching the skin tone detail ON or | |
(Camera) | OFF. |
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| When ON is selected, the detail in the skin | |
| tone areas is diminished and the graininess | |
| of the skin is reduced. | |
| OFF | ON |
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MATRIX | For selecting the matrix table and | |
(Camera) | expressing the colors during shooting. | |
| NORM: |
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| Colors suited to shooting outdoors or | |
| under light sources using halogen lamps | |
| are expressed. | |
| FLOU: |
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| Colors suited to shooting indoors under | |
| fluorescent light sources are expressed. | |
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| Colors suited to | |
| expressed. | |
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Item/ | Description of settings | |
(display mode) | ||
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V DETAIL FREQ | For setting the detail in the vertical direction | |
(Camera) | when shooting in the progressive mode. | |
| THIN : The detail is made finer. | |
| THICK : The detail is made coarser. | |
| O When “THIN” has been selected as the | |
| item’s setting and the images shot in the | |
| progressive mode are played back using | |
| a standard TV monitor (60i: interlace), | |
| some flickering will occur on the | |
| horizontal lines and on the diagonal lines | |
| near the horizontal. | |
| When playing back a tape in a | |
| progressive environment, this flickering | |
| is reduced by selecting “THIN” as the | |
| item’s setting, which will also enable | |
| images with a higher resolution than that | |
| with the “THICK” setting to be obtained. | |
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PROGRESSIVE | For setting shooting in the progressive | |
(Camera) | mode. | |
| OFF: | |
| Shooting is not performed in the | |
| progressive mode. | |
| 30P: | |
| Shooting is performed in the 30P mode | |
| (30 frames/sec.). | |
| 24P: | |
| Shooting is performed in the 24P mode | |
| (24 frames/sec.). | |
| Images are recorded on the tape using | |
| the [2:3] conversion system. | |
| 24P(ADV): | |
| Shooting is performed in the 24P | |
| advanced mode (24 frames/sec.). | |
| Images are recorded on the tape using | |
| the advanced conversion system. | |
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NAME EDIT | For editing the name of the scene file | |
(Camera) | selected by the scene file dial. | |
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SAVE/INIT | SAVE: | |
(Camera) | For saving the scene file settings after | |
| changes have been made to them. | |
| O If the menu mode is released without | |
| saving the changes, the original scene | |
| file settings will be restored when | |
| operation is switched to the VCR mode | |
| or the power is turned off. | |
| INITIAL: | |
| For returning the scene file settings | |
| selected by the scene file dial to the factory | |
| settings. | |
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