TYPICAL SETUPS
G-Natural in a studio
Audio inteface
micinst ch1 | phan micinst ch2 |
| line in | monitor |
| phones |
padinst |
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| phan |
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min | max | min | max |
| min | max |
gain trim | gain trim | source level | output level |
Instrument input
LR outputs | Microphone input |
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algorithm select |
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VARIATIONS |
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| factory |
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hold to save |
| 1 | 2 | 3 | 4 |
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| default | store | levels | menu | ||||
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| thicken |
| clean |
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| detune |
| analog | Decay | PreDly | Color | MixMM |
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| vibrato | spring | tape | ||||
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| tremolo | hall | dynam | 1.2s | 250ms | 100% | 25% |
studio |
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| chorus | room | reverse | ||||
stomp | EQ | boost | flanger | plate | p.pong | edit A | edit B | edit C | edit D |
comp | EQ | boost | mod | reverb | delay | subdiv |
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COMP |
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| MOD |
| DELAY | REVERB |
BANK UP
1 | 2 | 3 | BOOST |
/TAP TEMPO | |||
| BANK DN |
| G•NATURAL |
In project studios you may enjoy utilizing some of the effects in
Connections
•Connect the condenser mic to the
•Activate phantom power
•Connect L/R outputs to your audio interface (or use the digital output)
WARNING! When connecting the
Basic settings
•Set input sensitivity via the Levels menu
•Select active effect pressing the COMP, MOD, DELAY and REVERB switches
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