Avalon Acoustics AVALON ASCENDANT manual Standing Waves

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8.1Standing Waves

The parallel surfaces of most listening rooms can lead to a potential problem in the low frequencies. A sound wave can be repeatedly reflected from opposing surfaces, back and forth. If the distance between the surfaces is an integral multiple of one-half the sound wavelength, a standing wave will be set up. This means that the incident and reflected waves combine with each other so that a stationary pattern of high and low sound pressures is established in the room. This irregular distribution of sound level is caused by cancellation and reinforcement between the reflected and direct sound waves.

At high frequencies, this pattern of high and low sound pressure levels within the room becomes too finely spaced to be discerned. However, when the dimensions of the room are comparable to the wavelengths of the musical notes, there will be obvious changes in the intensity of certain bass notes in different locations within the room. Additionally, the existence of the standing wave implies a resonant condition where acoustic energy is stored in the room. This energy storage can result in “heavy”, “muddy”, or “slow” bass.

Since the presence of standing waves is caused by parallel reflective surfaces, practically every listening room suffers from this problem to some degree. However, several factors are working in our favor here. First, as the room size increases, the affected frequencies become lower and thereby less audibly apparent. Second, the presence of shelving or furniture against the walls will break up the large surfaces, reducing the magnitude of the problem. Third, upholstered furniture can absorb a significant amount of bass, diminishing the build-up of resonant energy. Fourth, typical wall construction is not completely reflective at low frequencies.

However, in some cases audibly objectionable standing waves will still be present in the listening room. This can be noted by large variations of the intensity of certain bass notes in different areas of the room. Another indicator is an unevenness of loudness of different bass notes. (This is sometimes what is actually on the recording, so be sure that this is consistently a problem on a variety of recordings.)

If you wish to reduce or eliminate standing waves that may exist in your room, it will be necessary to reduce the low-frequency reflectiveness of at least one of the parallel opposing surfaces. The most effective method is to use DAAD’s, available from Acustica Aplicata. Experimentation will be needed to determine the optimal locations.

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Contents Page Page Table of Contents Page Introduction Contents Unpacking InstructionsIntroduction Opening the Crate Orientation of the Felt Anti-Diffraction Mask Installing the GrillesReplacing Grille Pins Page Connecting the Speaker to the Amplifier Wiring InstructionsBreak-in Period Maximizing Performance Speaker Placement and SymmetryBreak-in Grille AssembliesApex Couplers Toe-inCorner Treatment First Reflection PointsCabinet Care of Your Avalon LoudspeakersWarranty Statement WarrantyPage Introduction Room Acoustics and Speaker PositionAn Optical Analogy Standing Waves Flutter Echo Early ReflectionsAvoiding Early Reflections Page Bass reinforcement Page Summary of Recommendations Speaker Placement Listening Room Example Sensitivity to Time-Related Information Accuracy of Bass ReproductionAnechoic Frequency Response vs. In-Room Frequency Response RationaleCorrelation with Amplifier Measurements Measurements of Audio EquipmentDesigning for Accurate Bass Reproduction Loudspeaker MeasurementsListening Qualities Frequency Response EffectsListening for Size Distortions Transient Response Effects ConclusionFeatures Specifications